I almost didn't post them because this is the kind of thing that makes me really
hate film critics or even fake film critics masquerading as real film critics; don't tell me how your collective minds work because I don't really want to know!
Not exact matches
A
film critic always
hates to admit that he hasn't seen a
film, so I was relieved when the movie turned out to...
A
film critic always
hates to admit that he hasn't seen a
film, so I was relieved when the movie turned out to be Cinema Paradiso.
It really pissed people off, made so many viewers angry, and made many
critics just outright
hate the
film.
Dumb & Dumber is a movie that is
critic - proof, one of those
films that you can either love or
hate, depending on your attraction for this level of bad taste.
You wrote another subjective opinion I
hated about SILVER LININGS PLAYBOOK - a weird thing for a
critic who is assigned to review
films to do - so clearly the precedent is set and all of your subjective opinions are null and void.
However, the louder of the
critics, are the ones that
hate this
film with a passion.
All of this is to say that I am probably not the target demographic for a
film that is being touted as a corrective to the 1998 Roland Emmerich Godzilla (which fans of the famous monster
hated, as did most
critics), bringing the series back to its traditional roots, as director Gareth Edwards has claimed in interviews.
I'm not at all surprised that so many
critics hated this
film (see here), it's almost expected at this point.
Hate it or love it, Rotten Tomatoes does provide some keen insight into which
films critics love most in any given year.
According to New York Times
film critic A.O. Scott, fans of Jean - Luc Godard will
hate - watch the new movie Godard Mon Amour by French director...
Despite the
critic hate, Warner Bros. clearly knew what it was doing in positioning the
film as 2016's last must - see summer blockbuster.
It's full of direct emotion, full of feeling, the sort of score that
film critics tend to
hate (even more so today than when it was written), the sort that James Horner detractors tend to
hate but old softies like me tend to love.
When the
film gets bored with its four characters, it writes in a load more to try and keep up with (only one brings anything to the plot and that is some comic relief from Scoot McNairy, which I
hated, but other
critics claim it is the
film's saving grace).
The
film epitomizes everything
film critics love to
hate: sloppy writing, predictable plot, and mediocre acting.
Back in the 1990s, when I still read the Village Voice, I could predict what their reviews were going to say, because their
critics hated every mainstream studio
film, especially if it looked like it was going to be a big hit.
I'm no
film critic, but I highly recommend it, not only for its fascinating portrayal of the man the New York Times once called, «The most
hated and most loved lawyer in America,» but also for its intimate look of the toll a high - profile legal career can take on a lawyer's family and loved ones.