Sentences with phrase «harder after paintings»
Its familiarity within the marketplace could prove a turn - off to some longtime American collectors, who tend to chase harder after paintings that have been tucked away in a collection for decades.
https://www.artmarketmonitor.com/ Not exact matches
As wonderful as I want it to be for you and as pretty a picture I paint won't make any difference once you get there are realize it's not exactly as I had promised, and the massages weren't quite what you were expecting since it became hard to walk after the first one...
i made a handprint had it in for 3 hours took it out let it cool off then i painted it, after painting it the thing seems not hard now will it be ok to bake it again with the paint on it to see if it hardens up
Public perception is that the Browns couldn't get the coach they wanted, so Haslam's going hard in the paint after players like Revis, Dansby, Whitner, and Matt Schuab, who might be a pretty big upgrade over Brandon Weeden, believe it or not.
The grim picture painted by Brodsky and other experts may mean that after mayors celebrate their elections, or in some cases reelections, they'll have some serious hard work ahead.
After painting large - scale, acrylic pieces for a couple of decades, the inspiration, time, and effort required to show up to this particular flavor of creative expression has felt increasingly harder to access lately.
I purchased my 2014 in Feb this year, and was surprised at the poor build quality, A very plastic steering wheel poorly trimmed seats and a headliner that started to hang after one week, a seat - belt that didn't work out of the factory and paint peeling of the front bumper, Oh yes, Loud cabin (engine noise) Now it does have its good side, Great road holding and accurate breaks, This car will give you over 30 mpg, I drive it hard, Just install a K&N filter and its good, Nice try ford but no cigar, I payed my $ 22k and could have done much better and got more for my money,,
The bad includes a front speaker rattle which Volkswagen can not fix after three attempts, and hard surfaces especially on the door, cheap thin paint.
This 2004 Harley Davidson Road King Cruiser come with 88ci with phase II, 5 speed transmission, leather Corbin seat with rider back rest and luggage rack, hard shell saddle bags, full windshield, Carlini design Ape handle bars, after market cruise control clamp, alarm, braided cables, thunder headers, lots of chrome and customer paint by AL Martinez.
However, the problem with the tutorial is that instead of analyzing the photo and teaching the methodology of choosing colors before painting, she directly goes into painting and picks up one color after another instinctively, which might be very easy for an experienced artist, but very hard for beginners, that's why after following this tutorial, I still find myself unable to paint myself.
I had a hard time anyway working on a painting after the first time, you know.
After a long absence following his last solo show at Paula Cooper (in 1977), Van Buren's work finally began filtering back into public view in New York about 10 years ago, first at small venues such as Mitchell Algus Gallery and Sideshow, and in the revelatory exhibition 2007 traveling exhibition «High Times Hard Times: New York Painting 1965 - 1975.»
It resurfaced after many of the successive postmodern movements: the ironic hard edges of pop, the pared - down compositions of Minimalism, the free - for - all expressionism of assemblage and street art, and finally the tongue - in - cheek homages of 1980s appropriation — each caused critics to mourn painting's demise.
There are hard - edge geometric paintings by Karl Benjamin, Lorser Feitelson, Frederick Hammersley and John McLaughlin called the Abstract Classicists after their 1959 show, as well as influential figurative artists like Rico Lebrun, who was, among other things, a teacher of Baldessari.
However, when I was nineteen, by the Fall of 1966, after completing a major series of hard - edge border paintings, success as a painter began to materialize.
Pretty Raw: After and Around Helen Frankenthaler, Light Years: Jack Whitten, 1971 - 1974, and High Times Hard Times: New York Painting, 1967 - 75, which toured internationally and received an award from AICA.
He has always painted with a very hard edge, and with very flat colors, but after graduation and moving to New York, he gradually began eschewing both form and color, aside from black and white.
Still, after looking at the spaciously installed large paintings that make up A New Look, it's hard not to vouch for the Greenberg ethos.
She further explains that his various series are interrelated because the artist needs them all, each one informing the rest: «He enjoys having bodies of work that he can go to almost to clear his head, after the hard work, and the very messy work, of making these abstract paintings.»
It is important to look long and hard at the early paintings of Nicholas Krushenick as they appear on the walls of Garth Greenan Gallery 50 - plus years after they were made.
After studying in New York and Paris, Al Held began his painting career by exhibiting Abstract Expressionist works in New York; he later turned to hard - edged geometric paintings that were dubbed «concrete abstractions».
One of the earliest paintings in the exhibition, Byzantium (1967), created just after her move to La Jolla, is a pivotal example of Schapiro's transition from abstract expressionism to Hard Edge painting during this brief period when she lived in Southern California.
After beginning his career with gestural paintings in the vein of Abstract Expressionism, Al Loving switched gears with his 1969 solo show at the Whitney Museum — the museum's first solo show by an African American artist — showcasing the hard - edged, geometric minimalism he would become well known for.
It would be difficult to prove Kline's influence upon Pollock, but Kline's influence upon de Kooning was hard to deny after the latter's black and white paintings of 1959.
Once the stuff of shouting matches in museum lecture halls, such questions about painting's remit must have been hard to hear under the thump of techno beats in Berlin after 1989, when the Wall fell, history ended and we all became contemporary.
In two series from 2009, Digital Painting and After Francis Bacon, Paricio used an unusual mix of hard - lined, flat geometric and amorphous shapes in primary and jewel colours alongside swathes of thick, spattered paint on canvases that were gradually edging towards the figurative.
An even surface of polymer resin is applied to the hard - edged acrylic paint job, adding a thickness and sheen that becomes brilliantly apparent after a thorough going over with a propane torch to remove air bubbles.
Years of hard work and experimentation by April Street have coalesced in her most recent solo exhibition of four paintings and two sculptural installations titled A Vulgar Proof, after an Elizabethan phrase meaning «a common experience.»
Identified as part of the California hard - edge painters, after she left surrealism - influenced work behind, Windblown has an unmistakable lightness and seems to foreshadow later works that more closely incorporate references to the landscape into her geometric abstract paintings.
After a brief initial period of hard - edge painting Scully abandoned the masking tape while retaining his characteristic motif of the stripe which he has developed and refined over time.
Even after your eyes adjust to the darkness, it's still hard to detect the forms in the paintings.
After his black and white abstract paintings, Stella produced a series of Aluminum Paintings (1960) and Copper Paintings (1960 - 61), before moving into «shaped canvases» with bright hard - edge colour, such as his Irregular Polygon (1965 - 67) and Protractor (1967 - 71paintings, Stella produced a series of Aluminum Paintings (1960) and Copper Paintings (1960 - 61), before moving into «shaped canvases» with bright hard - edge colour, such as his Irregular Polygon (1965 - 67) and Protractor (1967 - 71Paintings (1960) and Copper Paintings (1960 - 61), before moving into «shaped canvases» with bright hard - edge colour, such as his Irregular Polygon (1965 - 67) and Protractor (1967 - 71Paintings (1960 - 61), before moving into «shaped canvases» with bright hard - edge colour, such as his Irregular Polygon (1965 - 67) and Protractor (1967 - 71) series.
After abandoning a surrealistic, biomorphic style in the late 1940s, Herrera's work has remained uncompromisingly abstract and minimal ever since — although the hard - edge, rectilinear qualities of her paintings are, on closer inspection, belied by their obviously hand - painted expanses of color.
Nicholas Middleton: When you are in the middle of the process it's hard to separate out those decisions that go into making a piece... when I started painting after I left college, I didn't... well, I suppose I fought against the idea of just making a painting from photographic sources which looked like a photograph, so I used lots of strategies to disguise it, or to confuse it in a sense, making paintings which were more like collages, or reducing imagery to... well, I borrowed things from pop art to, I suppose, to complicate things, for a few years it felt like I was fighting against what I seem to be naturally quite good at, and then it reached a point where I just felt I didn't want to tie myself in too many knots in terms of the thinking which was going on behind the pictures and then just let myself just paint fairly directly from photographic sources.
Marguerite Yes it gave me the confidence, once I knew what... The hardest thing is getting the image in your head, this is why once its worked out small, once I've decided its worked on that scale, after that it is just a process, an interesting process, because you are just interested in the mark making but you know where you are going, so there is none of this tentativeness of your mark making, the paintings can be fresh, I mean you can always scrape all the paint off.
I do not wish to paint a negative image of the police who do the hard work that most people will never take on, they are after all heros, however, some do not know the law perfectly well especially tenant landlord law.
The deal with chalk paint, is that it soaks into the wood, and after being waxed it bonds together creating a hard durable finish, therefore preventing peeling.
I would also be afraid to paint it after all that hard work!!!
If you let the stencil sit for a bit after you use it, you will find it much harder to clean, especially if you are stenciling with paints or plasters.
It's hard to tell in the photos and video, but the after we painted them, the grain raised, ever - so - slightly, and I love the textural effect we ended up with!
After I did some intensive math (it really wasn't that hard) and taped everything off, I started painting.
Back to the table though — after Florence was painted, Kerry added some dimension by color washing and hard brushing on some Arles and Provence.......