Sentences with phrase «hate this film with»

However, the louder of the critics, are the ones that hate this film with a passion.

I hated this film with a passion, loathing every minute I spent in the cinema.

Not exact matches

CNN: We don't teach hate, says church where anti-homosexual song filmed About 20 protesters gathered on Sunday outside the Apostolic Truth Tabernacle here to voice opposition to a viral online video that was taped in the church and shows a young child singing song with lyrics that offer a harsh message for homosexuals.

These past few weeks haven't exactly been baby bliss with my little one feeling the full of effects of teething and to take out some of my frustrations I have decided to write down all things I hate about stupid f *** ing teething, in true 10 things I hate about you (best film ever?)

I did a film that's on YouTube of me reading hate mail with a woman playing the cello in the background.

I could make a film about any person or organization and only interview the people that hate you or it with no inclusion of the good things a person or organization does and present it as a documentary and you know what people would believe you're entirely evil and you know why?

With that pallid skin tone and permanently pestered expression (the kind of face you hate to love), Buscemi has appeared in virtually every major independent film of the last 10 years (Parting Glances, Mystery Train, Reservoir Dogs, Living in Oblivion, and Fargo are just a few titles).

Anyone who hates this movie because it does not comport with their beliefs about the «real story» is either a racist or simply misses the point: Phiona overcomes great odds to achieve what she does in the film.

Some may take issue with the film's portrayal of Harding (a widely hated villain) as a victim of circumstance, but she's certainly an intriguing individual to watch and the film never sugarcoats the less - than - savory aspects of her life.

SPOILERS... If people think this is a stand - alone movie, it may be the first Marvel film to become a hit with people who hate super-heroes.

These, along with a grandstanding Senator (Garry Shandling), who thinks the Iron Man suit should be property of the government, his personal assistant Pepper Potts (Gwyneth Paltrow), who becomes the next CEO of Stark's company while still going through their old love / hate relationship, and Lt. Col. Rhodes (Don Cheadle), who tries to stay Stark's friend while following his obligation to obtaining a model of the armor, are the main threads of the film.

I have no problem at all with Harry loving or hating the film, but does he have to make a joke about thinking underage sex is funny?

A horse breeder travels to Argentina to obtain good racing stock where she falls in love and copes with a future hated father in law, A great film pure joy.

«Weekend at Bernie's» is the type of film where you either buy the storyline and go along with it, or you will probably hate it.

I really hate comparing to other films, but the easiest way to describe it is the dark surrealism of Naked Lunch with the dark humor of The King Of Comedy.

He has never really excited me as an actor, starring in a few films that I hate with a passion, but here I was finally won over by his steady charisma and willingness to satirise himself.

He'd previously experienced dark «blue» periods after completing past films, leading «My Left Foot» director Jim Sheridan to say «Daniel hates acting»; usually, the actor eventually found a new character with a story too tempting to resist.

Beyond the Black Rainbow (d. Panos Cosmatos) When the dust settles and the smoke clears, I do wonder if guys like Juan Carlos Fresnadillo and Pascal Laugier won't finally get their due as the spearhead of a horror revolution, the two of them landing with new films in the same year that Drew Goddard and Joss Whedon received a round of applause for their genre - hating The Cabin in the Woods.

I sat through this film stunned by Irving and his followers» ignorance and hate, and distraught by how easily some people will believe lies just because they coincide with their worldview.

It's a «love it or hate it» experience to be sure, but in a season no doubt bombarded with other films taking themselves too seriously and receiving American recognition for it, it is undoubtedly worth a shot.

I hate car alarms as much as the next guy, but make a feature film — with Tim Robbins and William Hurt — as a thinly - veiled diatribe against noise pollution?

We started with one of this year's Razzie firsts, THE EMOJI MOVIE being the first animated film to vie for the worst picture award before moving on to the industry's love - hate relationship with Rotten Tomatoes; Adam Sandler's opinion of his fans; how Wilson has dealt with a steady diet of bad films for the last 38 years; the odd timing of FIFTY SHADES FREED's release; and who the Razzies consider to be fair game.

February and High - Rise proved to be the most polarizing out of all of the films at the festival, with half of the attendees either loving or hating them with no middle ground (I loved February and absolutely loathed High - Rise).

Dear Steve Carell, You were pure genius in «Little Miss Sunshine» (one of my all - time favourite films), my brother became obsessed with you in «Anchorman», I wanted to marry you or have you adopt me after «Crazy, Stupid, Love», I hated that guy you played in «The Way Way Back», and then you were mind - blowing in «Foxcatcher».

I know I haven \» t seen the film yet, but ARGGG, I hate how you assess something with a critical eye that sees things differently than me!!!

I hated Summer when I first saw this film and felt she was toying with Tom's emotions.

The main issues with Date Night are that the jokes seem really cheap and pedestrian, and every memorable / funny moment is represented in the film's trailer (I hate when they do that).

As good as the must sees of the month are, the film's you should take a chance on are just as good, offering a return to horror for M. Night Shyamalan in The Visit as well as a few stellar looking indie horror films with Bloodsucking Bastards, Hellions, and Some Kind of Hate.

Awkward because I want to like all Duplass - related films always but now I'm faced with the prospect of hating one.

The film is tinged with odd humor, but it has a bit more weight, examining the love / hate feelings Aussies have for us Yanks.

The first reel of the film is taken up by a big wedding scene, bringing together two token gay characters who hated each other throughout the series and are now inexplicably exchanging vows before the holy vessel of Liza Minnelli — who also performs at the party with a hideous cover of «All the Single Ladies».

My love - hate relationship with Noah Baumbach's films lurched firmly into love when Greta Gerwig became his collaborator: as star, as muse, and most importantly as screenwriter, Gerwig's contribution appeared — from the outside, at least — to help push Baumbach's works into a new class, with 2012's Frances Ha and 2015's Mistress America both perfectly - executed chronicles of the modern millennial.

Balaker ends Little Pink House with film from life as if to prove that this ruling, called the most hated in Supreme Court history, actually happened and to remind viewers that the battle continues to keep eminent domain in check.

There's a real paucity of films about our venomous culture of self - hate and the tyranny of appearance, and a time or two Miss Congeniality seems on the verge of saying something with its odd voyeuristic device of having Gracie wander around with a P.O.V. camera, but in the end the picture is all lip service paid to the altar of sneering asides and being a magnificent prick.

I didn't mind the violence, but it's the absurd stillness of the film that I thought was rather dull, pointless, indulgent and with all those pregnant pauses where nothing really happened, ultimately it was just extremely boring... I saw this one yesterday and hated it as I had not hated a film in a long time.

WITH 36 FILMS, INCLUDING: A LITTLE STIFF, I DO N'T HATE LAS VEGAS ANYMORE, IN THE BATHTUB OF THE WORLD, TRIPPING WITH CAVEH, I AM A SEX ADDICT, AND THE SHEIK AND I

Directors like Besson and his many minions, Mathieu Kassovitz (Hate, The Crimson Rivers), Jean - Pierre Jeunet (Amelie), and others have since created a French industry that makes films expensive and commercially savvy enough to compete with Hollywood imports, and they don't really give a shit what the naysayers think.

We've seen modernized versions of Shakespeare in the past, with films like Baz Luhrmann «s Romeo + Juliet, O (for Othello), Hamlet, 10 Things I Hate About You, which was a modern incarnation of The Taming of the Shrew, and She's The Man, meant to resemble Twelfth Night.

Sight unseen, I'd put my money on Lala Land being one of those well - liked and least - hated films, along with Manchester by the Sea and Billy Lynn's Long Halftime Walk.

However, now one such film has come along, and there is, for whatever reason, a sort of eagerness for it to fail, with people anticipating hating exactly the kind of work that is sadly lacking in mainstream film culture.

The extent of the film's social satire is its democratic nepotism, with Grant having enlisted family and friends to provide the awful (non-stop) soundtrack and the hate - crime performances, all of which are strung together in the sort of loose narrative (two families gather for the titular shindig) that allows Grant to play both slovenly, gap - toothed protagonist Ringworm and his evangelical brother Snake.

Take away the love it or hate it score (it's jarring, but in its own way, it almost feels like it's a character itself) and the long stretches of dialogue - free footage (again, the praise for these scenes reeks of movie snobbery to me — five minutes is good, twenty minutes is puffed - up filler), and what you're left with is a film that showcases the downward descent of one man.

People seem to really love the film overall, with no one really hating it.

I hated the decision to hold on Anne Hathaway for entirety of her «I Dreamed a Dream» song — trailer for film worked better with cutaways.

The couple is Jenn (Missy Peregrym) and Alex (Jeff Roop), and the film starts with them driving from the city to the countryside in a montage that establishes they are comfortable with each other — enough to have a little inside joke about a song he loves and she hates, moments of silence without feeling obligated to talk, and, in general, enough patience to last a lengthy road trip without getting into a serious fight over the little things.

Dahl opens the film with reams of black - and - white stock footage, explaining the situation and the mindset of both the disheartened Americans and the Japanese brainwashed into fearing and hating Americans.

Primarily an attack on trade unions and the NHS, the film combines broad, victim - hating comedy with brightly - lit slapstick gore.

Copying the model of many of his previous vehicles with Seth Rogen — who has the supporting role of a baffled script supervisor — Franco plays up the odd - couple bromance between Wiseau and Sestero, which gives him the like - hate - love trajectory an audience can find reassuring, and equips the film with a ready - made happy ending.

This film takes a hard look at a family filled with such hate and anger towards one another that each and every one has pent up hostility just waiting to pour out.

Refn nearly ensures that ticket buying audiences unfamiliar with his style will hate this film.