Sentences with phrase «headless torsos of»

In this highly successful exchange made by two artists, both of whom draw upon the intensely personal in their work, the classic headless torsos of Surrealism emphatically get their voices back.

In «Quality Time» (1986), the headless torso of a woman spurts milk from the nub of her arm onto a diapered baby.

Not exact matches

You're not going to look too slick if your profile says you're looking to meet the man of your dreams and your accompanying photo is a naked headless torso.

When users of Grindr an app popularly known as a digital meat market for gay men logged in on January 10, 2016, they saw more than headless, chiseled torsos.

Let alone your dating bottom lines, like no dudes whose pictures are just headless torsos with a little too much of the Abercrombie hip bone showing?

Starting the show out with a chorus line of topless men with faces painted on their torsos and heads covered by oversized top hat appearing to whistle, Miller later pretended to have his head blown off by a cannon and ended the show dressed as a headless man carrying his bloody head on a platter.

After taking one too many headless torso shots of herself, solo traveler Sophia Dembling started snapping photos of her feet around the world, from the Grand Canyon to Red Square.

In them, she lies nude in the surf on a beach in Oaxaca, Mexico, holding a large polished steel mirror that hides her torso but reflects her lower body, leaving her figure truncated, headless and composed of four splayed legs.

Throughout the exhibition, the viewer encounters many of Lucas's headless Bunnys, moves through a garish crimson room with male torsos on a massive scale, and ends their journey with the artist's most recent series «Penetralia», which combines female and male forms in characteristically phallic sculptures.

In the gardens, people stumble over clumps of hardened goo and marvel at what looks like a storm - ravaged fallen tree trunk, but turns out to be pair of giant legs and a headless torso.

Another highlight is the room lined with Do Not Abandon Me, Louise Bourgeois and Tracey Emin's collaborative works made between 2009 - 2010, which began as a series of headless male and female torsos, painted in limpid, vibrantly coloured gouache wash by Louise Bourgeois.

Powerful representations of sexuality, works such as Heretic (1944), in which a headless male torso sodomizes some kind of strange furry animal, or Marta (1940) and Passionate (1943), both showing nude women surrounded by multiple phalluses, were groundbreaking in their refusal to adapt themselves to contemporaneous discourses surrounding gender and sexuality.

Those would be a 1991 sculpture of a headless torso made of beeswax that looks a bit like a bag of cement and a full room from 1989 with a bag of donuts in the center and black wallpaper with white drawings of genitals.

The folds of leathery skin are lifted and propped open by sculptures, casts and found objects to reveal collages of a multitude of images from a broad range of sources: André Masson's Acéphale illustration depicts a headless monster, functioning as a parodic diagram of the ideas of the Surrealist philosopher Georges Bataille; Krang, the villain from Teenage Mutant Ninja Turtles, is an anthropomorphic brain housed in the torso of a human - shaped exo - suit; the cryogenically - frozen body of John Spartan from the film, Demolition Man; and a snapshot of the artist's mother, apparently perturbed by a «virtual autopsy display» of a mummy in the British Museum.

Like some of Rodin's sculptures, the headless torso offered here, with its uplifted arms and muscular thighs, has a timeless, heroic quality.