Not exact matches
The beloved Goldie Hawn
comedy «Overboard» is finally getting a big - screen remake after 30 years — but finding a concept that floats has been
harder than anyone imagined.
Bachelorette is mean - spirited, and its humor derives from pain, which makes it unique and
harder - edged
than most
comedies of this kind.
From the 1970s thru the 1990s, there was no hipper, no more outrageous
comedy in print
than The National Lampoon, the groundbreaking humor magazine that pushed the limits of taste and acceptability — and then pushed them even
harder.
It would be
hard to find a greater counter-point to the mood of the current election
than this idealistic romantic
comedy.
Since her first feature, Girlfight, Karyn Kusama has hardly been the most prolific of directors — a problem not unique to her, as women have a
harder time landing directing gigs in Hollywood
than do men — but she has not been entirely absent, either, helming the Charlize Theron vehicle Æon Flux and Megan Fox indie horror
comedy Jennifer's Body.
When it comes to inspiration and influence, you'd be
hard pressed to find someone mentioned by today's famous
comedy talents more
than Del Close.
Of the few truths depicted in the bland, R - rated family
comedy «This is Where I Leave You» — other
than «emotions are
hard» and «man, emotions are
hard!»
Rarely has the depressing laziness of the modern Hollywood
comedy been more glaringly evident
than in this vague mashup of Horrible Bosses and The Hangover — a movie so pointless that it's
hard even to describe what it's supposed to be about.
Of course, like practically all
comedies centering on a boorish and unlikable individual, this wraps up with a few insincere moments of character maturity and empathy, but here such bits are no
harder to take
than the desperate gags flailing and falling flat at a rapid clip.
For
comedy fans who don't hang out in the troll - ier parts of the web, it can be
hard to believe there are still gatekeepers and audiences who think women are inherently less funny
than men.
It's not
hard to see the appeal of a movie like this — again, the premise is a slam - dunk as far as high - concept
comedies go — but the execution is, at best, lacking, and at worst, baffling (why, for example, does this movie have more false endings
than
Director Jake Kasdan (Orange County, Zero Effect) continues the kitchen - sink - dark -
comedy trend he established in his previous effort, Walk
Hard, though in both cases, things only seem more funny on paper
than they actually are when acted out.
The World's End is a bit
harder to pigeonhole
than the first two films, really; it's clearly a science fiction body - snatcher film, and it has the basic conceit of a «reliving the past» buddy
comedy, but all the elements meld together into something fairly original instead of the previous film's overt pastiches.
It's
hard to imagine a better one - two punch on TV at the moment
than HBO's Sunday night
comedy hour of «Veep» and «Silicon Valley.»
Besides movies about
comedy and / or Gillian Jacobs, it's
hard to say what makes a «Tribeca» film, at least on the fiction side; the festival has much less of an identity
than, say, Sundance or NYFF.
Cuba Gooding Jr. has gotten a bad rap for choosing some very silly
comedies to be in of late, so it's easy to dismiss his performance here as one not to take too seriously, or just an attempt to try for a second Academy Award, but it's
hard to imagine someone doing better
than he does in the role.
Continuing to show a late - career hunger for genre experimentation, Martin Scorsese follows his highly - decorated 3D fantasy Hugo with The Wolf of Wall Street, a brash, rise - and - fall stock - market satire that seems to boast more
comedy than the filmmaker's typical
hard - hitting drama.
I think this was the
hardest I laughed at a horror
comedy since Zombieland, and while I won't say Hell Baby is on the same level that Zombieland is, I will 100 % admit that it was a whole hell of a lot funnier and more creative
than any spoof movie to come out in the past 15 or so years.
With that said, however, it's also
hard to deny the inherent accuracy of such a statement, given that it's a series that takes place behind the scenes of a television program, except rather
than sports or
comedy, the predominant thrust of the program is politics.
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Comedy is
Harder to Direct
Than Drama Terminator Genisys Trailer
In most areas of life,
comedy is
harder to pull off
than drama.
Our tendency to avoid thinking too
hard about jokes is understandable — after all, there seems to be nothing less funny
than analyzing
comedy.