Sentences with phrase «head kind of moment»

Not exact matches

A knowledgeable psychic can tell you where you're headed at the present moment, but you hold the reins — kind of like when a GPS gives you three possible routes to choose from.

The kind of moment that was exactly what we needed to get out of our heads and into the Christmas spirit.

Only poor Alexander elevates the material, with a kind of quiet dignity that doesn't quite survive a scene in which he stumbles around screeching with an orangutan on his head; the moments he shares with his boys are free of histrionics and false notes.

«U.N.I (You And I)» from And the Winner Isn't «Love and Lies» from Band Aid «If I Dare» from Battle of the Sexes «Evermore» from Beauty and the Beast «How Does a Moment Last Forever» from Beauty and the Beast «Now or Never» from Bloodline: Now or Never «She» from Bombshell: The Hedy Lamarr Story «Your Hand I Will Never Let It Go» from The Book of Henry «Buddy's Business» from Brawl in Cell Block 99 «The Crown Sleeps» from The Breadwinner «World Gone Mad» from Bright «Mystery of Love» from Call Me by Your Name «Visions of Gideon» from Call Me by Your Name «Captain Underpants Theme Song» from Captain Underpants The First Epic Movie «Ride» from Cars 3 «Run That Race» from Cars 3 «Tell Me How Long» from Chasing Coral «Broken Wings» from City of Ghosts «Remember Me» from Coco «Prayers for This World» from Cries From Syria «There's Something Special» from Despicable Me 3 «It Ain't Fair» from Detroit «A Little Change in the Weather» from Downsizing «Stars in My Eyes (Theme From Drawing Home)» from Drawing Home «All In My Head» from Elizabeth Blue «Dying for Ya» from Elizabeth Blue «Green» from Elizabeth Blue «Can't Hold Out on Love» from Father Figures «Home» from Ferdinand «I Don't Wan na Live Forever» from Fifty Shades Darker «You Shouldn't Look at Me That Way» from Film Stars Don't Die in Liverpool «This Is How You Walk On» from Gifted «Summer Storm» from The Glass Castle «The Pure and the Damned» from Good Time «This Is Me» from The Greatest Showman «The Hero» from The Hero «How Shall a Sparrow Fly» from Hostiles «Just Getting Started» from If You're Not in the Obit, Eat Breakfast «Truth to Power» from An Inconvenient Sequel: Truth to Power «Next Stop, The Stars» from Kepler's Dream «The Devil & The Huntsman» from King Arthur: Legend of the Sword «Have You Ever Wondered» from Lake of Fire «I'll Be Gone» from Lake of Fire «We'll Party All Night» from Lake of Fire «Friends Are Family» from The Lego Batman Movie «Found My Place» from The Lego Ninjago Movie «Stand Up for Something» from Marshall «Rain» from Mary and the Witch's Flower «Myron / Byron» from The Meyerowitz Stories (New and Selected) «Longing for Summer» from Moomins and the Winter Wonderland «Mighty River» from Mudbound «Never Forget» from Murder on the Orient Express «Hold the Light» from Only the Brave «PBNJ» from Patti Cake $ «Tuff Love (Finale)» from Patti Cake $ «Lost Souls» from The Pirates of Somalia «How a Heart Unbreaks» from Pitch Perfect 3 «The Promise» from The Promise «Kaadanayum Kaalchilambe» from Pulimurugan «Maanathe Maarikurumbe» from Pulimurugan «Stubborn Angel» from Same Kind of Different as Me «Dancing Through the Wreckage» from Served Like a Girl «Keep Your Eyes on Me» from The Shack «On the Music Goes» from Slipaway «The Star» from The Star «Jump» from Step «Tickling Giants» from Tickling Giants «Fly Away» from Trafficked «Speak to Me» from Voice From the Stone «Walk on Faith» from Year by the Sea

As head ape Caesar stands atop the rubble of a symbolic tower toppled moments before in a last ditch attempt by fearful humans to wipe out his kind, human benefactor Malcolm (Jason Clarke) confronts him in a fruitless bid to stop further fighting saying, «War isn't what [he] want [s].»

Though it's likely the kind of film that one will accidentally stumble across on some streaming service, Ask Me Anything is a head above the glut of similarly themed and routinely rashly released American indie films available for consumption at any given moment, even if it doesn't quite homogenize all its elements successfully.

It's not a far reach for them to access the despair that's essential, I think, to a certain kind of creation, and Porterfield allows them each a moment to express themselves in song: one in a basement before Oldham destroys his instrument, the other on stage and then over the closing - credits, with the coda being a sigh from Taylor and a little shake of her head.

I could hear them like voices in my own head — why has this boy stopped talking, queer as a winged snake is he, leant against the wall with such a look on his face, would be handsome if he weren't so sullen, what a chest he has, deep as a wrestler's, how does it spring from those twisted haunches to which are pawled legs like hanks of rope, oh god, his ribcage is heaving as if at any moment he may vomit, maybe he is ill, boy what is your problem, alas, my wordless enquiries cause his convulsions to grow worse, I think he may be going to have a fit, what will I do if he dies, oh dear, my further anxious attempts to communicate, with twisting «wherefore» hand motions and raising of eyebrows, seem to cause violent shudders, bugger's lips are writhing in some kind of agony, should a doctor be called, where can one find a doctor in this place, where the hell am I anyway, what the fuck am I doing here?

Mr Ueda was kind enough to send me a copy of The Last Guardian late last year and as I was playing it, I could notice the moments when you climb on Trico's head to find a path, and jump to reach places that were inaccessible from the height you were at.

Do you know the kind of moment where the light bulb flashes above your head and you can almost hear a coordinating «ding, ding, ding» going off like you've won a grand prize?