Sentences with phrase «held early exhibitions»

Not exact matches

While every five minutes the metro was bringing trade visitors from all over the world to the exhibition site and the halls were filling up, the official opening ceremony of the trade fair duo BioFach und Vivaness was being held in the early afternoon.

A festival of colors, forms, textures and designs awaited the visitor to the extensive Fruit Logistica Exhibition in Berlin held in early February and here the innovative branding of fresh produce was clearly evident.

The Wonder of Learning exhibition became a laboratory for demonstrating to pre-service early childhood educators the vast potential the arts and play hold for active, deep, and meaningful learning.

Alley cat exhibitions meant to improve the image of homeless cats were held as early as 1928, apparently beginning in Masillon, Ohio.

Through his early friendship with Allan Kaprow, Claes Oldenburg, George Segal, Robert Whitman, and Lucas Samaras, among others, Dine became involved with the events and exhibitions being held at such anti-establishment galleries as the Judson and Reuben, in lower Manhattan.

The Arts Council memorial exhibition that opened a year later — largely due to the efforts of the artist's widow, Lilian Holt, Joanna Drew of the Arts Council and the critic Andrew Forge — commenced the reappraisal of Bomberg's work, although the show was an uneven account of his career, entirely omitting the monumental early works such as In the Hold and The Mud Bath.

Today, the majority of these artists are best known for the large - scale, daring abstractions they created in the 1950s and 1960s, but the careers of each painter featured in the exhibition began to take off in the 1930s and early 1940s, when surrealism still held a central place among the avant - garde.

The artist's first solo museum exhibition, Matrix 161: Rashaad Newsome, was held at The Wadsworth Atheneum in Hartford, CT in early 2011.

The Sidney Janis Gallery held an early Pop Art exhibit called the New Realist Exhibition in November 1962, which included works by the American artists Tom Wesselmann, Jim Dine, Robert Indiana, Roy Lichtenstein, Claes Oldenburg, James Rosenquist, George Segal, and Andy Warhol; and Europeans such as Arman, Baj, Christo, Yves Klein, Festa, Rotella, Jean Tinguely, and Schifano.

In a busy period between 1968 and 1971, he organized 21 projects, according to MoMA, which holds a collection of his papers that it presented in an exhibition earlier this year.

For his large retrospective exhibition held earlier this year as the artist turned fifty, he chose to title the exhibition I Don't Know the Mandate of Heaven.

The archive contains a collection of paperworks, catalogues and images by and about black artists from exhibitions held internationally during the 1980s and early 1990s, including Chris Ofili, Sonia Boyce, Lubaina Himid, Claudette Johnson, Ingrid Pollard, to name but a few.

Select pieces in the exhibition were created for LG's «The Art of the Pixel» nationwide competition held earlier this year.

He was one of fourteen artists included in «Unbound: Possibilities in Painting», the important exhibition of international artists held at the Hayward Gallery in London earlier this year.

This is the largest Gormley exhibition held in Germany to date, bringing together works on paper, large - scale installations, and indoor and monumental outdoor sculpture that span the artist's sculptural journey, from the early 1980s to site - specific works created this year.

This exhibition celebrates the two - hundredth anniversary of Brontë's birth in 1816, and marks an historic collaboration between the Morgan, which holds one of the world's most important collections of Brontë manuscripts and letters, and the Brontë Parsonage Museum, in Haworth, England, which has loaned a variety of key items including the author's earliest surviving miniature manuscript, her portable writing desk and paintbox, and a blue floral dress she wore in the 1850s.

His first solo exhibition, held at the Andrea Rosen Gallery in New York in 1990, was followed by some notable early successes outside the United States.

In 1931, during the early days of the Depression, before the Works Progress Administration was put in place, an outdoor art exhibition, modeled on those in Europe, was held in Washington Square to help struggling artists make a living.

Prudential Singapore Eye was the latest exhibition in the Prudential Eye Programme held in early 2015 at ArtScience Museum, Marina Bay Sands, Singapore.

The exhibition includes iconic images from the early 1970s, important series and portfolios held in the Memphis Brooks collection as well as the rarely seen 21st Century Photographs.

This exhibition Kishio Suga: Work from the 1970s and 1980s will be held concurrently with Divided Orientation of Space at Tomio Koyama Gallery in Roppongi, introducing Suga's early work from the 1970s and 1980s as well as his recent international achievements.

The Kunstmuseum Basel also acquired considerable holdings of Johns's œuvre, notably prints, thanks largely to Christian Geelhaar, one of whose early exhibitions as curator in 1979 was devoted to the artist's working proofs.

In celebration of the exhibition, Painter of the Fields is the first major overview of Warren Rohrer's work held in Lancaster County and will examine the various stages of his career; including works from his early days of drawing to his fully realized abstract artistic language based on the fields of Lancaster County where he lived.

The first monographic exhibition of the artist to be held in the US since 1987, Berthe Morisot: Woman Impressionist provides new insight into a defining chapter in art history and the opportunity to experience Morisot's work in context of the Barnes's unparalleled collection of impressionist, post-impressionist, and early modernist paintings.

The Museum is holding the exhibition «New Acquisitions» featuring works that entered the collection during fiscal year 2011, including a body of early work by Yoshitmo Nara «Deposit».

Known only by his first name, Hudson (1950 — 2014) opened Feature Inc. in Chicago on April Fools» Day in 1984; the gallery moved to New York four years later, where Hudson held early solo exhibitions by artists including Lisa Beck, Tom of Finland, Mike Kelley, Jeff Koons, Sherrie Levine, Charles Ray, and Raymond Pettibon.

Tate Modern's large - scale survey is the most significant exhibition of her work ever to be held in Europe, charting her career from early paintings through to new works on paper.

The collection continues to grow, and, together with select additions, now holds over 100 Hartley drawings, two small early paintings, memorabilia such as souvenirs from his travels, ephemera including letters and exhibition programs, personal effects, and many photographs.

In the early 1990s, Toronto's Simon Dresdnere began to represent Mead, holding two solo exhibitions in 1991 and 1992.

Traveled to: Renwick Gallery, National Collection of Fine Arts, Smithsonian Institute, Washington, D.C.; Cooper - Hewitt Museum, New York, 1979 - 1980 «Art from Corporate Collections,» Union Carbide Corporation Gallery, New York, May 9 - 30 «Selections from the Collection of Mr. and Mrs. Eugene Schwartz,» Knoedler Gallery, October 31 - November 28 «Color Abstractions: Selections from the Museum of Fine Arts, Boston,» Federal Reserve Bank Display Area, November 2 - January 31, 1980 1980 «L'Amerique aux Independents,» 91e Exposition, Societe des Artistes, Grand Palais, Paris, March 13 - April 13 «The Washington Color School Revisited: The Sixties,» Fendrick Gallery, Washington, D.C., September 9 - October 4 «Washington Color Painters,» Milwaukee Art Center, September 1 - December 1981 «Paintings from the United States from the Museums of Washington, D.C.,» Institute of Fine Arts, Mexico City, November 18, 1980 - January 4 1982 «A Private Vision: Contemporary Art from the Graham Gund Collection,» Museum of Fine Arts, Boston, February 7 - April 4 «Papermaking U.S.A.: History, Process, Art,» American Craft Museum, New York, May 20 - September 26 «Out of the South: An Exhibition of Work by Artists Born in the South,» Heath Gallery, Atlanta, Georgia, October 1982 1983 «Early Works by Contemporary Masters: Caro, Francis, Frankenthaler, Gottlieb, Held, Louis, Noland, Olitski,» Andre Emmerich Gallery, New York, September 6 - October 8 «Tapestries: Contemporary Masters,» Malcolm Brown Gallery, Shaker Heights, Ohio, October 21 - November 30; New York, February 25 - March 7 «American Post-War Purism,» Marilyn Pearl Gallery, New York, May 31 «Recent Paintings by Kenneth Noland and Darby Bannard,» Douglas Drake Gallery, Kansas City, Missouri, June 1 - 30 «Arte Contemporaneo Norteamericans, Collection David Mirvish,» American Embassy in Madrid, January 1985 «Recent Acquisitions,» Museum of Modern Art, New York, February 16 - March 17 «Grand Compositions: Selections from the Collection of David Mirvish,» The Fort Worth Art Museum, Texas, May 1 «Contemporary Monotypes,» Edith C. Blum Art Institute, Bard College, Annandale - on - Hudson, May 8 - July 10 «Selections from the William J. Hokin Collection,» Museum of Contemporary Art, Chicago, April 20 - June 16 «American Abstract Painting,» Margo Leavin Gallery, Los Angeles, California, June 19 - August 24

Checklist from the exhibition, «Early American Folk Sculpture,» March 8 — 29, 1955, held at the Dallas Museum of Fine Arts.

Each tour, led by a Whitney teaching fellow, explores the exhibition in conjunction with The Whitney's Collection, a presentation of works from the Museum's holdings that examines the complexity of American art and identity in the early and mid-twentieth century.

Following his early death, a memorial exhibition of his work was held at the Solomon R. Guggenheim Museum, New York, in 1963.

Another early photo - essay, on the integrated mining community of Rendville, Ohio, was featured in Karales's first solo exhibition, held in 1958 at Helen Gee's Limelight gallery in Greenwich Village.

With Stephanie Brody - Lederman winning the 2013 Top Honors, it seemed timely to wander through the past to spotlight a few of the earlier Top Honors winners of the long - held exhibition.

Press release from the exhibition, «Dallas Collects American Paintings: Colonial to Early Modern,» September 26 — November 14, 1982, held at the Dallas Museum of Fine Arts.

We house Professor Himid's collection of catalogues and images by and about black artists from exhibitions held internationally during the 1980's and early 1990's.

Press release from the exhibition, «Dallas Collects: Impressionist and Early Modern Masters,» January 25 — February 26, 1978, held at the Dallas Museum of Fine Arts.

Highlighting the DMA's exceptional holdings of artwork by female artists working in Europe between the late 18th and early 20th centuries, this exhibition, a complement to Berthe Morisot, Female Impressionist, explores the challenges and limitations experienced by female artists seeking professional careers before women were admitted into fine art academies and / or gained widespread social acceptance.

Jack Tilton Gallery, (booth A08) is the place to see Simone Leigh's intricate and wonderfully tactile sculptures from the «Jam Packed and Jelly Tight» exhibition held at the gallery earlier this year.

Although Klein had painted monochromes as early as 1949, and held the first private exhibition of this work in 1950, his first public showing was the publication of the Artist's book Yves: Peintures in November 1954.

Denny returned to Britain in the early 1990s when some of his paintings featured in «The Sixties Art Scene in London», an exhibition held at the Barbican in 1993.

From 1961 to 1967 Polke studied at the Düsseldorf State Art Academy, where he was inspired by the radicalism of Joseph Beuys, as well as by the local gallery scene: the city held important early exhibitions of the American artists Robert Rauschenberg and Cy Twombly.

This exhibition explores the paramount role of Jewish women in the creation of Vienna's salon culture — social hotbeds of political discourse and a culture from the late 18th to the early 20th century held in private homes — while foregrounding the hostesses» contribution to the capital's cultural, commercial and political life even in the face of sexism and facism.

Four more exhibitions were held in 1906, including one of British photographers, early prints by Steichen, a show devoted to German and Austrian photographers, and another exhibition of prints by members of the Photo - Secession.

He is firmly rooted in Lisson Gallery's early history, with his first solo exhibition held at the gallery during its inaugural year in 1967.

Held in the city in which Irwin has lived since the early 1980s and curated by the museum's director, his old friend Hugh M. Davies, the exhibition was something of a homecoming tribute for the artist.

Catalog from the exhibition, «Dallas Collects American Paintings: Colonial to Early Modern,» September 26 — November 14, 1982, held at the Dallas Museum of Fine Arts.

This exhibition was drawn from the Smart Museum's rich holdings of bronzes as well as sculptures in other materials by these leading European masters of early modernism.

Each exhibition is accompanied by a book and earlier shows have been held at the Studio Museum in Harlem, the New Orleans Museum of Art and Segregation Story is currently on view at the High Museum of Art in Atlanta.