Sentences with phrase «hard at the paintings»

Not exact matches

If we would glance back at where we are, we might see in order to have rubbernecked so hard and so far we've been standing with high heels ground down on top of the hand painted, one - of - a-kind life art crafted for us.»

His painting is very much about looking, about seeing a traditional subject in a way that eschews sentiment and convention for the sake of an unflattering, unaffected gaze at the hard facts.

The Spurs just couldn't score in the paint, and it's mighty hard to pull out a win without easy buckets at the rim or free throws.

No one can stop him inside at the college level, so it's hard to blame Sean Miller if he would prefer him to live in the paint.

COLOR PHOTO: GREG FOSTER [See caption above] B / W PHOTO: ROBERT L. SMITH BUFFALO BOB With the Bills, Kalsu (61) worked as hard as he had at Oklahoma and started nine games as a rookie.B / W PHOTO: COURTESY OF AUDREY WRIGHTSELL BROTHER - IN - ARMS Johnson, who was practically inseparable from Kalsu on Ripcord, would die with him too.COLOR PHOTO: GREG FOSTER LASTING IMAGE At home in Oklahoma City, Leah Kalsu keeps a painting of Bob by another former Sooner, Tommy McDonalat Oklahoma and started nine games as a rookie.B / W PHOTO: COURTESY OF AUDREY WRIGHTSELL BROTHER - IN - ARMS Johnson, who was practically inseparable from Kalsu on Ripcord, would die with him too.COLOR PHOTO: GREG FOSTER LASTING IMAGE At home in Oklahoma City, Leah Kalsu keeps a painting of Bob by another former Sooner, Tommy McDonalAt home in Oklahoma City, Leah Kalsu keeps a painting of Bob by another former Sooner, Tommy McDonald.

Looking at her handmade ceramics painted with hares on motorbikes, socks hung up on a washing line in pairs by an eager husband on laundry duty, and fluttering bunting strung out by the imaginary Mrs Digby's to brighten up a gloomy day, it's not hard to see why.

«The ceiling will be an LED screen which will appear as a blue sky with clouds,» said Cuomo, who was speaking at a midtown hotel under chandeliers whose hard surfaces were similarly painted blue.

If Labour don't define themselves, then come the next election the Conservatives will paint the choice as being «the party that took the hard but necessary decisions while Labour suggested nothing» or «the party that took the steps needed to bring the economy back to health, opposed at every step by Labour».

My poor old head is so full of all the blog inspiration it's hard for me to sleep at night, I want to get up and go make an arrangement or paint something, whatever.

While I was at it, I painted some wooden acorns, because when you've got gold metallic on your paint brush, it's hard to stop.

And even though my black and white campaign dresser that serves as the bar area wasn't as cheap as my bamboo mirror, it's my favorite buy because it was a challenge to find (we eventually came across it at a local consignment store) and also because Bramley worked very hard painting and refurbishing it.

Binky and I have been hard at work in his room, hanging nursery paintings and finding new books to add to his bookshelf!

Hi Diane, I'm doing an old antique bed room suite it's been in the family over 50 years and then some I want to make it right as is have around five pieces to do what do you think I should use and steps I should take should I sand then primer and use pop with a satin or flat paint the bedroom suit will be used so I also want it to hold up years to come,, I'm really having a hard time as it a high dollar bedroom set as we have seen a few just like sell it at estate sells,,, thanks for any info..

«The students have created some traditions, and they work hard to paint a complete picture of student life here at Batchelor Middle School.»

«I think it's hard to paint charter schools with one broad brush,» said Orin Gutlerner, chief academic officer at Match Charter Public School, where the percentage of English - language learners exceeds the Boston school system's average and its population of students with disabilities is near the system's average.

I purchased my 2014 in Feb this year, and was surprised at the poor build quality, A very plastic steering wheel poorly trimmed seats and a headliner that started to hang after one week, a seat - belt that didn't work out of the factory and paint peeling of the front bumper, Oh yes, Loud cabin (engine noise) Now it does have its good side, Great road holding and accurate breaks, This car will give you over 30 mpg, I drive it hard, Just install a K&N filter and its good, Nice try ford but no cigar, I payed my $ 22k and could have done much better and got more for my money,,

You know full well that it has received plenty of cosmetic surgery over the past decade, but it's hard not to find the end product - especially with this monochromatic paint scheme - at least somewhat attractive.

Primarily due to silicone's benign characteristic in terms of preventing damage to a painted surface, it remains popular for many show cars that are not intended to be driven routinely at higher speeds and potential hard braking.

Here is a fresh off lease Chevy Cruze LT straight from GM... auto, ac, Xm, alloy wheels and a sharp black pearl paint... Only 12000 miles you will be hard pressed to find a lower mileage car at this price.

I knew it would be slow going at first because I also suffer from Van Gogh Syndrome — that means I'm a genius but people have a hard time recognizing my genius in my lifetime (Van Gogh only sold one painting in his lifetime).

So when all three of them suddenly decide that one beaten - down corner of the market has suddenly reached the value stage, it's hard not to take a look at what there are up to — even if those investments are as about as exciting as watching paint dry.

Mr. Aliartha themed «Sea Devil», Mr. I Nyoman Paka transformed his model into «Legong Keraton», Mr. Adi Pratama painted on his model into «Hard Rock Hotel Bali at Kuta Beach», whilst Mr. I Nyoman Gacawinasta, Spd created a «Legong Dance».

When players are not on the road racing and finding stuff, they can use their hard earned credits to purchase new cars at the showroom, create or buy paint jobs from other players, and more.

BP: I also heard a story that when John Currin was a grad student at Yale, you went as a visiting artist and, during the studio critiques, you told him that his work (he was making abstract paintings at the time) had something hard to find in painting: they had poverty.

It is hard to begrudge a museum agreeing to show what is undeniably a masterpiece — the painting is drawing crowds, and hopefully minting more than a few new Basquiat fans — and one never wants to sound churlish, but it has to be said that such temporary shows of the wealthy's latest purchases feel depressingly of the moment, at once a sign of today's vicious income inequality and the precarious state of many publicly funded institutions.

Opening: Mark Reynolds at Pierogi Geometer Mark Reynolds» first exhibition of drawings reflects the artist's lifelong commitment to «drawing and visually constructing geometries,» according to a release, in the styles of geometric abstraction, hard - edge painting, minimalism, and others.

I especially like the paintings where it is hard to figure out what you are actually looking at (the taming of the shrew, siren); it gives the work an air of mystery and formal abstraction that keeps you circling back through.

«Cristina de Miguel may have trained at a classically inclined art academy in Seville, Spain, but you'd be hard pressed to recognize that given the exuberant, large - scale paintings in «Absolutely Yours,» the artist's debut solo show with Freight + Volume in New York... [with] scenes that respond either to moments the artist has witnessed in New York, or to the act of painting itself.»

Having studied with Karl Benjamin at Claremont Graduate University, Johnson is clearly a contemporary heir to California Hard - Edge painting.

But Reinhardt's black paintings look like objects only if you don't look at them very hard.

His first solo exhibition took place at Kordansky's gallery in Los Angeles in 2013, a selection of early, Hard - Edge paintings curated by gallery - mate Rashid Johnson.

After a long absence following his last solo show at Paula Cooper (in 1977), Van Buren's work finally began filtering back into public view in New York about 10 years ago, first at small venues such as Mitchell Algus Gallery and Sideshow, and in the revelatory exhibition 2007 traveling exhibition «High Times Hard Times: New York Painting 1965 - 1975.»

At the risk of being redundant where are the major 1960s - 1970s Abstract Expressionist, Colorfield, Hard - edge, or Lyrical Abstractionist paintings of Robert Motherwell, Hans Hofmann, Morris Louis, Adolph Gottlieb, Helen Frankenthaler, Kenneth Noland, Sam Francis, Larry Poons, Richard Diebenkorn, Frank Stella, Ron Davis, Gene Davis, Jules Olitski, Ellsworth Kelly, Friedel Dzubas, Al Held, Ray Parker, Neil Williams, John Mclaughlin, Jack Bush, Ed Moses, Walter Darby Bannard, Sam Gilliam, Ronnie Landfield, Peter Young, Dan Christensen, Joan Snyder, Pat Lipsky, Stephen Mueller, Stanley Boxer, Joe Goode, Larry Zox, Jack Whitten, Lee Lozano, Charles Hinman, Robert Natkin, Thomas Downing, John Griefen, Doug Ohlson, Tom Holland, Jack Youngerman, Sandi Slone, Edward Avedisian, David Novros, David Prentice, Joanna Pousette - Dart, Chuck Arnoldi, Laddie Dill, Dennis Ashbaugh, Kikuo Saito, Carol Sutton, Frances Barth, Harriet Korman, Ralph Humphrey, William Pettet, Lawrence Stafford, Jake Berthot, Paul Feeley, Al Loving, Ludwig Sander, Nassos Daphnis, Paul Jenkins, David Diao, Frank Bowling, Harvey Quaytman, Katherine Porter, Ed Ruda, Alan Cote, David Budd, Leo Valledor, Alan Shields, Natvar Bhavsar, Francine Tint, John Seery, Carol Haerer, Philip Wofford, Thornton Willis, Carl Glicko, Dorothea Rockburne, Bill Jensen, David Reed, Gary Stephen, and where is abstract sculpture?

Enter «High Times, Hard Times: New York Painting, 1967 - 1975,» a brave if deficient exhibition organized by Independent Curators International, which concludes its three - stop tour at the National Academy Museum.

Fortunately, Young's work has been included in the recent exhibitions High Times, Hard Times: New York Painting 1967 — 1975, assembled by Katy Siegel in consultation with David Reed, and Peter Young: 1963 — 1977 at MoMA PS1 (June 24 — September 24, 2007), which was accompanied by a monograph containing an introduction by David Deutsch, and illuminating essays by Alanna Heiss, Klaus Kertess and Ellen H, Johnson, the latter previously published in Artforum (April 1971).

Sam Gilliam: Hard - Edge Paintings is on view at David Kordansky, 3143 S. La Cienaga Blvd., Los Angeles, through May 11.

If these paintings, like all of Kelly's shaped canvases, seem simple at first sight, that's because Kelly has already done the hardest work.

Pop was next, hard edge and minimal painting and of course Francis Bacon, which was in ascendance at the time you were a post-graduate student at the Royal College of Arts, London.

«High Times, Hard Times: New York Painting, 1967 - 1975» runs through April 22 at the National Academy Museum, 1083 Fifth Avenue, at 89th Street; [phone].

Renowned for her challenging optical and hard - edged abstract paintings, Edna Andrade (1917 - 2008) lived and worked in Philadelphia beginning from the time she was a student at the Pennsylvania Academy of the Fine Arts.

The paint is rendered with an almost suede - looking surface that's at odds with the hard - edge shapes.

In a painting such as Summer Days (1936) O'Keefe seemed to issue a romanticist rallying call, in the face of Alfred H Barr's apparently Eurocentric espousal of hard - edged modernism at MOMA.

The kite - like form at the core of the hard - edged paintings, and specifically the acute angles inside its triangular parts, offers a geometric basis.

I still remember vividly his painting in America Is Hard to See, the inaugural exhibition at the Whitney Museum of American Art's new building in 2015.

In the City, Sarah McEneaney continues to blow me away with her suite of hard won new paintings at Tibor de Nagy (Be sure to read Roberta Smith's review of the show in the New York Times.)

2000 Luci in Galleria, da Warhol al 2000, Galleria Gian Enzo Sperone, Turin, Italy Grant Selwyn Fine Art, New York Peter Halley / Alex Katz / Sherrie Levine, Galerie Wilma Tolksdorf, Frankfurt am Main Glee: Painting Now, Palm Beach Institute of Contemporary Art, Lake Worth, FL; Aldrich Museum of Contemporary Art, Ridgefield, CT (catalogue) Around 1984: A Look at Art in the Eighties, MoMA P.S. 1, Long Island City, NY (catalogue) New Prints 2000, International Print Center, New York Flights of the Málaga Collection, Fundacion la Caixa, Málaga, Spain Hard Pressed: 600 Years of Prints and Process, AXA Gallery, New York (catalogue) Universal Abstraction 2000, Jan Weiner Gallery, Kansas City, MO Perfidy: Surviving Modernism, Kettle's Yard, Cambridge, UK Wall Works, Edition Schellmann, Munich From Albers to Paik: Works of the DaimlerChrysler Collection, Kunst Zürich, Zurich Age of Influence: Reflections in the Mirror of American Culture, Museum of Contemporary Art, Chicago Collectors: The Collection of Fondation Cartier for Contemporary Art, Palazzo Delle Papesse, Siena, Italy Bit by Bit: Painting & Digital Culture, Numark Gallery, Washington, DC American Art: The Last Decade, Loggetta Lombardesca, Ravenna, Italy (catalogue) Out of Order: Mapping Social Space, CU Art Galleries, University of Colorado at Boulder, Boulder, CO; travelled to Carleton College Art Gallery, Northfield, MN; Pittsburgh Center for the Arts, PA; Atlanta Contemporary Art Center, GA; Santa Barbara Contemporary Art Forum, CA (catalogue) Inka Essenhigh / Peter Halley, Mary Boone Gallery, New York Architecture & Memory, Lawrence Rubin, Greenberg Van Doren Fine Art, New York Sandra Gering Gallery, New York

In this week's roundup, Mark Bradford repurposes South L.A. urban detritus, Allora & Calzadilla perform at MoMA, Raymond Pettibon goes hard in the paint, artists have a couple of firsts, and much...

The American artist Christopher Wool's large abstract paintings are often beautiful, but they are so emptied of content that it is at first hard to know what to make of them.

But you get to a point where you kind of go through Northern painting, you go through Italian Renaissance, you spend all these periods really looking at it hard, and you go look at the real stuff and you just kind of run out of things to look at.

At Alan Christea, Julian Opie tries much too hard to turn painting into fish wallpaper, but I enjoyed the catalog pretending to be an evening tabloid.