Sentences with phrase «headdress by»

Ensor's artist studio Sketch a still life scene, try on a handmade headdress by Hysteria Machine and have your photo taken to commemorate your stay at Ensor's place.

Tuesday, September 19 10 - 11 am — Jodi Melnick / Sara Rudner / Vicky Shick 3 - 5 pm — Jodi Melnick / Colleen Thomas / Asli Bulbul / Maya Lee - Parritz / Kareem Alexander Hewitt 5 - 6:30 pm — Jodi Melnick in collaboration with Jon Kinzel (Headdress by Jon Kinzel)

Not exact matches

Venerated by the Aztecs and Mayans, whose rulers wore headdresses made out of its long tail feathers, the bird has a bright green body, a red breast, and green upper tail feathers that conceal its tail; in males, these feathers are longer than its body.

I also had a veil and headdress specially made by Lou Lou Puchalka.

The headdress was made by La Puta Suegra, which was also, in charge of the flowers and decoration.

An intricate sterling silver headdress frames the face of a noble knight, hand - carved from bone by Balinese artisan Komang Suastra.

The proud face of a noble knight is hand - carved from bone, framed by an elaborate sterling silver headdress that features elegant bubble and spiral motifs.

Mitre is the very tall headdress worn by bishops, cardinals and a variety of high - ranking clergymen and dignitaries.

My feather headdress and matching feather barefoot sandals were bespoked by Natalie at Curious Fair.

The burlesque was fantastic, and surrounded by my nearest and dearest friends and family, I embraced thirty with both hands... and realised getting older is a lot easier to deal with, with a glass of prosecco in hand, and a 1920s headdress pinned into my hair!

Certainly, Depp plays Tonto as no one else could, borrowing the look of the character from Kirby Sattler's painting «I Am Crow» by interpreting a bird flying directly above the head of a noble Native American as a strange sort of headdress.

In this edition, learn about the making of Hela's Headdress worn by Cate Blanchett in Thor: Ragnarok.

Reluctant to take on a Padawan apprentice, he reconsiders when his life is saved by Ahsoka Tano, a headstrong young lady who, despite the orange skin, white face paint, and headdress, talks like a ditzy California girl.

On arrival, they're greeted by a staff member blowing on the pu (conch shell) and wearing traditional feathered headdress and sarong.

At Banyan Tree Mayakoba, the Haab dining experience commemorates traditional Maya cultivation techniques, with Maya «warriors» dressed in face paint and feather headdresses leading guests into the jungle for a sundown ritual that's complemented by stories of ancient Maya life.

However, archaeologists realized in 1978 that Franciscan monks had corrupted the name from «Lam «an / ayin» to «Lamanai,» and that adding the correct suffix of «ayin» changed the meaning of the name to submerged crocodile, a conclusion supported by the large number of crocodile representations found at Lamanai, including figurines, pottery decorations and the headdress of a 13 foot limestone mask found on a 6th century temple platform.

- Rodea is an original creation by someone with ill intents - he is a R - 0 Sky Soldier created by Emperor Geardo of the Naga Empire - Rodea is tasked with protecting Geardo's daughter, Princess Cecilia - by meeting Cecilia, Rodea learned what it was to have a heart - he learned from her and realized what her father's desire to invade other countries were wrong - Rodea went down to Garuda to prevent Geardo from taking over that land and finds himself defending Garuda - Rodea immediately returns to the task he shared with Cecilia after his 1,000 year sleep - Ion and Cecilia aid Rodea by repairing his arm and helping him care about things greater than himself - Geardo sends the other Sky Soldiers, R - 1, R - 2, and R - 3, to aid in his conquest - Geardo wears a gigantic cloak and a massive headdress - Geardo went out of his way to make as much of his body with machines as he could - Rodea the Sky Soldier looks at the juxtaposition and integration of machinery into a more rural and natural environment

Gestures of cultural understanding are performed by a number of artists whose images reveal complex narratives: Kent Monkman's alter ego Miss Chief Eagle Testickle reclaims a controversial headdress; Aida Muluneh speaks to the struggles and achievements of the African diaspora across history; and Caroline Monnet's scene of women in the film industry highlights an emerging sense of power and self - determination.

Much as Tarantino's Inglourious Basterds gives the audience the visceral satisfaction of witnessing Hitler's death by countless rounds to the face, Saul treats the viewer to a dopey Tex Avery - style Custer as he is scalped, his skull peeling like a piece of fruit to reveal his juicy red brain while idiosyncratically goofy Native Americans with potbellies and big noses — one with a pretty headdress of pink, orange, red, and yellow — circle U.S. cavalrymen and kill them in their own special ways.

In it, the artist casts herself as subject, wearing what appears to be the type of ceremonial headdress seen in religious paintings by Jan Van Eyck or Rogier Van der Weyden.

Imagen: David Douglas Duncan, «Picasso with Indian chieftain headdress given to him by Gary Cooper», Villa La Californie, Cannes 1960 / © Harry Ransom Humanities Research Center, The University of Texas at Austin

Her elaborate headdress, or tignon mandated by sumptuary law in Spanish colonial Louisiana to oppress women of African descent, is filled with historical and contemporary symbols.

In several paintings women are featured in elaborate tignons, an 18th century headdress imposed by law for women of color in New Orleans and a tradition that although imposed as a form of oppression became, through elaborate patterning and design, a symbol of power and beauty.

Catalog from the exhibition, «Six Centuries of Headdress,» April 3 — May 1, 1955, held at the Dallas Museum of Fine Arts to parallel the Bal aux Chapeau sponsored by the Dallas Fashion Group.

Each repeated image is distinguished by ornate tribal markings, indigenous headdress, and references to artists from Minimalists such as Sol Lewitt and Agnes Martin to contemporary artists including Paul Thek and Llyn Foulkes.

As a longtime fan, I kept thinking it would be fantastic to see one of these heads huge, outfitted in the most outrageous headdress in all of art history: Aztec headgear by way of art nouveau, sand castles, and topological maps.

Since its inception in 2010, Collectors Evening participants have selected a total of eight acquisitions for the Museum, including a collection of 20 photographs by Paul Fusco from the «Robert F. Kennedy Funeral Train Rediscovered» portfolio; the painting «Thiogo Oliveira do Rosario Rozendo» from Kehinde Wiley's series «The World Stage: Brazil»; an African «Ntadi» sculpture; a round - back chair and table from the «Sketch Furniture» series, by Sweden's Front Design; the painting «Portrait of Nency Destouches,» by Auguste - Jean - Baptiste; «Leda and the Swan,» a photograph from Vik Muniz's «Pictures of Junk» series; the fluorescent light sculpture «Bright Star,» by Spencer Finch; and the African «Elephant Headdress» from a Bamileke artist.

Steel kinetic figures by Alexandra Limpert and the adorned ball gowns and headdresses of Victoria - Idongesit Udondian greet visitors to the space.

These figures, rendered in meticulous detail, are expressive, brown - limbed, razor - thin androgynes, all related by their eponymous green heads yet often segregated by colorful uniforms, accessorized by belts, masks, or rank - denoting headdresses.

The sculptures are at once contemporary and ancient; the dramatic forms and shapes of the headdresses are specifically drawn from the Botanical Garden's collections: the cor - ten steel sculpture Guiomar, sited directly inside the Garden's Conservatory gate entry, is embraced by a filigree headdress of delicate ferns, whereas the sculpture Ivy, sited in and floating above the Conservatory entrance fountain, is a flourish of abstraction alluding to windblown palm fronds.

NOMA 100 is the culmination of a five ‐ year acquisition project, celebrating the museum's 100th anniversary with the exhibition of 110 newly acquired objects, ranging from a laminated color C ‐ print by American artist Matthew Barney to a seven ‐ foot long shark headdress from Nigeria.

Each painting was commissioned from an anonymous professional artist in China, then altered by Varejão with various iterations of colored bands, ear piercings, and decorative headdresses — an iconographic mixture of ceremonial Native American dress and 1960s abstraction.

In Manhattan, the noisy, hopeful cavalcade of protesters — led by Hurricane Sandy survivors carrying placards of sunflowers and Native Americans in traditional headdresses — took over the streets of Midtown, juggling, singing, blowing synagogue shofars and conch shells, whistling and beating drums, with biodiesel - powered floats chugging along.

Remember you're the head honcho With its Joshua tree silhouette, this portable Sam valet by Carlo Ballabio for Porada is just the place for lonesome chiefs to hang their headdress.