Sentences with phrase «haunted house story in»

Communing with the spirit of «The Shining,» Ovredal spins the material into a minimalist haunted house story in which the slow approach of a dead person's footsteps on the other side of a creaky door holds far more terrible possibilities than any given jump scare.

Alien was essentially a haunted house story in space.

Not exact matches

Well it is true that some people seek sorcerers to implement Jinn that are satanic demons into mankind or his house or his business to finish him or make his life miserable or to stop flow of his business income... In such case it is either you are religious enough and say your prayers often then it becomes hard for this to harm you or otherwise you need to find some one who practice exorcism to remove this evil... But many are just pretending to be good at it and help you not but squeeze money out of you with tales and stories... There is another type of possessions and that is not through a sorcerer but directly by coincidence what man is at his weakest moments and those weakest moments for a possessions are when you come through a great fear or when cry or laugh loudly in hysteria, or during a certain moment of mating... or even when sneezing loudly... That's why there are prayers to be said on daily basis to guard you from such things and specially if passing haunted places such as deserted houses but most evil ones are residents of public toilets and market places... Some of them even would claim that you have made a wrong action by which you have killed a dear one to them and for that they have possessed you and that is mostly night time such as throwing a cigaret butt to a dark place or stepping killing an insect or even an animal at night which could have been one of them or possessed by one of them... So this is true thing happening to many who suffer unexplainable illnesses or sufferings which could look like mental illness that comes and goes as pleased.In such case it is either you are religious enough and say your prayers often then it becomes hard for this to harm you or otherwise you need to find some one who practice exorcism to remove this evil... But many are just pretending to be good at it and help you not but squeeze money out of you with tales and stories... There is another type of possessions and that is not through a sorcerer but directly by coincidence what man is at his weakest moments and those weakest moments for a possessions are when you come through a great fear or when cry or laugh loudly in hysteria, or during a certain moment of mating... or even when sneezing loudly... That's why there are prayers to be said on daily basis to guard you from such things and specially if passing haunted places such as deserted houses but most evil ones are residents of public toilets and market places... Some of them even would claim that you have made a wrong action by which you have killed a dear one to them and for that they have possessed you and that is mostly night time such as throwing a cigaret butt to a dark place or stepping killing an insect or even an animal at night which could have been one of them or possessed by one of them... So this is true thing happening to many who suffer unexplainable illnesses or sufferings which could look like mental illness that comes and goes as pleased.in hysteria, or during a certain moment of mating... or even when sneezing loudly... That's why there are prayers to be said on daily basis to guard you from such things and specially if passing haunted places such as deserted houses but most evil ones are residents of public toilets and market places... Some of them even would claim that you have made a wrong action by which you have killed a dear one to them and for that they have possessed you and that is mostly night time such as throwing a cigaret butt to a dark place or stepping killing an insect or even an animal at night which could have been one of them or possessed by one of them... So this is true thing happening to many who suffer unexplainable illnesses or sufferings which could look like mental illness that comes and goes as pleased...

So, it's me alone, when I'm in the house because my family is in Westchester... and there are stories that this house is haunted.

But I was really looking forward to «The Haunting» for many reasons: the actors (Liam Neeson, in particular), the story (I haven't seen any of the other Hill House movies, but my dad seems to like them and the plot intrigued me), and I was hoping for a movie that would scare me by being subtle, psychological, and spontaneous, like the kind «ol Hitchcock made.

Stewart plays out the film as if it were a traditional «haunted house» film, but because we already know it is about alien life, we merely watch the characters go through predictable motions until the story catches up with what we already surmise, and the only things keeping viewers reeled in are basic questions such as, «why are they doing this?»

[Watch the trailer for true story - inspired The Disappointments Room right HERE] Disturbia director D.J. Caruso returns to the horror genre with a haunted house film that was inspired by true events in The Disappointments Room, a psychological thriller that they are saying is in the same vein as The Shining.

Based on the true story behind the Perron family's terrifying haunting of their Rhode Island farmhouse in 1971, the film focused on real - life paranormal investigators Ed and Lorraine Warren's efforts to rid the house of the demonic presence of the witch Bathsheba.

In the decades since that first film told the story of a quaint American family whose house was haunted by a group of disgruntled spirits, there have been countless horror entries offering up the same basic premise in slightly titled wayIn the decades since that first film told the story of a quaint American family whose house was haunted by a group of disgruntled spirits, there have been countless horror entries offering up the same basic premise in slightly titled wayin slightly titled ways.

In INSIDIOUS, they use just that approach in making a haunted house story into something with fiendishly clever... Read More&raquIn INSIDIOUS, they use just that approach in making a haunted house story into something with fiendishly clever... Read More&raquin making a haunted house story into something with fiendishly clever... Read More»

Written and directed by Ari Aster, A24's Hereditary stars Toni Collette, Gabriel Byrne, Ann Dowd, Milly Shapiro and Alex Wolff in a modern take on the haunted house story — or, perhaps more accurate here, a haunted family tree.

Whether it's haunted houses hiding in plain sight, or people literally dying from their nightmares, here are the 10 best horror movies that are based on true stories.

It's pretty much an updated, creepy take on Amityville with a story involving a single mother moving into the haunted house with two daughters and a son with an injury that has left him in a coma.

The Haunting in Connecticut (PG - 13 for intense terror and disturbing images) Haunted house tale, based on a true story, recounts the host of supernatural horrors visited upon a family which unsuspectingly moved into a recently - renovated Victorian mansion that had been a mortuary where unspeakable acts had transpired.

The story — which simply has the characters from the first film stay in a haunted house — is supposed to get its (for lack of a better term) «inspiration» from thrillers of a supernatural bent such as The Haunting, What Lies Beneath, Poltergeist, and The Exorcist.

Inspired by true events, the film tells the story of «the most haunted house in the world», built by Sarah Winchester, played by Helen Mirren, heiress to the Winchester (weaponry) fortune.

Like Jack Nicholson in «The Shining,» Harris makes you feel the story's terror — the menace and the entrapment of Hill House as Nell is pulled into the evil of the haunted domicile's very dark past.

Set in 1906 in San Jose, California, «Winchester» is based on the true story of one of the most notorious haunted houses in the long history of haunted houses.

Release date: February 2 Cast: Helen Mirren, Jason Clarke, Sarah Snook Director: Michael & Peter Spierig (Daywalkers) Why it's great: Yes you've certainly seen this sort of «skeptic in a haunted house» premise before, but when the house is this creepy — and the cast is this impressive — there's nothing wrong with curling up with a very familiar ghost story even if you mostly know where it's headed.

It's the story of a ghost that haunts the house it lived in while it was alive.

Wan's strengths lie in his ability to cull what works in classic haunted house stories (think The Old Dark House, The Haunting, Poltergeist) and adapt them for modern tahouse stories (think The Old Dark House, The Haunting, Poltergeist) and adapt them for modern taHouse, The Haunting, Poltergeist) and adapt them for modern tastes.

A Ghost Story By Imogen Sara Smith Time is malleable and love is a mystery in David Lowery's entrancing twist on the haunted house movie

James Wan's latest foray into the haunted house genre leads him straight into The Conjuring which is «based on a true story» about the Perron family who were terrorized by demonic entities in which ghost hunters Ed and Lorraine Warren were called upon to investigate.

Its haunted house / possession story is nothing you haven't seen before, but few films in this oeuvre in recent years have had half the stylishness that Wan imparts on an old, creaking farmstead in Rhode Island.

The haunted house in «American Horror Story» is growing exponentially as there are two new additions to the FX series which airs every Wednesday night.

Our collection of Licensed Full Head Halloween Masks includes The Texas Chainsaw Massacre, Star Trek, The Twilight Zone, World Wrestling Entertainment, Preacher, Creepshow, Game of Thrones, Child's Play, Bride of Chucky, Goosebumps, Iron Maiden, American Horror Story, The Walking Dead, SAW, Jeepers Creepers, Killer Klowns From Outer Space, Pumpkinhead, Krampus, Halloween 2, Halloween 3: Season of the Witch, Halloween 6: The Curse of Michael Myers, Halloween H20: Twenty Years Later, Halloween: Resurrection, Trick» r Treat, Garbage Pail Kids, Nightbreed, Rob Zombie, House of 1,000 Corpses, The Devil's Rejects, The Lords of Salem, Alice Cooper, The Misfits, Motorhead, Five Finger Death Punch, AC / DC, JAWS, King Kong, Rocky, Rocky 2, Rocky 3, Rocky 4, Rocky 5, Rocky Balboa, An American Werewolf In London, Mars Attacks, Frosty the Snowman, Corpse Bride, Tales From The Crypt, Haunt of Fear, Distortions Unlimited, Lucio Fulci's Zombie, Clash of the Titans, Ash vs. Evil Dead, Castle Freak, Killjoy, Gremlins, Hatchet, Hatchet 2, Hatchet 3, Amityville: The Awakening, The Haunted World of El Superbeasto, House of Horrors, London After Midnight, Dead Silence, Behind the Mask: The Rise of Leslie Vernon, Jeepers Creepers, Jeepers Creepers 2, Evil Dead 2, They Live, Darkman, The Orphan Killer, The Funhouse, Dark Night of the Scarecrow, Blacula, White Zombie, Mad Monster Party, George A. Romero's Day of the Dead, George A. Romero's Land of the Dead, Bela Lugosi, Toxictoons, Phantom of the Opera, The Hunchback of Notre Dame, The Goon, Hellboy, Cousin Eerie, Scared to Death, and Eric Pigors» Toxictoons.

Teens who've read his short story «The Fall of the House of Usher» and want more creepy old houses haunted by revenge - seeking, bloodsoaked - dress - wearing gals — but with less onerous vocabulary and more running jokes about Ghostbusters — can't do better than Anna Dressed in Blood by Kendare Blake.

The House Always Wins is a Las Vegas ghost story based on an actual haunted house the author and his family lived in during the early 2House Always Wins is a Las Vegas ghost story based on an actual haunted house the author and his family lived in during the early 2house the author and his family lived in during the early 2000s.

«But there is a strong roster of books that are likely to catch fire in 2018, including former U.S. President Bill Clinton penning a White House thriller with bestselling author James Patterson, a haunting debut from a senior publishing executive, and one of the most - watched novelists in America, Meg Wolitzer of The Interestings, with a timely story about womanhood, power, and ambition.»

Other series followed suit: 1992's «Alone in the Dark» was a low - key haunted house mystery inspired by Edgar Allen Poe's short story «The Fall of the House of Usher.&rhouse mystery inspired by Edgar Allen Poe's short story «The Fall of the House of Usher.&rHouse of Usher.»

«Every time you go in, you're going to get a different story, from the way the house is laid out, to how the house is haunted, to the characters, cards, and actions.

A big part of the ongoing legacy is the deaths that have happened in the haunted house, including the deaths you might face as the story is told, and exactly what is left behind from those deaths.

«All the Clothes of an Imelda I Know» (2011), is a sculpture comprised of the objects and ornate architectural models used in the film, «Full Firearms» (2011), a loosely adapted the real - life story of Sarah Winchester, the Connecticut gun heiress who, in the 1880s, built a manor to house the «spirits» haunting her: the victims of her father - in - law's arms empire.

Dubbed the Haunted House by its owners, who sheathed its five stories in twenty - four - karat gold leaf, it's one of ten buildings on the grounds of a former distillery in Milan that now make up the Prada Foundation.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsenin Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris TownsenIn the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsenin issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

Gober most recently created a three story permanent installation in the Haunted House at the Fondazione Prada, Milan which opened in May 2015.

No strangers to haunted houses, many practitioners have real - life horror stories of dealing with creepy, ghostly circumstances in the course of their daily work.