Anyone who feared that the writer's directorial debut would abandon the cerebral, doughty fare of his previously - penned Sunshine, Never Let Me Go and roughly 15 minutes of 2011's Dredd need not have worried — more than any of Garland's previous efforts, Ex Machina weighs
the heavier side of science fiction and what it means to be human.
Not exact matches
on The Other
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While Garland's last film was
heavy on the technology
side of sci - fi, this one is all about the
science end
of things, exploring the kind
of beauties and monsters that strange twists
of evolution might cook up.
Dineen is a problem in some respects in that she is spot - on when it comes to her analyses
of MHP
science and related issues, but she decidedly skews her focus toward an antagonism against women's rights - type therapists without similarly critiquing «the other
side», and toward an overly
heavy - handedly skeptical view
of sex abuse and domestic violence accusations, without any indication
of a balanced consideration
of the many MHP abuses on «the other
side».