Anderson mentioned in the making of featurette that for the scores of people that
hated the film there was always one guy in the room that championed it.
Not exact matches
(CNN)- The deaths of the U.S. ambassador and three other Americans amid protests against a
film that denigrates Islam has sparked global discussion and debate about whether
there is a line between free speech and
hate speech and, if so, where it lies.
CNN: Reaction to anti-Islam
film fuels debate on free speech versus
hate speech The deaths of the U.S. ambassador and three other Americans amid protests against a
film that denigrates Islam has sparked global discussion and debate about whether
there is a line between free speech and
hate speech and, if so, where it lies.
I'm not sure the
film even needs such a premise to be effective, (in fact, it may distract from the main point a bit... and I
hate to think
there are people who need it to be reversed in order to empathize), for what really moved me was its depiction of bullying, which is based on real reports from LGBT kids.
The
film doesn't take a clear stance in regards of the actual utility of an institution like this, we see how the patients
there mock around and make fun of the fact that they are being institutionalized
there, and at the same time they
hate the way that their parents brought them
there, as well as the harsh instructions that they must go through every morning and every day.
In my History of Documentary
film course, the classes were always split:
there were those who loved it and those who
hated it because it didn't tell a story.
The inspiration of the story came from an article Michael Ardnt (who wrote the
film) read in a newspaper, where Arnold Schwarzenegger was quoted speaking to a group of high school students: «If
there's one thing in this world I
hate, it's losers.
There's a real paucity of
films about our venomous culture of self -
hate and the tyranny of appearance, and a time or two Miss Congeniality seems on the verge of saying something with its odd voyeuristic device of having Gracie wander around with a P.O.V. camera, but in the end the picture is all lip service paid to the altar of sneering asides and being a magnificent prick.
I
hate to think that When Marnie Was
There (Universal, Blu - ray, DVD) may be the last
film to come out of Japan's Studio Ghibli, the great animation studio created by filmmaker Hayao Miyazaki (Princess Mononoke, Spirited Away).
George Chrysostomou on nostalgia... Upon reading Anghus Houvouras's piece on why everyone is
hating on Ready Player One, a key theme of his argument really hit home — it struck me that
there really ise a lot of nostalgia in the current crop of
films and TV shows.
Love or
hate their
films,
there's no denying Ti (left) nor AJ's (right) fashion sensibilities.
However, now one such
film has come along, and
there is, for whatever reason, a sort of eagerness for it to fail, with people anticipating
hating exactly the kind of work that is sadly lacking in mainstream
film culture.
In fact
there are very few
films I really disliked from last year (although I tend to not watch
films that I'm blatantly going to
hate).
«I think
there was a little bit of extra critical
hate towards it because it's changing the landscape of the movie business,» he said, «but I think «Bright» is maybe a movie that needs to be reviewed by public opinion rather than viewed through the highbrow prism of
film criticism.»
Much as I
hate to bring such a stunning
film year to a close,
there's a small pleasure in being able to move on to what 2017 has to offer.
Frances Ha «s proponents are voluble in their support of the
film;
there's nothing to
hate about it, but
there's something slightly grating about so much of it.
What's troubling about this picture and stuff like it (the regrettable remake of The Heartbreak Kid is the
film Forgetting Sarah Marshall most resembles) is that
there's an awful lot of
hate and cruelty packed in here front and centre.
There are plenty of «great»
films, books, albums, games, that I absolutely
hated and that make me itch when people rave about them.
Given the themes of the
film,
there's not much of a love story, or a
hate story, left to compel us.
Watching this
film in the cinemas, I didn't feel a shred of
hate for it, so
there's no need for me to bash this
film.
The Tree of Life is one of those
films that you either love or
hate -
there is no middle ground.
Americans are people bound to their pieces of land, the
film says — and are by extension bound to the blood and bodies, the love and
hate that have lived
there before them.
There is either a love or absolutely
hate when it comes to his
films.
The Family Tree Directed by: Vivi Friedman Starring: Dermot Mulroney, Hope Davis, Christina Hendricks Rating: R Release Date: August 26, 2011 (limited) TRAILER SCORE: 5/10 Thoughts by TSR: Every year
there are a number of
films I love and a number of
films I
hate.
There is not a funny gag in the entire
film and it actually hurts seeing Jason Lee and David Cross reappearing for the third
film (although if I were offered that kind of money, I'd probably do it also knowing full well that I'd
hate myself later for it).
1/2 * / **** Image B + Sound A - Commentary C + starring Val Kilmer, Derek Luke, William H. Macy, Ed O'Neill written and directed by David Mamet by Walter Chaw Because we
hate Arabs (and women almost as much as we think that Arabs
hate women, those hateful Arabs),
there are
films like David Mamet's patently ridiculous, relentlessly offensive, unintentionally hilarious Spartan.
Some of the gags are funny, and
there is an amiable charm that makes the
film difficult to
hate outright, but when you cut right down to it, Brooks is virtually on autopilot throughout this one, spinning out overused gags that many other vampire spoofs had already explored ad nauseam.
Throughout the
film, we witness the transformation of a person starved to prove himself to a person drunk on success and whether you love him or
hate him, he got
there his way.
It's So Easy and Other Lies (Masa, Expansions, KEXP Blog) NEW Interview: «808» Producer Alex Noyer (Masa, Expansions, KEXP Blog) NEW Two Movies Co-Exist in «Love Among the Ruins» (Tony Kaye, City Arts) NEW Rock Radio Royalty (Tony Kaye, City Arts) NEW SIFF interview: The creators of «The Automatic
Hate» talk about one of #SIFF2015's most unforgettable
films (Chris Burlingame, The Sunbreak) NEW All Things Must Pass (Janice Headley, KEXP Blog) NEW The Glamour & The Squalor (Chris Estey, KEXP Blog) A Rock and Roll Beach Movie of the Mind (Tony Kaye, City Arts) Creative Control (Cat McCarrey, City Arts) SIFF Thriller «Circle» Isn't Spinning its Wheels (Tony Kaye, City Arts) PNW Filmmaker Ventures into the «Valley of the Sasquatch» (Tony Kaye, City Arts) «Uncertain» Sets the Bar for SIFF Documentaries (Tony Kaye, City Arts) 808 (Chris Estey, KEXP Blog) Itsi Bitsi (Chris Estey, KEXP Blog) Don't Think I've Forgotten: Cambodia's Lost Rock and Roll (Chris Estey, KEXP Blog) Beats of the Antonov (Janice Headley, KEXP Blog) Is
There a Way Forward for Superhero Movies?
There are few things I've come to
hate more than the term «torture porn,» which was coined in the wake of mid-2000s
films like Saw and Hostel.
In June 2002, some time after the book had been sold on its own merits to publishers in multiple countries, and optioned for
film writes, Rubinstein admitted that she was the author, saying «I think
there is a strong tendency among the spectators or the readers of culture to pigeonhole people, and that's the thing that artists
hate having done to them.
Now you can either love Man of Steel from Zach Snyder or
hate it, but
there is no denying that his
films really show just how powerful Superman is.
Avi Lewis:
There have been a number of reviewers that have seized on the fact that we do something a little cheeky to distinguish ourselves from the climate
film genre, with Naomi confessing that she's always kind of
hated climate
films.