Of course, the actual time spent watching Patterson and
hearing his take on writing wasn't the only aspect to the course.
I'd love to
hear your take on writing groups.
Not exact matches
I can't count the number of times I've sat in panels
on writing or other creator guide sessions and
heard panelists dictate that anyone wanting to be
taken seriously or promote their work must be
on Facebook.
«He's an egomaniac devoid of all moral sense» ---- said the society woman dressing for a charity bazaar, who dared not contemplate what means of self - expression would be left to her and how she would impose her ostentation
on her friends, if charity were not the all - excusing virtue ---- said the social worker who had found no aim in life and could generate no aim from within the sterility of his soul, but basked in virtue and held an unearned respect from all, by grace of his fingers
on the wounds of others ---- said the novelist who had nothing to say if the subject of service and sacrifice were to be
taken away from him, who sobbed in the
hearing of attentive thousands that he loved them and loved them and would they please love him a little in return ---- said the lady columnist who had just bought a country mansion because she
wrote so tenderly about the little people ---- said all the little people who wanted to
hear of love, the great love, the unfastidious love, the love that embraced everything, forgave everything, and permitted everything ---- said every second - hander who could not exist except as a leech
on the souls of others.»
it
takes more faith to believe in a theory based
on facts than to believe in a magical all knowing person in the sky thats from a book
written by men that
heard voices?
When McMillan sat down to
write Mercury & Lightning, he realized he had a decision to make: Write what he knows people will want to hear, or take a risk, and deal with his crisis of faith hea
write Mercury & Lightning, he realized he had a decision to make:
Write what he knows people will want to hear, or take a risk, and deal with his crisis of faith hea
Write what he knows people will want to
hear, or
take a risk, and deal with his crisis of faith head
on.
A cute idea I recently
heard is to
take the bits of paper circles left from a hole puncher and
on one side
write one word.
«Unfortunately, «Citizens for District 13» — a group that my office has never
heard of in the many years of dealing with community organizations — appears more focused
on furthering a counterproductive anti-Independent Democratic Conference agenda than
taking any action that has to do with a healthy and constructive debate about the future of this district,» he
wrote.
He said he had
written a letter to both campaigns to ask the candidates to
take a position
on the Constitution pipeline, but has yet to
hear from either.
«After four Presidential cycles of ignoring the ballot access needs of Georgia by those who have sought our nomination,» said Al Herman, treasurer of the Party and himself a past
write - in candidate for the U.S. Congress, «it is refreshing, indeed, to finally
hear a Presidential candidate
taking seriously the potential to be realized by putting the Green Party
on the ballot in Georgia.»
But ears
take a constant beating in the service — weapons and explosions, Roach
writes, «are the biggest contributors to the $ 1 billion a year the Veterans Administration spends
on hearing loss and tinnitus.»
I first
heard of him when he was
writing guest posts for the hugely popular copywriting blog, CopyBlogger.com Like many of the other bloggers
on this list, he
takes a scientific view towards fitness and isn't married to any particular dogma.
Okay I admit the title of this post sounds a bit dramatic, melancholic even, but
hearing the raindrops ticking
on my bedroom window while
writing this post — the night before actually posting it — and at the same time looking at these photos —
taken last Sunday when it was clearly better weather — I feel so sad.
I know it's been a while since you've
heard from me
on here, but I can promise that the
writing and the photo -
taking has not stopped!
Last we
heard, Starry Eyes
writing / directing duo Kevin Kolsch and Dennis Widmyer were about to
take on another remake of Stephen King's 1983 novel Pet Sematary...
Hearing that Aronofsky
wrote this script in five days makes sense because when it isn't just following people ceaselessly clomping up and down stairs, it's a wild, grotesque
take on the Cat in the Hat with Jennifer Lawrence as the beleaguered children trying to stop Thing 1 and Thing 2 from ruining her kitchen.
Zamperini's story (told in the autobiography
written by Laura Hillenbrand the movie is based
on) is as awe - inspiring as any you'll
hear, but Jolie and screenwriters Joel and Ethan Coen (yes, they do
write scripts once every blue moon)
take a storytelling approach that's too rudimentary and overly respectful.
While
on a voyage to Africa, a rather hard - up and unproven young writer named Arthur Conan Doyle
hears of the Mary Celeste and decides to
write an outlandish short story about what
took place.
«In his sleep he could
hear the horses stepping among the rocks and he could
hear them drink from the shallow pools in the dark where the rocks lay smooth and rectilinear as the stones of ancient ruins and the water from their muzzles dripped and rang like water dripping in a well and in his sleep he dreamt of horses and the horses in his dream moved gravely among the tilted stones like horses come upon an antique site where some ordering of the world had failed and if anything had been
written on the stones the weathers had
taken it away again and the horses were wary and moved with great circumspection carrying in their blood as they did the recollection of this and other places where horses once had been and would be again.
I remain excited that my kids love reading books — in whatever form that may
take:) Interestingly I think studies also show that students who
take handwritten notes in class (as opposed to typing notes
on their computer) also retain more as they have to condense the information when
writing — when typing the focus is more
on transcribing than distilling the information being
heard.
take it easy wacko, you seems to
write exactly what Americans want to
hear on purpose... first off... the product is not
on the end of life phase.
, you are lying
on the floor of your place looking up, a small draft runs through the room, between the door and the window, and all things seem perfectly still, wind only disturbs concrete in imperceptible ways, or it may
take millions of years to be noticed and, as the air runs through the space, all your plants move and all is animated and all is alive somehow, and here are the thoughts of all men in all ages and lands, they are not original with me, and that wind upon your plants is the common air that bathes the globe, and we have no ambitions of universalism, and I'm glad we don't, but the particles of air bring traces of pollen and are charged with electricity, desert sand, maybe sea water, and these particles were somewhere else before they were dragged here, and their route will not end by the door of this house, and if we tell each other stories, one can imagine that they might have been bathed by this same air, regrouped and recombined, recharged as a vehicle for sound, swirling as it moves, bringing the sound of a drum, like that Kabuki story where a fox recognizes the voice of its parents as a girl plays a drum made out of their skin, or any other event, and yet I always felt your work never tells stories, I tend to think that narrative implies a past tense, even if that past was just five seconds ago, one second ago was already the past, and human memory is irrelevant in geological time, plants and fish know not what tomorrow will bring, neither rocks nor metal do, but we all live here now, and we all need visions and we all need dreams, and as long as your metal sculptures vibrate they are always in the Present, and their past is a material truth alien to narrative, but well, maybe narrative does not imply a past tense at all and they are
writing their own story while they gently move and breathe, and maybe nothing was really still before the wind came in, passing through the window as if through an irrational portal to make those plants dance, but everything was already moving and breathing in near complete silence, and if you're focused enough you can feel the pulse of a concrete wall and you can feel the tectonic movements of the earth, and you can
hear the magma flowing under our feet and our bones crackling like a wild fire, and you can see the light of fireflies reflected in polished metal, and there is nothing magical about that, it is just the way things are, and sometimes we have to raise our voice because the music is too loud and let your clothes move to a powerful bass, sound waves and bright lights, powerful like the sun, blinding us if we stare for too long, but isn't it the biggest sign of love, like singing to a corn field, and all acts of kindness that are not pitiful nor utilitarian, that are truly horizontal as everything around us is impregnated with the deadliest violence, vertical and systemic, poisonous, and sometimes you just want to feel the sun burning your skin and look for life in all things declared dead, a kind of vitality that operates like corrosion, strong as the wind near the sea, transforming all things,
Joining these are many important works shown in the galleries for the first time including new works made specially for this exhibition, including a diaphanous cellophane window sculpture by Karla Black, a new text work from the series pretty much every world
written, spoken,
heard, overheard from 1989... by Douglas Gordon, a newspaper collage by Tony Swain, a sculptural work
on paper by Andrew Kerr, Jim Lambie's colourful pop poster stack (free to
take away) and Hayley Tompkins and Sue Tompkins painted chairs that can be found distributed throughout the galleries.
«While the
hearing division
took the law society's delay into account, the panel did not give proper consideration to the multi-faceted impact of this delay
on the public interest,»
wrote Raj Anand
on behalf of the majority.
Howard Bashman sounds disappointed that Alito refused to
take the blogs - related bait offered in a question from U.S. Senator Chuck Grassley, R - Iowa, who said «There are blogs even about this
hearing»... And if you haven't read Dahlia Lithwick's
write up of Day One
on Slate, you haven't lived.
I
took breaks from my
writing to watch Neil M. Gorsuch's confirmation
hearings on television.
There is no need for
hearings or oral submissions — the adjudicator would
take limited
written submissions and interpret the clause based
on those submissions.
This is actually testimony that was published in
written format yesterday (and that's available here, for anyone that wants to
take a look) but the real coverage is hitting press today and, in turn, the real impact that this
hearing and testimony is going to have
on the cryptocurrency markets is likely to present itself during the late session
on Tuesday.
Jot down the best helpful tip you can find and
write your partner a note stating that you have
heard their complaint,
take it seriously and are poised to work
on it.
After you have a
written marital settlement agreement, the court
hearing on an uncontested dissolution can be set in a few weeks and the
hearing itself
takes only a few minutes.
I am simply going to offer up my time
on a per - hour appointment basis to those curious / interested consumers who want to call me and after
hearing what I have to offer, will want to
take a small financial chance and pay $ 60.00 for the first hour (which will include my handing over a ten page educational booklet
written by me) and who thereafter may want to make further appointments at $ 50.00 per hour should they want to continue onward with me.
John Rook of Bennett Jones, CREA's legal counsel,
writing on behalf of both the Commissioner and CREA's counsel, stated to tribunal Madame Justice Simpson that the bureau and CREA «have agreed that the current Orders of the Tribunal in this matter, particularly for the delivery of documents and for the
hearing, will not be affected, unless and until the Consent Agreement is registered... (and) jointly request that the Competition Tribunal not
take any steps to alter any existing plans in respect of this proceeding, pending further communications from counsel.»
While this might be beneficial, at least in the sense that the non-prevailing party might understand, if not appreciate, the basis
on which the award was based, there has been an
on - going concern that, given the task of comprehensively and accurately articulating all of the acts and factors that are
taken into account by an arbitration panel in rendering its award, there might be an understandable (and possibly unavoidable) tendency to oversimplify or generalize the basis
on which an award was made, with the resulting explanation or rationale or «findings», whether
written or oral, being relied
on by the non-prevailing party (and likely by others) as «precedent» to be introduced and relied
on at future arbitration
hearings.