Sentences with phrase «held large group exhibitions»

Not exact matches

«Tate Modern stages the most comprehensive Modigliani exhibition ever held in the UK, bringing together a dazzling range of his iconic portraits, sculptures and the largest ever group of nudes to be shown in this country.

Over the years the artist has shown his works in various solo and group exhibition, not to mention the large number of pieces held in numerous public collections spanning from The Museum of Modern Art in New York City, over Albertina in Vienna to Malmö Konsthall in Sweden.

This autumn, Tate Modern will stage the most comprehensive Modigliani exhibition ever held in the UK, bringing together a dazzling range of his iconic portraits, sculptures and the largest ever group of nudes to be shown in this country.

The first of the group's two large exhibitions, organized by the Danish painter Asger Jorn, was held in 1949 at the Stedelijk Museum, Amsterdam; the second exhibition was held in 1951 at the Palais des Beaux - Arts in Liège, Belgium.

Forthcoming projects include a solo exhibitions at Kunstparterre (Munich, Germany) and his participation in the group show Luc Tuymans: A Vision of Central Europe in Bruges (Belgium); recently a large retrospective of his work was held at DOX, Prague (2010); he also showed in The Human Stain at Centro Gallego de Arte Contemporánea, Santiago de Compostela, Spain.

The last large «open show» was launched by Lord Gowrie, the then Minister for the Arts, and was also The London Group's 80th Anniversary Exhibition, held at the Concourse Gallery, Barbican in 1993.

Effervescent Condition, curated by Fang - Tze Hsu (MA 2010) was the School of the Art Institute of Chicago's (SAIC) contribution to The Power of Copying, a large - scale, international group exhibition held...

Then again, he later went on to unveil his first full - scale installation, SAGACHO - TV - BARRICADE, at a group exhibition («Eight Individuals From East: SEOUL - TOKYO - NEW YORK ART PROJECT») held at the Sagacho Exhibit Space in 1990, publishing Reversing Reality, a bilingual large - format collection of works, the same year (where the publisher's name usually appears in the colophon is the word «shingenchi,» meaning «ground zero,» which is intriguing as it relates to something I will touch on below).

The group exhibition aims to complicate and implicate conversations around the theme by co-opting Anderson's own way of contextualizing Nationalism, ``... nationalism has to be understood by aligning it, not with self - consciously held political ideologies, but with the large cultural systems that preceded it, out of which - as well as against which - it came into being».

It's held in a gallery space, with a limited number of participants, so it feels more like the opening for a large group exhibition than a fair.

Effervescent Condition, curated by Fang - Tze Hsu (MA 2010) was the School of the Art Institute of Chicago's (SAIC) contribution to The Power of Copying, a large - scale, international group exhibition held at the Xuzhou Museum of Art in Xuzhou, China.