Sentences with phrase «hate me for painting»

Please don't hate me for painting this beauty, but I saw it and I had a vision.

I know, all wood furniture lovers are going to hate me for painting it.

Not exact matches

Sometimes the picture of hell has been painted in lurid fashion, with ghastly punishment inflicted upon «lost» persons; more frequently, at least in recent theological writing, this aspect has been muted or denied, and stress has been put on such ideas as persistence after death apart from God's presence — or even in that presence, which for the utterly unworthy man or woman would be horrifying, as when an evil person is compelled to be with someone whom he or she deeply hates.

Personally, I hate homeowners associations and would never live where one has authority — they come up with some weird rules and enforcements (they tend to get very weird about paint colors, for example).

I hate to waste or throw out ANYTHING so when I found out that you could take a paintbrush from ready - for - the - trash to ready - to - paint with vinegar only I knew I had to share and I am so glad I did.

I always hated the colors I painted the furniture in my guest bedroom so I knew it was time for a change.

Let me share with you a few tips that I learned, when deciding what is the best color for your space, so that painting an entire wall or room in a color you hate will never happen again.

While I still hate the look of the battle system and I hate that Toads are the only friendly characters, the locations of the game look very unique for a Mario game, and the Hammer meter (They confirmed battles actually have a purpose, as they eventually upgrade your Paint Hammer's capacity, and painting cards while watching your paint reserves does bring more strategy then spamming your most powerful attacks in the Mario & Luigi games and older Paper Mario games) brings some diversity to the bland battle system.

Painting a room in a house is not hard, some people just hate to paint and are happy to pay someone else to come in and do it for them.

I really hate to see paintings sell in a silent auction for less than the cost of the frame.

Selected Group Exhibitions 2017 Ted Stamm / Gerrit Rietveld, OV Project, Brussels, Belgium 2017 Painting on the Edge: A Historical Survey, Stephen Friedman Gallery, London 2012 Times Square Show Revisited, Hunter College Art Galleries, New York, NY 2010 Black & White, Galleri Weinberger, Copenghagen, Denmark 1987 Recent Acquisitions, Guggenheim Museum, Brooklyn, NY 1987 Recent Acquisitions, Brooklyn Museum, New York, NY 1985 Art Heritage at Hofstra, Emily Lowe Gallery, Hofstra University, Hempstead, NY 1985 Constructures: New Perimetries in Abstract Painting, Nohra Haime Gallery, New York, NY 1984 Fourth Annual Anniversary Show, John Davis Gallery, Akron, OH 1984 Fifteen Abstract New York Painters, Susan Montezinos Gallery, Philadeiphia, PA 1984 Small Works, Muhlenberg College, Allentown, PA 1984 Mail Art, Franklin Furnace, New York, NY 1984 Artists Call, Judson Memorial Church, New York, NY 1984 Process Black, LIU South Hampton, New York, NY 1984 A Decade of Art, Artists Space 105 Hudson, New York, NY 1984 Offset: A Survey of Artists Books, New England Foundation for the Arts, Wakefield, RI 1983 David Reed, Sean Scully, Ted Stamm; Zenith Gallery, Pittsburgh, PA 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; 1708 East Main Street, Richmond, VA 1983 Abstraction Two Views: Davis and Stamm, The Contemporary Arts Center, Cincinnati, OH 1983 Second Anniversary Exhibition, Harm Bouckaert Gallery, New York, NY 1983 Hundreds of Drawings, Artists Space, New York, NY 1983 A More Store, Jack Tilton Gallery, New York, NY 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; Condeso / Lawler Gallery, New York, NY 1983 Artists for Nuclear Disarmament, Colburn Gallery, Burlington, VT 1982 A Look Back: A Look Forward, Aldrich Museum, Ridgefield, CT 1982 Pair Group, Art Galaxy, New York, NY; travelled to Jersey City Art Museum, Jersey City, NJ 1982 Destroyed Prints, Pratt Manhattan Center, New York, NY 1982 Annual Holiday Invitational, A.I.A. Gallery, New York, NY 1982 Group Exhibition, Roy Boyd Gallery Chicago, Merwin Gallery, Illinois Wesleyan University, Bloomington, IL 1982 Pair Group II, Jersey City Museum, Jersey City, NJ 1982 Black and White, Freeport Mc Mo Ran, New York, NY 1982 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post, Greenvale, NY 1981 Drawings, Roy Boyd Gallery, Chicago, IL 1981 Abstract Painting: New York, Hofstra University, Hempstead, NY 1981 Arabia Felix, Art Galaxy, New York, NY 1981 Words and Images: Contemporary Artist's Books, Southern Alleghenies Museum of Art, Loreto, PA 1981 Love: Hate: Fear and Suicide, University of Brussels, Brussels, Belgium 1981 New Directions, Commodities Corp..

In this work, Lockett's use of swirling paint and embedded objects conveys the powerful atmosphere of the civil rights marches, which were galvanized by the fight for equality but also often marred by bigotry and hate.

Krebber's work represents the reductio ad absurdum of a love - hate attitude toward painting that was common among the artists of the 1980s Cologne art scene led by Martin Kippenberger (for whom Krebber once worked as a studio assistant).

[10] Weight wrote that his art was «concerned with such things as anger, love, hate, fear and loneliness», and said, «for me the acid test of a painting is: will the ordinary chap get anything out of this?»

Miller quotes Freilicher: «To strain after innovation, to worry about being «on the cutting edge» — a phrase I hate — reflects concern for a place in history or for one's career rather than for the authenticity of one's own painting.»

I find, for example, that I will buy a quantity of paint but I hate it when it dries up and I haven't used it.

Lecture Series: Why We Love to Hate Renoir Sunday, May 13, 11:30 am — 12:30 pm $ 10; members and students free Martha Lucy, author of Renoir in the Barnes Foundation, discusses Renoir's reputation during the time Dr. Barnes was collecting and proposes several reasons for our discomfort with his paintings 100 years later.

The many living artists on the list include Peter Doig (Blotter), Tracey Emin (For You; and Hate and Power Can Be a Terrible Thing), David Shrigley (Stop It) and a Damien Hirst spot painting (Pardaxin).

ERIC FISCHL & «HOW PAINTING DIED» One hot ticket for early December — thank god all the hated art - world insiders will be in Miami, so you can actually get a seat — is the Pratt Institute's «president's lecture» by Eric Fischl, titled «How Painting Died» and scheduled for Dec. 3 at 6 pm at Memorial Hall at Pratt's BrooklynPAINTING DIED» One hot ticket for early December — thank god all the hated art - world insiders will be in Miami, so you can actually get a seat — is the Pratt Institute's «president's lecture» by Eric Fischl, titled «How Painting Died» and scheduled for Dec. 3 at 6 pm at Memorial Hall at Pratt's BrooklynPainting Died» and scheduled for Dec. 3 at 6 pm at Memorial Hall at Pratt's Brooklyn Campus.

Born 1982, Auckland, New Zealand Education 2009 Meisterschule, Städelschule HFBK, Frankfurt am Main 2005 BFA, Elam School of Fine Arts, University of Auckland Solo exhibitions 2018 «Games of Decentralized Life» Galerie Buchholz, Cologne 2018 «The Founder's Paradox», MOCA Museum of Contemporary Art, Cleveland 2017 «The Founder's Paradox», Michael Lett, Auckland 2017 «The Founder's Paradox», Michael Lett, Auckland 2017 «Shenzhen Entrepreneurial Form», Fine Arts, Sydney 2017 «FaaS — Feedback as a Service: Reflecting on messaging, debate and criticality inside a parliamentary discussion on internet governance», Bozar, Brussels 2017 «Simon Denny: Real Mass Entrepreneurship», C2 Space, OCT - LOFT, OCAT Shenzhen 2017 «Hammer Projects: Simon Denny», Hammer Museum, Los Angeles 2016 «Secret Power», Museum of New Zealand Te Papa Tongarewa, Wellington 2016 «Blockchain Future States», Petzel Gallery, New York 2016 «Business Insider», WIELS, Brussels 2015 «Products for Organising», Serpentine Sackler Gallery, London 2015 «Secret Power», New Zealand Pavilion, 56th Venice Biennale 2015 «The Innovator's Dilemma», MoMA PS1, New York 2014 «The Personal Effects of Kim Dotcom», Adam Art Gallery, Victoria University, Wellington 2014 «New Management», Portikus, Frankfurt am Main 2014 «The Personal Effects of Kim Dotcom», Firstsite, Colchester 2014 «TEDxVaduz redux», T293, Rome 2014 «Disruptive Berlin», Galerie Buchholz, Berlin 2013 «The Personal Effects of Kim Dotcom», mumok, Wien 2013 «All You Need is Data — The DLD 2012 Conference REDUX rerun», Petzel Gallery, New York 2013 «All You Need is Data — The DLD 2012 Conference REDUX», Kunstverein München 2012 «Full Participation», Aspen Art Museum, Aspen 2012 «Envisaging Vocational Rehabilitation» (with Joanna Fadyl), Westfälischer Kunstverein, Münster 2011 «Corporate Video Decisions», Friedrich Petzel Gallery 2011 «Corporate Video Decisions», Michael Lett, Auckland 2011 «Cruise Line», NAK Neuer Aachener Kunstverein, Aachen 2011 «Chronic Expectation: CFS / ME Documentary Restoration», T293, Rome 2011 «7 Unreachable Elevators», IMO, Copenhagen 2010 «Negative Headroom: the broadcast signal intrusion incident», Contemporary Art Museum, St. Louis 2010 «Negative Headroom: the broadcast signal intrusion incident», Halle Für Kunst, Lüneburg 2010 «Remote Tutorial: hate poems for travelers», Landings Project Space, Vestfossen 2010 «Introductory logic tutorial video», Artspace, Sydney 2009 «Celebrities» houses at night: a projection», Standard Oslo, Oslo 2009 «Starting from behind», Michael Lett, Auckland 2009 «Deep Sea Vaudeo», Galerie Daniel Buchholz, Cologne 2009 «Watching Videos Dry», T293, Naples 2009 «7 Drunken Videos `, Luettgenmeijer, Berlin 2008 «Aquarium Paintings (with Nick Austin)», Center, Berlin 2008 «Ruined by Sheer Confidence», Caribic Residency, Frankfurt am Main 2008 «Alexandra Bircken / Simon Denny», Ursula Blickle Stiftung, Kraichtal 2008 «Recent Haircuts», Uplands Gallery, Melbourne 2008 «Recent Haircuts», Gambia Castle, Auckland 2007 «Compression Club», Michael Lett, Auckland 2007 «Monthly Cowards», Gambia Castle, Auckland 2007 «Paltry Motion», Dunedin Pubic Art Gallery, Dunedin 2006 «Old Entertainment System», Window, Auckland 2006 «Scape», Art & Industry Biennial, Christchurch 2006 «Old Things», Michael Lett, Auckland 2005» Arranging Sympathies», Volume Series, The Physics Room, Christchurch

«Everybody hated painting,» Heilmann claims in the exhibition catalogue for her current retrospective «Looking at Pictures» at the Whitechapel Gallery (her first major UK survey), «especially me».

She told the museum director Robert M. Doty, «To strain after innovation, to worry about being on «the cutting edge» (a phrase I hate), reflects a concern for a place in history or one's career rather than the authenticity of one's painting.»

As she later wrote, «To strain after innovation, to worry about being «on the cutting edge» — a phrase I hate — reflects concern for a place in history or for one's career rather than for the authenticity of one's own painting.»

Doubtless he will be painted as part of an evil circle of conspirators who are in this for the research grants and because they hate America or something.

For instance, if you are painting your home, you wouldn't select a color that your partner hates.

And since we don't have a chalk paint vendor in the area, I have to buy the chalk paint online and I hate waiting for it.

i really hate the idea of $ 40 for just a quart of paint... but i am going to try this... i luv the sofa table!!

I hate the prep work... so much prep work for painting, but I love painting - it's theraputic for me.

i hate painting and I think the reason I hate it, is that i am not good at waiting for a finished products some times so I rush through everything.

If not, you can thank me later... either for introducing you to the greatest decor miracle since paint or for saving you from having to experiment with this yourself only to discover you really hate it.

And because I hate my pink builder beigey puke paint so much, I'm thinking of starting there and having someone come take care of that first since it is too high for me to paint.

I always hated the colors I painted the furniture in my guest bedroom so I knew it was time for a change.

i have knitted just once in my life, a blanket for my first grandson because that's what grandmas are supposed to do right lmao, i used a loom and knit it so tight it weighs a ton and for the life of me and 67 videos later could not figure out how to finish off the last corner, even though it was wonky my daughter and son in law received it with the proper ohhs and ahhs and my poor grandson had to suffer having it put on him and them it was passed to my second grandson and he had to endure it also, so i went to maggie's site to look at video and was lost with the first stitch, so maybe i will just get back to painting the walls in the kitchen so i can at least get something finished in this dang house lol xx p.s. you are not going to believe this but i hate the newspaper in my bathroom when i close the door the walls come in and make the room smaller than it is already and because i am a reader of all things i have read and reread all of the articles so many times so there it sits not finished while i try to come up with something, maybe crashing out all of the drywall and starting over oh lord xx

But now I've hired someone to paint for me and now I have that blue problem — I hate it.

As someone who hates Oak (and whose hubby paints and faux ugly kitchen cabs for a living) this is a great post!!!! Amitiés, Angela ParisienneFarmgirl

My plans for crawling into bed around 8 pm bit the dust, or make that joined all the paint dust that now covers every square centimetre of the house, which leads me to my song of the day... Get Set Go's «I hate everyone» (the kids love singing along to this one)

Well of course then we didn't end up moving and I've hated this paint color for years.