Sentences with phrase «held cinematography»

With surprising plot twists, an exceptional lead performance by the young Kacy Mottet Klein and excellent hand - held cinematography by Agnes Godard, the film is original, timely and beautifully - observed.»

It all works extremely well — with the exception of the ugly hand - held cinematography designed to make the war footage look more chaotic, but instead only looks jerky.

With three years now passed since 2007's The Bourne Ultimatum assaulted its audience with ridiculous hand - held cinematography and enough bad editing to make one nauseated, it seems director Paul Greengrass feels we are ready for the next instalment in his quest to destroy our balance centres.

Not exact matches

Even at its grimmest, the movie hums along, thanks to the edgy, hand - held, on - the - fly cinematography and the snappy performances.

It's immediately clear that Berg's penchant for incoherent, relentlessly shaky camerawork is in full effect here, with the filmmaker's aggressively unpleasant visual sensibilities holding the viewer at arms length right from the get - go - although, unlike most of Berg's previous endeavors, Patriots Day at least benefits from an interesting storyline that generally compensates for its inept cinematography.

The cinematography teeters between mediocrity and creativity, with documentary - style hand - held shots reminiscent of the more candid moments in Darren Aronofsky's The Wrestler.

There are feints toward a bona fide mystery plot, but that genre element is just a pretext for a stealth marital drama, held together through strong improv, tight editing (by Swanberg himself), moody cinematography and a synth score (from Dan Romer) that parties like it's 1991.

Needless to say, this hyper - atmospheric art film is a little too reliant on its environment, but the deep snow setting of this lyrically bleak drama was always going to be instrumental in the establishment of both tone and aesthetic value, and sure enough, this film's beautiful environment goes complimented by cinematography by Bedřich Baťka which, while held back by a black - and - white palette, is playful enough in lighting and scope to attract you into this film's handsome world.

The cinematography at the beginning is much more observational and hand - held, so you really feel like you are peering into these people's lives, but from a distance.

The cinematography is inspiring, drawing from seemingly disparate techniques, from sprawling landscapes to sharp, slow motion moves and frenzied hand held sequences.

But even at its grimmest, the movie hums along, thanks to the edgy, hand - held, on - the - fly cinematography and the snappy performances.

There's a surprising amount of versatility on this list, and it's interesting to see how the art of cinematography has evolved over the past nearly two decades as digital photography has taken hold.

Whether one of the boys is holding the camera or it is stationary, the cinematography works well.

Visually, The Florida Project owes much of its approach to cinematography to Wes Anderson — the colors recall The Grand Budapest Hotel, and the numerous long shots where the camera holds still, placing the children as small specks moving across a static background from a frontal viewpoint, are very Anderson-esque.

Cinematography is by Sam Russell and Wolfgang Held, with Ben Gold serving as editor.

There's a self - aware feel to the period pageantry, the alternatingly seductive and kinetic cinematography, and the actor's showcase this ramshackle contraption has been held together with spit and bailing wire to be (for what are con artists and undercover agents if not actors?).

Based on Augusta Trobaugh's 2001 novel of the same name, the film features incisive yet nuanced performances by Julianne Nicholson, Margo Martindale, and Lorraine Toussaint along with stunning cinematography by DP Wolfgang Held.

The first image, which has a surprisingly eerie look, courtesy of Eric Steelberg's cinematography, has Davis» character looking on as Theron holds (breast feeds?)

Damien Elliott's cinematography captures a gripping moment and will have you holding your breath in anticipation.

There are a few annoyingly hand held bits — making one particular car chase redundant — although I wasn't as frustrated as Mark at the cinematography.

This clip looks at writer / director Aaron J. Wiederspahn and his collaboration with award - winning cinematographer Christophe Lanzenberg (who won Best Cinematography for The Sensation of Sight at the Durban International Film Festival held in South Africa).

She held workshops in documentary photography, cinematography and contemporary photography in Buenos Aires.

Just think, each production, at minimum, has: a script, a variety of actors (who may have copyrights in their performances, separate from the scripted words), directors whose vision lends to the flow of the work, cinematography, costume designer and creators, make - up artists (if unique enough, their designs can hold copyright - for example a certain henna tattoo design), stage / set designers and creators, musical scores that were composed and performed (rights flow to each), and myriad other creations that go into a production.