Not exact matches
I'm not sure the
film even needs such a premise to be effective, (in fact, it may distract
from the main point a bit... and I
hate to think there are people who need it to be reversed in order to empathize), for what really moved me was its depiction of bullying, which is based on real reports
from LGBT kids.
I'm
from Seattle area and 10 Things I
Hate About You was
filmed at my rival high school!
I wouldn't even say I enjoyed it, but I couldn't find a reason to really
hate the
film when looking at it
from its target audience's perspective.
I didn't expect much
from this movie, in fact I expected to
hate it, but Spiders is a much better movie than many other horror
films that has been released this year.
[/ color][/ font][font = Arial][color = darkred][i] Michael Moore
Hates America [/ i] is the best of the rebuttal
films because Wilson smartly refrains
from preaching.
Coming
from someone who
hates romance
films, this
film got it right.
Plus, hilariously, he praises the appearance of the «infant» demon - critters
from the first
film as being a directorial choice rather than a throwback to Silent Hill 1 (the game), which is what he
hates about the appearances of the monsters in Revelation!
You should want people to
hate you for
hating a
film, don't cower
from negative attention.
The line is meant to take a shot at the almost universally
hated X-Men: The Last Stand, and while X-Men: Apocalypse is nowhere near as bad as Brett Ratner's
film from 2006, it's not without some shortcomings of its own.
The inspiration of the story came
from an article Michael Ardnt (who wrote the
film) read in a newspaper, where Arnold Schwarzenegger was quoted speaking to a group of high school students: «If there's one thing in this world I
hate, it's losers.
Rushmore is a
film about obsession, and the relationship between Max and Bloom is the driving force behind the drama, going
from love to
hate, and back again.
Josh is, of course, very like Woody Allen's Cliff Stern, the documentary
film - maker in Crimes and Misdemeanors (1989) who, at the nadir of professional failure, is forced to
film a tribute to his
hated brother - in - law, a highly successful man at home in the same world of tuxedo dinners and speeches
from which Ben Stiller's Josh feels excluded.
Meanwhile, co-star George C. Scott (munching on an ever - growing wad of gum) literally chews up scenery as the Commie -
hating General Turgidson who, apart
from delivering some of the
film's best dialogue, serves as the perfect foil to Seller's straight - laced politico.
While I am the furthest thing away
from being an Insane Clown Posse fan, I can't help but be intrigued by the
film's plot description which revolves around Schilling's character
hating children yet has forced to look after her 12 - year old niece who runs away to become a Juggalo.
My love -
hate relationship with Noah Baumbach's
films lurched firmly into love when Greta Gerwig became his collaborator: as star, as muse, and most importantly as screenwriter, Gerwig's contribution appeared —
from the outside, at least — to help push Baumbach's works into a new class, with 2012's Frances Ha and 2015's Mistress America both perfectly - executed chronicles of the modern millennial.
Balaker ends Little Pink House with
film from life as if to prove that this ruling, called the most
hated in Supreme Court history, actually happened and to remind viewers that the battle continues to keep eminent domain in check.
Gabrielle's impressive
film credits include the critically - acclaimed «Cadillac Records,» «The Perfect Holiday,» «Tyler Perry's Daddy's Little Girls,»» «Bad Boys II,» «Breakin» All the Rules,» «Deliver Us
From Eva,» «Bring It On,» «Two Can Play That Game,» «Love & Basketball,» «Cradle to the Grave,» «Ten Things I
Hate About You,» «The Brothers,» «The Honeymooners,» «Meet Dave» and «She's All That.»
Although the
film doesn't make time to fully investigate his body of work, which,
from his bitter liberalism (the dubiously titled «comedy of
hate») to his pre-cancer embracement of smoking («I go through two lighters a day,» he'd often quip), is admittedly problematic, it nevertheless refuses to shy away
from these darker corners of his existence.
In fact there are very few
films I really disliked
from last year (although I tend to not watch
films that I'm blatantly going to
hate).
The couple is Jenn (Missy Peregrym) and Alex (Jeff Roop), and the
film starts with them driving
from the city to the countryside in a montage that establishes they are comfortable with each other — enough to have a little inside joke about a song he loves and she
hates, moments of silence without feeling obligated to talk, and, in general, enough patience to last a lengthy road trip without getting into a serious fight over the little things.
Meanwhile, things are going
from strength to strength for his actor brother Brian, who will join his former Love /
Hate co-star Robert Sheehan in a new feature
film.
From French North America, 2010's Incendies was like a brand new
film for me, its illumination on love,
hate and strength of spirit span beyond any given
film year.
A bit lengthy run time for a thriller, but absorbing throughout nonetheless, this murder mystery, somewhat loosely based on the dense best - selling novel by the late Stieg Larsson (which in its native Swedish literally translates to «Men Who
Hate Women», the first in his «Millennium» trilogy), is dark, and more than a little sensationalized (involving perverts, murderers, rapists, Nazis, and literal Biblical interpretations) to be believable, but, like most good thrillers, it's riveting in a way that you won't be able to turn away
from it, even during some of the
film's most brutal moments.
Far
from it, sometimes the most difficult and
hate - filled shoots result in the greatest
films.
Actors who portrayed men driven by desperation, greed,
hate and opportunism received Academy Award nominations for best supporting actor Thursday in an intense spectrum of
films that ranged
from exposing Wall Street's financial sins to the battle...
Parker doesn't approach his
films from a level place, in other words, either being condescending towards the United States that he
hates or being patronizing and disingenuous towards the European ghettos that he loves.
Much of the
film's humor came
from Tree's frustration at having to repeat her birthday - a date she
hates - over and over again.
His moodier, more emotionally credible take on Harry Potter and the Prisoner of Azkaban nearly single - handedly saved the entire
film franchise
from the excruciating tedium of Chris Columbus (to those who
hate on the
film but gush over the subsequent installments: is it not obvious how the later
films ditched the static camera and homely reds and golds
from Sorcerer's Stone and Chamber of Secrets in favor of aping Cuarón's more haunting color palette and roving camera?).
Anyone who requires straightforward narratives and complete coherence
from a
film upon first viewing should exit right now because you would probably
hate Inherent Vice.
Maybe his statement that he
hates poetry comes
from this early singsong, and I realize as I write this that I'm beginning to engage in theatre critique rather than
film criticism.
You can probably tell
from our podcast earlier this year, some of us loved it, others
hated it and some of just thought it was admirable, but not Malick's most successful
film.
Terence Malick is someone who's
films I'd been
hating without realising they were all
from him.
«Before starting the
film, I looked through a bunch of catalogues, like Delia's, and watched movies
from the era, like Bring It On, Empire Records, 10 Things I
Hate About You.
J.J. Abrams is the brave man who will be helming the
film, which is being held to incredibly high expectations
from fans who hope that Episode VII will redeem the
film franchise after the much -
hated prequel trilogy.
We reported on a terrific new horror
film earlier this summer called Some Kind of
Hate from director Adam Egypt Mortimer that debuted at the Stanley
Film Festival.
Back
from the first
film are Maurice, the affable voice of wisdom, and Koba, Caesar's vengeful, human -
hating second - in - command.
When the
film gets bored with its four characters, it writes in a load more to try and keep up with (only one brings anything to the plot and that is some comic relief
from Scoot McNairy, which I
hated, but other critics claim it is the
film's saving grace).
Hostiles is the brutal new
film from director Scott Cooper, disturbing in many ways, but as Captain Blocker (Christian Bale) leads a dying Cheyenne chief (Wes Studi) through dangerous territory, we see Blocker transform
from hating a man...
The
film opens with glimpses of homophobia
from casual comments between teens to nasty protests outside the funeral of a
hate - crime victim.
At last a little friction as Proyas reveals how much he
hated the storage container (s) that had to be built for the
film (real storage container storage facilities incur too much movement for coherent scenes to be shot
from day to day)-- including the problem that wetting down the surrounding dust resulted in swarms of mosquitoes for the rest of the location shoot.
I absolutely
hated «Nebraska,» but alas, I fear it's this year's «Silver Linings Playbook» (another
film I really disliked, aside
from Jennifer Lawrence), or «As Good As It Gets» (which I loathe).
by Glenn Dunks «It's a particularly pertinent time for this
film to be made for, much like Xavier Beauvois» Of Gods and Men
from earlier in the year, it shows how a devotion to God and blind, humourless,
hate - filled fanaticism are not one and the same.»
Amy Huberman's lead performance in the feature
film Rewind will be judged against the performances
from Television's Lead Actresses Ruth Bradley (Love /
Hate), Orla Brady (Mistresses), Sarah Flood (Fair City) and Charlene McKenna (RAW).
As Lodge noted in his review
from Venice, its satirical tone struggles during scenes of racially motivated violence that come later in the
film, which have unmistakable parallels to the real - life Nazi rallies and
hate crimes that have skyrocketed since Trump's election.
Others,
from the sexist, whiny fanboy contingent of Star Wars fandom, see her as everything they
hate about the current crop of Star Wars
films.
Now you can either love Man of Steel
from Zach Snyder or
hate it, but there is no denying that his
films really show just how powerful Superman is.
Avi Lewis: There have been a number of reviewers that have seized on the fact that we do something a little cheeky to distinguish ourselves
from the climate
film genre, with Naomi confessing that she's always kind of
hated climate
films.