Sentences with phrase «hate a film from»

Not exact matches

I'm not sure the film even needs such a premise to be effective, (in fact, it may distract from the main point a bit... and I hate to think there are people who need it to be reversed in order to empathize), for what really moved me was its depiction of bullying, which is based on real reports from LGBT kids.
I'm from Seattle area and 10 Things I Hate About You was filmed at my rival high school!
I wouldn't even say I enjoyed it, but I couldn't find a reason to really hate the film when looking at it from its target audience's perspective.
I didn't expect much from this movie, in fact I expected to hate it, but Spiders is a much better movie than many other horror films that has been released this year.
[/ color][/ font][font = Arial][color = darkred][i] Michael Moore Hates America [/ i] is the best of the rebuttal films because Wilson smartly refrains from preaching.
Coming from someone who hates romance films, this film got it right.
Plus, hilariously, he praises the appearance of the «infant» demon - critters from the first film as being a directorial choice rather than a throwback to Silent Hill 1 (the game), which is what he hates about the appearances of the monsters in Revelation!
You should want people to hate you for hating a film, don't cower from negative attention.
The line is meant to take a shot at the almost universally hated X-Men: The Last Stand, and while X-Men: Apocalypse is nowhere near as bad as Brett Ratner's film from 2006, it's not without some shortcomings of its own.
The inspiration of the story came from an article Michael Ardnt (who wrote the film) read in a newspaper, where Arnold Schwarzenegger was quoted speaking to a group of high school students: «If there's one thing in this world I hate, it's losers.
Rushmore is a film about obsession, and the relationship between Max and Bloom is the driving force behind the drama, going from love to hate, and back again.
Josh is, of course, very like Woody Allen's Cliff Stern, the documentary film - maker in Crimes and Misdemeanors (1989) who, at the nadir of professional failure, is forced to film a tribute to his hated brother - in - law, a highly successful man at home in the same world of tuxedo dinners and speeches from which Ben Stiller's Josh feels excluded.
Meanwhile, co-star George C. Scott (munching on an ever - growing wad of gum) literally chews up scenery as the Commie - hating General Turgidson who, apart from delivering some of the film's best dialogue, serves as the perfect foil to Seller's straight - laced politico.
While I am the furthest thing away from being an Insane Clown Posse fan, I can't help but be intrigued by the film's plot description which revolves around Schilling's character hating children yet has forced to look after her 12 - year old niece who runs away to become a Juggalo.
My love - hate relationship with Noah Baumbach's films lurched firmly into love when Greta Gerwig became his collaborator: as star, as muse, and most importantly as screenwriter, Gerwig's contribution appeared — from the outside, at least — to help push Baumbach's works into a new class, with 2012's Frances Ha and 2015's Mistress America both perfectly - executed chronicles of the modern millennial.
Balaker ends Little Pink House with film from life as if to prove that this ruling, called the most hated in Supreme Court history, actually happened and to remind viewers that the battle continues to keep eminent domain in check.
Gabrielle's impressive film credits include the critically - acclaimed «Cadillac Records,» «The Perfect Holiday,» «Tyler Perry's Daddy's Little Girls,»» «Bad Boys II,» «Breakin» All the Rules,» «Deliver Us From Eva,» «Bring It On,» «Two Can Play That Game,» «Love & Basketball,» «Cradle to the Grave,» «Ten Things I Hate About You,» «The Brothers,» «The Honeymooners,» «Meet Dave» and «She's All That.»
Although the film doesn't make time to fully investigate his body of work, which, from his bitter liberalism (the dubiously titled «comedy of hate») to his pre-cancer embracement of smoking («I go through two lighters a day,» he'd often quip), is admittedly problematic, it nevertheless refuses to shy away from these darker corners of his existence.
In fact there are very few films I really disliked from last year (although I tend to not watch films that I'm blatantly going to hate).
The couple is Jenn (Missy Peregrym) and Alex (Jeff Roop), and the film starts with them driving from the city to the countryside in a montage that establishes they are comfortable with each other — enough to have a little inside joke about a song he loves and she hates, moments of silence without feeling obligated to talk, and, in general, enough patience to last a lengthy road trip without getting into a serious fight over the little things.
Meanwhile, things are going from strength to strength for his actor brother Brian, who will join his former Love / Hate co-star Robert Sheehan in a new feature film.
From French North America, 2010's Incendies was like a brand new film for me, its illumination on love, hate and strength of spirit span beyond any given film year.
A bit lengthy run time for a thriller, but absorbing throughout nonetheless, this murder mystery, somewhat loosely based on the dense best - selling novel by the late Stieg Larsson (which in its native Swedish literally translates to «Men Who Hate Women», the first in his «Millennium» trilogy), is dark, and more than a little sensationalized (involving perverts, murderers, rapists, Nazis, and literal Biblical interpretations) to be believable, but, like most good thrillers, it's riveting in a way that you won't be able to turn away from it, even during some of the film's most brutal moments.
Far from it, sometimes the most difficult and hate - filled shoots result in the greatest films.
Actors who portrayed men driven by desperation, greed, hate and opportunism received Academy Award nominations for best supporting actor Thursday in an intense spectrum of films that ranged from exposing Wall Street's financial sins to the battle...
Parker doesn't approach his films from a level place, in other words, either being condescending towards the United States that he hates or being patronizing and disingenuous towards the European ghettos that he loves.
Much of the film's humor came from Tree's frustration at having to repeat her birthday - a date she hates - over and over again.
His moodier, more emotionally credible take on Harry Potter and the Prisoner of Azkaban nearly single - handedly saved the entire film franchise from the excruciating tedium of Chris Columbus (to those who hate on the film but gush over the subsequent installments: is it not obvious how the later films ditched the static camera and homely reds and golds from Sorcerer's Stone and Chamber of Secrets in favor of aping Cuarón's more haunting color palette and roving camera?).
Anyone who requires straightforward narratives and complete coherence from a film upon first viewing should exit right now because you would probably hate Inherent Vice.
Maybe his statement that he hates poetry comes from this early singsong, and I realize as I write this that I'm beginning to engage in theatre critique rather than film criticism.
You can probably tell from our podcast earlier this year, some of us loved it, others hated it and some of just thought it was admirable, but not Malick's most successful film.
Terence Malick is someone who's films I'd been hating without realising they were all from him.
«Before starting the film, I looked through a bunch of catalogues, like Delia's, and watched movies from the era, like Bring It On, Empire Records, 10 Things I Hate About You.
J.J. Abrams is the brave man who will be helming the film, which is being held to incredibly high expectations from fans who hope that Episode VII will redeem the film franchise after the much - hated prequel trilogy.
We reported on a terrific new horror film earlier this summer called Some Kind of Hate from director Adam Egypt Mortimer that debuted at the Stanley Film Festival.
Back from the first film are Maurice, the affable voice of wisdom, and Koba, Caesar's vengeful, human - hating second - in - command.
When the film gets bored with its four characters, it writes in a load more to try and keep up with (only one brings anything to the plot and that is some comic relief from Scoot McNairy, which I hated, but other critics claim it is the film's saving grace).
Hostiles is the brutal new film from director Scott Cooper, disturbing in many ways, but as Captain Blocker (Christian Bale) leads a dying Cheyenne chief (Wes Studi) through dangerous territory, we see Blocker transform from hating a man...
The film opens with glimpses of homophobia from casual comments between teens to nasty protests outside the funeral of a hate - crime victim.
At last a little friction as Proyas reveals how much he hated the storage container (s) that had to be built for the film (real storage container storage facilities incur too much movement for coherent scenes to be shot from day to day)-- including the problem that wetting down the surrounding dust resulted in swarms of mosquitoes for the rest of the location shoot.
I absolutely hated «Nebraska,» but alas, I fear it's this year's «Silver Linings Playbook» (another film I really disliked, aside from Jennifer Lawrence), or «As Good As It Gets» (which I loathe).
by Glenn Dunks «It's a particularly pertinent time for this film to be made for, much like Xavier Beauvois» Of Gods and Men from earlier in the year, it shows how a devotion to God and blind, humourless, hate - filled fanaticism are not one and the same.»
Amy Huberman's lead performance in the feature film Rewind will be judged against the performances from Television's Lead Actresses Ruth Bradley (Love / Hate), Orla Brady (Mistresses), Sarah Flood (Fair City) and Charlene McKenna (RAW).
As Lodge noted in his review from Venice, its satirical tone struggles during scenes of racially motivated violence that come later in the film, which have unmistakable parallels to the real - life Nazi rallies and hate crimes that have skyrocketed since Trump's election.
Others, from the sexist, whiny fanboy contingent of Star Wars fandom, see her as everything they hate about the current crop of Star Wars films.
Now you can either love Man of Steel from Zach Snyder or hate it, but there is no denying that his films really show just how powerful Superman is.
Avi Lewis: There have been a number of reviewers that have seized on the fact that we do something a little cheeky to distinguish ourselves from the climate film genre, with Naomi confessing that she's always kind of hated climate films.
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