And Peter uses a fresh take on classic landscape painting by overlaying soft and
hard edges of paint to imitate what the viewer sees.»
Not exact matches
It
painted us as being on the cutting
edge of in - stadium experience, as some other teams are having a
hard time filling it.
The one thing about
painting on a sweater is that because it is a knit it was a bit
harder to control the
edges of the image.
Frankenheimer looked to the
paintings of Andrew Wyeth for inspiration, and the
hard edges and muscular camerawork
of his earlier films gave way to tableaus
of unadorned Americana.
March 2011 featured many wonderful
painting blog posts on diverse topics ranging from
hard -
edged abstraction to the Danish Golden age
of figure
painting and by a mix
of established art writers and artist bloggers.
I soften back the
edge of the yellow
paint with water so that I don't get a
hard edge of yellow where the highlight begins (I want the
edge to blend).
But then I'll do something intentional like
painting a
hard -
edged geometric shape on top
of an area
of thick texture or heavy impasto.
Instead, you had
hard -
edge painting, a kind
of minimalism that existed here before it was in vogue anywhere else.
Opening: Mark Reynolds at Pierogi Geometer Mark Reynolds» first exhibition
of drawings reflects the artist's lifelong commitment to «drawing and visually constructing geometries,» according to a release, in the styles
of geometric abstraction,
hard -
edge painting, minimalism, and others.
I finished my series
of fifteen
hard edge border
paintings (colored borders around the void) in August 1966.
As a cerebral painter, this body
of work continues his interest in systems, minimalism, and Op Art from the 1960s and 70s; with the computer as a drawing tool, his images also explore contemporary graphic design, digital technology and the history
of hard -
edged abstract, geometric
painting.
In 1964, he made a series
of hard -
edge border
paintings using gray, orange, salmon and other soft and felt color relationships.
With precise, clipped versions
of nature but a joyful surface quality, the
paintings juxtapose the
hard edges of architecture with the dynamic chaos
of the natural world.
His use
of colour in his «wobbly
hard edge»
paintings (his term) makes everything else in here look dull.
I made a lot
of hard edge paintings during that time and by the Fall
of 1965 I finished a series
of drawings
of my next and really first series
of mature
paintings.
I would also point to Jaffe's
hard -
edged paintings of the 70s, which are not Abstract Expressionist, Minimalist or Pop.
Some
of the new styles and movements that appeared in the early 1960s as responses to abstract expressionism were called: Washington Color School,
Hard -
edge painting, Geometric abstraction, Minimalism, and Color Field.
As disparate as the artistic approaches appear to be in Rothko to Richter, what united the painters throughout the period was a commitment to process, as artists explored a range
of brushwork techniques, from audaciously gestural ribbons
of built - up
paint to vibrating fields and soft washes
of color to
hard -
edged geometries.
The dragging and scraping
of the grey
paint with a palette knife creates a soft surface in opposition to the
hard -
edged and flat shapes.
Her
paintings draw on various traditions
of abstraction from gestural and geometric,
hard -
edge styles.
Radical, new,
Hard -
Edge painting, Colorfield
painting and Pop Art replaced what had become the conventional look
of Abstract Expressionism.
The «Protractor» series
of the late 1960s saw him
paint hard -
edged rainbows
of color on asymmetrically combined, broadly curved canvases, forever leaving behind the rectangular frame.
Mark di Suvero's sculpture, and to a lesser degree John Chamberlain's (whose sculpture bridges Abstract Expressionism with
Hard -
Edge painting), and the
paintings by Joan Mitchell, Grace Hartigan, Robert Rauschenberg, Cy Twombly, and Alfred Leslie resonate with the qualities
of the Second Generation.
Herrera
paints or draws daily even now, and her work has remained an exhilarating example
of hard -
edged abstraction.
Before I began my fifteen series
paintings, 9» x 6», large open fields with 4» borders I made a group
of nine or ten large
hard edge paintings in mostly primary colors and some smaller ones a few
of which were in black and white.
His earlier works, produced in the 1980's, were signature Day - Glo,
hard -
edged paintings that acted as metaphors for the way in which social spaces have become delineated within the proliferating abstract nature
of the technological world we now live in - as prisons or cells.
The adjacent room
of Hard -
Edge and Colorfield
Painting is as empty and absurd an installation as I've ever seen.
His diverse
painting practice weaves together impulses
of minimalism and
hard -
edge abstraction with those
of the California Light and Space movement, to forge an entirely singular creative vision.
In the years following World War II, a distinctive style
of art, identified as
Hard -
Edge painting, was developed by pioneering artists such as Karl Benjamin, Lorser Feitelson, Oskar Fischinger, Helen Lundeberg, and John McLaughlin.
Painted on rectangles
of sky blue with thin
hard edge black lines describing simple yet complicated designs; a few
of his sky blue
paintings had black numbers stenciled on the surface corresponding to his own arcane system
of height and width.
I should also note that he was the first
of the New York School to make a mural - size
painting (it measures 7.5 × 10 feet), and that his personal style owes nothing to the athletic gesture that is often identified with certain works by Pollock, de Kooning and Kline, or the subtle applications
of the
hard -
edge geometry
of Reinhardt, or the fields
of suffused and unbroken color in Rothko and Newman.
His first solo exhibition took place at Kordansky's gallery in Los Angeles in 2013, a selection
of early,
Hard -
Edge paintings curated by gallery - mate Rashid Johnson.
In 1969 I began a continuing series
of stain
paintings combining stained surfaces, with
hard edged colored bands,
painted in different sizes across the bottom (some
of which had abstract writing in them) and later, colored bands
of different lengths and widths on the
edges.
A
painting such as «Untitled (CR1403)» (2014) easily takes its place in a lineage
of hard -
edged abstraction with roots in Russian constructivism and including painters such as Frederick Hammersley (1919 - 2009) and Ellsworth Kelly.
Young also made a couple
of sky blue
paintings with white
hard edge lines.
I began a group
of hard edge acrylic stripe
paintings and I also began to write a long and intensely personal prose poem that I called the myth.
At the risk
of being redundant where are the major 1960s - 1970s Abstract Expressionist, Colorfield,
Hard -
edge, or Lyrical Abstractionist
paintings of Robert Motherwell, Hans Hofmann, Morris Louis, Adolph Gottlieb, Helen Frankenthaler, Kenneth Noland, Sam Francis, Larry Poons, Richard Diebenkorn, Frank Stella, Ron Davis, Gene Davis, Jules Olitski, Ellsworth Kelly, Friedel Dzubas, Al Held, Ray Parker, Neil Williams, John Mclaughlin, Jack Bush, Ed Moses, Walter Darby Bannard, Sam Gilliam, Ronnie Landfield, Peter Young, Dan Christensen, Joan Snyder, Pat Lipsky, Stephen Mueller, Stanley Boxer, Joe Goode, Larry Zox, Jack Whitten, Lee Lozano, Charles Hinman, Robert Natkin, Thomas Downing, John Griefen, Doug Ohlson, Tom Holland, Jack Youngerman, Sandi Slone, Edward Avedisian, David Novros, David Prentice, Joanna Pousette - Dart, Chuck Arnoldi, Laddie Dill, Dennis Ashbaugh, Kikuo Saito, Carol Sutton, Frances Barth, Harriet Korman, Ralph Humphrey, William Pettet, Lawrence Stafford, Jake Berthot, Paul Feeley, Al Loving, Ludwig Sander, Nassos Daphnis, Paul Jenkins, David Diao, Frank Bowling, Harvey Quaytman, Katherine Porter, Ed Ruda, Alan Cote, David Budd, Leo Valledor, Alan Shields, Natvar Bhavsar, Francine Tint, John Seery, Carol Haerer, Philip Wofford, Thornton Willis, Carl Glicko, Dorothea Rockburne, Bill Jensen, David Reed, Gary Stephen, and where is abstract sculpture?
Using bright color,
hard edges and shaped fiberglass supports his
paintings were reminiscent
of Stella's shaped canvasses.
By the end
of the year I had two series
paintings finished, several other large
hard edge paintings, many smaller ones, works on paper, and a few sculptures.
Housed in the Empire State Plaza's underground Concourse gallery, this sprawling bunker
of generic
hard -
edged abstract
painting and minimal sculpture was regarded by students and faculty alike as something
of an embarrassment
of riches, the last vestiges
of overblown Greenbergian dictates on advanced art.
Sesshu was deeply influential to McLaughlin in determining the use
of rectilinear space as a «neutral structure» in his own
hard -
edge paintings.
In St. Augustine, I
painted an asymmetrical, emotionally intense, abstraction that combined several styles and expressions in one picture;
hard edge borders,
hard edge lines, stacks
of painterly brushed smears, on a deep red field.
Partly a reaction against Abstract Expressionism, best known in the thickly layered
paintings of American artists Willem de Kooning and Jackson Pollock,
Hard -
Edge emphasized angular lines, reduced forms, precise surfaces, and rich colors.
I returned to New York City in June 1965 and made a series
of simple and clear
hard edge paintings that used symbolic color to represent the elements: yellow for sun, light and heat; sky - green for the void, daylight, and the answer; black for the night, the unknown and the question; and tan for flesh, being and the earth.
They created a new kind
of painting that was
hard -
edge, geometric, brightly colored or monochromatic, packing an immediate punch.
Pop was next,
hard edge and minimal
painting and
of course Francis Bacon, which was in ascendance at the time you were a post-graduate student at the Royal College
of Arts, London.
Ronald Davis produced many brilliant series
of hard -
edge paintings in the sixties.
Could you talk a little bit about the
edges of forms in your
paintings and how you think
of achieving those
edges and why you don't like
hard edge specifically as a term.
Associated with Op Art,
Hard -
edge painting, Color Field
painting, Lyrical Abstraction and Abstract Expressionism, Poons has challenged critical expectations throughout his career, transitioning through several distinct phases
of work.
TS Another aspect to the colour samples and boxes in this show is that the shelves that you have introduced into art history can be seen in a trajectory
of hard -
edge abstract
painting.