Sentences with phrase «hard edges of the painted»

And Peter uses a fresh take on classic landscape painting by overlaying soft and hard edges of paint to imitate what the viewer sees.»

Not exact matches

It painted us as being on the cutting edge of in - stadium experience, as some other teams are having a hard time filling it.

The one thing about painting on a sweater is that because it is a knit it was a bit harder to control the edges of the image.

Frankenheimer looked to the paintings of Andrew Wyeth for inspiration, and the hard edges and muscular camerawork of his earlier films gave way to tableaus of unadorned Americana.

March 2011 featured many wonderful painting blog posts on diverse topics ranging from hard - edged abstraction to the Danish Golden age of figure painting and by a mix of established art writers and artist bloggers.

I soften back the edge of the yellow paint with water so that I don't get a hard edge of yellow where the highlight begins (I want the edge to blend).

But then I'll do something intentional like painting a hard - edged geometric shape on top of an area of thick texture or heavy impasto.

Instead, you had hard - edge painting, a kind of minimalism that existed here before it was in vogue anywhere else.

Opening: Mark Reynolds at Pierogi Geometer Mark Reynolds» first exhibition of drawings reflects the artist's lifelong commitment to «drawing and visually constructing geometries,» according to a release, in the styles of geometric abstraction, hard - edge painting, minimalism, and others.

I finished my series of fifteen hard edge border paintings (colored borders around the void) in August 1966.

As a cerebral painter, this body of work continues his interest in systems, minimalism, and Op Art from the 1960s and 70s; with the computer as a drawing tool, his images also explore contemporary graphic design, digital technology and the history of hard - edged abstract, geometric painting.

In 1964, he made a series of hard - edge border paintings using gray, orange, salmon and other soft and felt color relationships.

With precise, clipped versions of nature but a joyful surface quality, the paintings juxtapose the hard edges of architecture with the dynamic chaos of the natural world.

His use of colour in his «wobbly hard edge» paintings (his term) makes everything else in here look dull.

I made a lot of hard edge paintings during that time and by the Fall of 1965 I finished a series of drawings of my next and really first series of mature paintings.

I would also point to Jaffe's hard - edged paintings of the 70s, which are not Abstract Expressionist, Minimalist or Pop.

Some of the new styles and movements that appeared in the early 1960s as responses to abstract expressionism were called: Washington Color School, Hard - edge painting, Geometric abstraction, Minimalism, and Color Field.

As disparate as the artistic approaches appear to be in Rothko to Richter, what united the painters throughout the period was a commitment to process, as artists explored a range of brushwork techniques, from audaciously gestural ribbons of built - up paint to vibrating fields and soft washes of color to hard - edged geometries.

The dragging and scraping of the grey paint with a palette knife creates a soft surface in opposition to the hard - edged and flat shapes.

Her paintings draw on various traditions of abstraction from gestural and geometric, hard - edge styles.

Radical, new, Hard - Edge painting, Colorfield painting and Pop Art replaced what had become the conventional look of Abstract Expressionism.

The «Protractor» series of the late 1960s saw him paint hard - edged rainbows of color on asymmetrically combined, broadly curved canvases, forever leaving behind the rectangular frame.

Mark di Suvero's sculpture, and to a lesser degree John Chamberlain's (whose sculpture bridges Abstract Expressionism with Hard - Edge painting), and the paintings by Joan Mitchell, Grace Hartigan, Robert Rauschenberg, Cy Twombly, and Alfred Leslie resonate with the qualities of the Second Generation.

Herrera paints or draws daily even now, and her work has remained an exhilarating example of hard - edged abstraction.

Before I began my fifteen series paintings, 9» x 6», large open fields with 4» borders I made a group of nine or ten large hard edge paintings in mostly primary colors and some smaller ones a few of which were in black and white.

His earlier works, produced in the 1980's, were signature Day - Glo, hard - edged paintings that acted as metaphors for the way in which social spaces have become delineated within the proliferating abstract nature of the technological world we now live in - as prisons or cells.

The adjacent room of Hard - Edge and Colorfield Painting is as empty and absurd an installation as I've ever seen.

His diverse painting practice weaves together impulses of minimalism and hard - edge abstraction with those of the California Light and Space movement, to forge an entirely singular creative vision.

In the years following World War II, a distinctive style of art, identified as Hard - Edge painting, was developed by pioneering artists such as Karl Benjamin, Lorser Feitelson, Oskar Fischinger, Helen Lundeberg, and John McLaughlin.

Painted on rectangles of sky blue with thin hard edge black lines describing simple yet complicated designs; a few of his sky blue paintings had black numbers stenciled on the surface corresponding to his own arcane system of height and width.

I should also note that he was the first of the New York School to make a mural - size painting (it measures 7.5 × 10 feet), and that his personal style owes nothing to the athletic gesture that is often identified with certain works by Pollock, de Kooning and Kline, or the subtle applications of the hard - edge geometry of Reinhardt, or the fields of suffused and unbroken color in Rothko and Newman.

His first solo exhibition took place at Kordansky's gallery in Los Angeles in 2013, a selection of early, Hard - Edge paintings curated by gallery - mate Rashid Johnson.

In 1969 I began a continuing series of stain paintings combining stained surfaces, with hard edged colored bands, painted in different sizes across the bottom (some of which had abstract writing in them) and later, colored bands of different lengths and widths on the edges.

A painting such as «Untitled (CR1403)» (2014) easily takes its place in a lineage of hard - edged abstraction with roots in Russian constructivism and including painters such as Frederick Hammersley (1919 - 2009) and Ellsworth Kelly.

Young also made a couple of sky blue paintings with white hard edge lines.

I began a group of hard edge acrylic stripe paintings and I also began to write a long and intensely personal prose poem that I called the myth.

At the risk of being redundant where are the major 1960s - 1970s Abstract Expressionist, Colorfield, Hard - edge, or Lyrical Abstractionist paintings of Robert Motherwell, Hans Hofmann, Morris Louis, Adolph Gottlieb, Helen Frankenthaler, Kenneth Noland, Sam Francis, Larry Poons, Richard Diebenkorn, Frank Stella, Ron Davis, Gene Davis, Jules Olitski, Ellsworth Kelly, Friedel Dzubas, Al Held, Ray Parker, Neil Williams, John Mclaughlin, Jack Bush, Ed Moses, Walter Darby Bannard, Sam Gilliam, Ronnie Landfield, Peter Young, Dan Christensen, Joan Snyder, Pat Lipsky, Stephen Mueller, Stanley Boxer, Joe Goode, Larry Zox, Jack Whitten, Lee Lozano, Charles Hinman, Robert Natkin, Thomas Downing, John Griefen, Doug Ohlson, Tom Holland, Jack Youngerman, Sandi Slone, Edward Avedisian, David Novros, David Prentice, Joanna Pousette - Dart, Chuck Arnoldi, Laddie Dill, Dennis Ashbaugh, Kikuo Saito, Carol Sutton, Frances Barth, Harriet Korman, Ralph Humphrey, William Pettet, Lawrence Stafford, Jake Berthot, Paul Feeley, Al Loving, Ludwig Sander, Nassos Daphnis, Paul Jenkins, David Diao, Frank Bowling, Harvey Quaytman, Katherine Porter, Ed Ruda, Alan Cote, David Budd, Leo Valledor, Alan Shields, Natvar Bhavsar, Francine Tint, John Seery, Carol Haerer, Philip Wofford, Thornton Willis, Carl Glicko, Dorothea Rockburne, Bill Jensen, David Reed, Gary Stephen, and where is abstract sculpture?

Using bright color, hard edges and shaped fiberglass supports his paintings were reminiscent of Stella's shaped canvasses.

By the end of the year I had two series paintings finished, several other large hard edge paintings, many smaller ones, works on paper, and a few sculptures.

Housed in the Empire State Plaza's underground Concourse gallery, this sprawling bunker of generic hard - edged abstract painting and minimal sculpture was regarded by students and faculty alike as something of an embarrassment of riches, the last vestiges of overblown Greenbergian dictates on advanced art.

Sesshu was deeply influential to McLaughlin in determining the use of rectilinear space as a «neutral structure» in his own hard - edge paintings.

In St. Augustine, I painted an asymmetrical, emotionally intense, abstraction that combined several styles and expressions in one picture; hard edge borders, hard edge lines, stacks of painterly brushed smears, on a deep red field.

Partly a reaction against Abstract Expressionism, best known in the thickly layered paintings of American artists Willem de Kooning and Jackson Pollock, Hard - Edge emphasized angular lines, reduced forms, precise surfaces, and rich colors.

I returned to New York City in June 1965 and made a series of simple and clear hard edge paintings that used symbolic color to represent the elements: yellow for sun, light and heat; sky - green for the void, daylight, and the answer; black for the night, the unknown and the question; and tan for flesh, being and the earth.

They created a new kind of painting that was hard - edge, geometric, brightly colored or monochromatic, packing an immediate punch.

Pop was next, hard edge and minimal painting and of course Francis Bacon, which was in ascendance at the time you were a post-graduate student at the Royal College of Arts, London.

Ronald Davis produced many brilliant series of hard - edge paintings in the sixties.

Could you talk a little bit about the edges of forms in your paintings and how you think of achieving those edges and why you don't like hard edge specifically as a term.

Associated with Op Art, Hard - edge painting, Color Field painting, Lyrical Abstraction and Abstract Expressionism, Poons has challenged critical expectations throughout his career, transitioning through several distinct phases of work.

TS Another aspect to the colour samples and boxes in this show is that the shelves that you have introduced into art history can be seen in a trajectory of hard - edge abstract painting.