For example,
the heavily worked surface and dark palette, which modulates the four separate, distorted concentric forms and their background in «Gong - Gong» (2008) achieves the opposite of the increased spatial fluidity and equal distribution in «Errant Traveler» (2012), where in - between painted forms are exposed.
The heavily worked surface seemed to be the site of confrontation between artist and perceptual thought.
Her heavily worked surfaces give her a place with Art Brut and Arte Povera as well.
With
heavily worked surfaces finished with richly colored glazes, her pieces recall landscapes, abstract paintings, and the contours of the body itself.
The Paris Paintings at Nathalie Karg are richly dark works with ripples of white, blue, green, rust, and red running horizontally across
their heavily worked surfaces; one exception — a mosaic - like patchwork of earth tones, dark greens, and reds from 1953 — provides a bridge to Held's approach after he returned to NewYork.As the debut works of a major American artist, Held's sensual, mysterious, and dynamic Parisian nocturnes are emblematic of the restlessness and audacity that would become hallmarks of his career.
Two of the largest works are abstract; three are inscribed with words evoking colonial and / or Western appropriation («mango,» «chorizo» and «yoga»); all display
the heavily worked surfaces for which Murillo is well known.
«Coffee, seasonal fruit, spaghetti and rope» — this seemingly random list of items, which constituted the title of Dallas - based artist Stephen Lapthisophon's first solo exhibition in Houston, flagged just some of the matter suggested by
the heavily worked surfaces of the twelve recent abstract compositions on paper and canvas included in the show.
The layered,
heavily worked surfaces give an archaeological vibe to the pictures in Gallery Neptune & Brown's «Dancing the Tarantella.»
Not exact matches
Flour a pastry board or
work surface heavily and place the dough in the center.
Using your spatula, drop the sticky dough on a
heavily floured
work surface.
Using your spatula, drop the sticky dough on a
heavily floured
work surface (when I have people coming over and want to keep my kitchen clean, I use baking paper which I can throw away with the leftover flour).
Deep black and vibrant hues of red, blue, and yellow pastel chalks have been
heavily worked and rubbed into the handmade paper, nearly covering the entire
surface with a seductive and velvety texture.
The resultant
works rely
heavily on the use of whimsy while the multiple layers allow the dress images to dance on the
surface.
With the exception of a few clusters of clearly delineated geometric form, this large, cosmic picture comprises almost entirely of a rich,
heavily -
worked, and seemingly abstract painted
surface.
And yet it's much easier to perceive those qualities in the
heavily worked and worried
surfaces of Rauschenberg's art of the 1950s than it is in most of the Abstract Expressionists» paintings.
MATRIX 250 features the
work of Los Angeles — based artist Linda Stark (b. 1956), who has been making figurative and abstract paintings with
heavily built - up
surfaces of paint since the late 1980s.
The
surface is so
heavily worked, though, that individual lines or pours are not distinct.
Layered with various colors and medium, the painting
surface was
heavily worked and distressed, giving it a marvelous
surface t...
Heavily influenced by number tables that translate visually into meditative patterns of kaleidoscope colors, Eric's
work is created by meticulously applying acrylic paint directly from the tube onto
surfaces of aluminum and wood panels.
While a formal departure from his previous
works, they still engaged
heavily with
surface, touch, color and tone — pillars of the artist's aesthetic.
(1967) on a
heavily worked painted
surface.
Based in Bali for more than two decades, the Italian artist Filippo Sciascia is widely known for Lux Lumina, an ongoing series of almost black and white figurative paintings, based on photographic and cinematic sources; their impasto
surfaces heavily worked by the painter, who runs a dazzling gamut of painterly techniques, to the point the painting's skin cracks and tears so skillfully by intuitive calculation that its disintegration seems to be instigated from the inside out.
In this recent
work, he has lightened his palette as well as his trademark
heavily impastoed
surfaces, for an overall effect that is painterly yet more pictorial.
My own taste runs to the grainy,
heavily textured paintings with discrete variations in color and tone, like «Pralay» (1997), a huge, beautiful red
work that looks like satellite imagery of the
surface of Mars.
Kon Trubkovich's
heavily worked graphite drawings of TV static, the result of his labored reduction of
surface, search for memories that hover in the blankness of the past.
The pages of the graphite drawings are
heavily worked with dense crosshatched pencil lines resulting in a near - reflective, active
surface.
His suggestively craggy ceramic vessels, completed with live flowers, evoke sensual primeval landscape, while their
heavily worked metallic
surfaces simultaneously evoke the Futurist sculptures of Umberto Boccioni.
The seventh
work in the series, «safe and secure» marks a change in style, the
surface becoming smooother and less
heavily worked.
Mr. Tàpies (pronounced TAH - pee - ess) came to prominence in the late 1940s with richly symbolic paintings strongly influenced by Surrealist painters like Miró and Klee, a style he abandoned by the mid-1950s as he turned to what became his signature
work: the
heavily built - up
surfaces that were often scratched, pitted and gouged and incised with letters, numbers and signs.
The names hint at content and concerns beneath the appealing
surfaces of the Iranian - American's canvases, as does closer examination of his layered,
heavily worked approach.
Beginning in the late 1970s Larry Poons imbued the
surfaces of his
heavily wrought acrylic paintings with «pebbles» of thick latex foam.
In history, Gutai serves as somewhat of an «artist's art» — while performance and conceptual
work in the 1970s was
heavily influenced by these Japanese practitioners, their
work rarely
surfaced in Western exhibitions of the time.
Gracie's
work is technically rigorous right down to the
heavily supported maple plywood
surfaces each painting is made upon.
The quantitative details of the
surface vs. TOA budget reasoning are discussed
heavily in Ray Pierrehumbert's upcoming «Principles of Planetary Climate» textbook, and he has also
worked with David Archer to produce a historical account if this type of stuff in «The Warming Papers» (though I haven't looked at this yet, if it's even available right now).