Behind this curatorial play of absences and
hauntings, past a glass wall inscribed with the apt «The Middle of the Middle of the Middle of», in Lawrence Weiner's familiar font, within the Fridericianum's cranial rotunda, is what Christov - Bakargiev calls the «brain», a densely choreographed collection of small objects from disparate epochs and
cultures — a mind - map and microcosm of dOCUMENTA (13)
as a
whole.