Not exact matches
The
Hard Assets Alliance is a
group of some of the
world's most trusted and respected independent financial researchers and publishers with a shared belief that some amount of physical precious metal belongs
in the portfolio of every investor.
From what I know about Mormons they are family oriented, God loving, charity giving (actually one of the biggest charity donation churches
in the
world),
hard working, honest, read the bible and modest dressing
group of individuals.
A stunning Scottish landscape,
hard work and steady environmental innovation encompass the sustainable success of John Dewar & Sons Ltd., one of the most respected names
in the
world of Scotch whisky and part of the Bacardi
group of companies.
Memphis Depay may have scored Holland's clinching goal against Chile
in the 2014 FIFA
World Cup
Group B, but it is Bayern Munich star Arjen Robben who did most of the
hard work, racing down the left with the ball and squaring for Depay to tap home.
In common with the reports launched by Social Justice Policy
Group and the Globalisation and Global Poverty Policy
Group this morning's report - entitled An Unquiet
World - is comprehensive and substantial, David Cameron called it «
hard headed, gritty and practical.»
The speech had, at the centre of interest, a category of
hard working frequently low, if paid at all,
group of people who put their lives at risk to report and keep Ghana very high
in the ranking of
World Press Freedom (rank 22 precisely far above the UK rank 34) perhaps like Anas recently.
Another approach which is used
in U.S. state and local taxation by virtue of an interstate compact, is to have entities (or consolidated
groups of corporations) prepare one tax return for the entire
world and then to allocate pro-rata percentages of that global return to different jurisdictions based upon a handful of factors that are relatively
hard to manipulate and bear a meaningful relationship to where income is earned such as sales, employment and the location of physical assets.
Hirnschall said the results made the
group think long and
hard about how to define a «couple» — be it cohabitation, marriage, or just a long - term relationship — as well as the logistical questions of how to compel partners to come forward for testing and how to calculate how many people
in the
world would be eligible for this approach, called treatment as prevention.
Presumedly, Disney
World is
in some way a backdrop to Baker's script, which he co-wrote with Chris Bergoch («Tangerine» and «Starlet») and tells the story of a precocious six year old and her rag - tag
group of close friends whose summer break is filled with childhood wonder, possibility, and a sense of adventure, while their parents and the adults around them struggle with
hard times.
Commenting on the results, Andy Goss,
group sales operations director, Jaguar Land Rover, said: «Jaguar sales have been more
hard won but the future performance of both brands will be boosted as the new E-Pace goes on sale across the
world and the new 2018 Model Year Range Rover and Range Rover Sport with plug -
in hybrid capability go to market.»
King's Knight: Wrath of the Dark Dragon featured
in the main game of Final Fantasy XV, as the game the
group would play together on an evening on their phones, after a
hard day hunting monsters and catching fish
in the
world of Eos.
Group exhibitions include Out of Line, The High Line, NYC; The
World is a Mirror of My Freedom, McColl Center, Charlotte, NC (2017); Wound: Mending Time & Attention, The Cooper Union, NYC; A Dark Matter..., Tarble Arts Center, Eastern Illinois University, Charleston, IL, March Madness, Fort Gansevoort, NYC (2016); superHUMAN, Central Utah Art Center, Ephraim, UT; Greater New York: Five - Year Review, MoMA PS1, Long Island City, NY; Mixed Signals: Artists Consider Masculinity
in Sports, Independent Curators International, traveling exhibition;
Hard Targets: Masculinity and American Sports, Los Angeles County Museum of Art, Los Angeles, CA; The S - Files, Museo del Barrio, NYC; and Emergency Room, P.S. 1 Contemporary Art Center, Long Island City, NY.
Abstract Expressionism was being promoted as the «all - American» art which personified the «free
world», and
in this context many critics found Glasco
hard to categorise, and he became uneasy with the accompanying pressures of the increasingly market - dominated and political New York art
world, determined by the opinions of a certain powerful
group of critics, dealers, collectors and institutions.
Current and recent
group exhibitions include Selections from the Marciano Collection, Marciano Art Foundation, Los Angeles (2018); Prospect.4: The Lotus
in Spite of the Swamp, Prospect New Orleans (2017); Good Dreams, Bad Dreams: American Mythologies, Aïshti Foundation, Beirut (2016); America Is
Hard To See, Whitney Museum of American Art, New York (2015); Forever Now: Contemporary Painting
in an Atemporal
World, Museum of Modern Art, New York (2014); and ILLUMInations, International Pavilion, 54th Venice Biennale (2011).
Gallery Diet has produced over 25 solo and
group exhibitions by new and emerging artists from around the
world and has documented those exhibitions
in hard cover print on a yearly basis.
Eisenman's work has been included
in numerous
group exhibitions including the 2016 Biennale de Montreal; «American is
Hard to See,» Whitney Museum of American Art; «Painting 2.0: Expression
in the information Age,» Museum Brandhorst, Munich; «The Forever Now: Contemporary Painting
in an Atemporal
World,» Museum of Modern Art, New York; Manifesta 10, the State Hermitage Museum, St. Petersburg; the 2013 Carnegie International; and the 2012 Whitney Biennial.
To accompany the
group exhibition Double Agent
in 2008, Phil Collins has made the photographic print You'll Never Work In This Town Again (2009) for the ICA, featuring two of the images from his series you'll never work in this town again (2004 — on - going), which is a series of photographic portraits of curators, critics, dealers, collectors and other figures in the art world — photographed on the understanding that the image would be taken immediately after the artist had slapped each sitter hard around the fac
in 2008, Phil Collins has made the photographic print You'll Never Work
In This Town Again (2009) for the ICA, featuring two of the images from his series you'll never work in this town again (2004 — on - going), which is a series of photographic portraits of curators, critics, dealers, collectors and other figures in the art world — photographed on the understanding that the image would be taken immediately after the artist had slapped each sitter hard around the fac
In This Town Again (2009) for the ICA, featuring two of the images from his series you'll never work
in this town again (2004 — on - going), which is a series of photographic portraits of curators, critics, dealers, collectors and other figures in the art world — photographed on the understanding that the image would be taken immediately after the artist had slapped each sitter hard around the fac
in this town again (2004 — on - going), which is a series of photographic portraits of curators, critics, dealers, collectors and other figures
in the art world — photographed on the understanding that the image would be taken immediately after the artist had slapped each sitter hard around the fac
in the art
world — photographed on the understanding that the image would be taken immediately after the artist had slapped each sitter
hard around the face.
To the theme tune of an external
hard drive processing fast — now pacing itself — now rushing at breakneck speed — the
group of seventeen paintings, produced between 2000 and 2011, each beautifully reproduced
in the well - designed catalogue — featuring a sharp,
in - depth and elegantly - written essay by Goldsmiths» Gilda Williams — reflect the inner workings of a human brain constantly adjusting itself, adapting to each nuance of the ever - expanding, digital
world while simultaneously filing, absorbing and recording the less serious, more random aspects — graffiti, toys, comic books, cartoon films — of modern times.
Smithson has been included
in numerous
group exhibitions, including Ends of the Earth: Land Art to 1974 at The Geffen Contemporary at the Museum of Contemporary Art, Los Angeles, CA (2012); Ghosts
in the Machine, curated by Massimiliano Gioni at the New Museum of Contemporary Art, New York, NY (2012); America is
Hard to See at the Whitney Museum of American Art, New York, NY curated by Donna De Salvo, et al (2015), and All the
World's Futures, curated by Okwui Enwezor, the 56th International Art Exhibition, Venice Biennale (2015).
The
World Wide Web Consortium (W3C) has a hard decision to make: a coalition including the world's top research institutions; organizations supporting blind users on three continents; security firms; blockchain startups; browser vendors and user rights groups have asked it not to hand control over web video to some of the biggest companies in the w
World Wide Web Consortium (W3C) has a
hard decision to make: a coalition including the
world's top research institutions; organizations supporting blind users on three continents; security firms; blockchain startups; browser vendors and user rights groups have asked it not to hand control over web video to some of the biggest companies in the w
world's top research institutions; organizations supporting blind users on three continents; security firms; blockchain startups; browser vendors and user rights
groups have asked it not to hand control over web video to some of the biggest companies
in the
worldworld.
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