Sentences with phrase «hell out of the film»

I enjoyed the hell out of this film and defiantly will see this movie again some time in the near future.

I enjoyed the hell out of the film.

Romanek shoots the hell out of the film, turning in one of the most beautiful looking pictures of the last few years.

Cinematographer Bill Fernandez shoots the hell out of this film.

Rooney Mara and Ben Mendelsohn act the hell out of this film adaptation of Broadway drama «Blackbird» — and still can't give it a pulse

Not exact matches

One of the few last successful horror franchises in modern history would have to be the Paranormal Activity flicks where it goes to show, that a film that makes noises in another room can scare the living hell out of millions of people.

In 1997, Posey starred in no less than five independent films, including Henry Fool, her third Hartley outing; the temps - in - hell comedy drama Clockwatchers; Linklater's adaptation of Eric Bogosian's SubUrbia; and The House of Yes.

I'm not usually one to quote music that was unveiled after the»80s, but with «One», Metallica already addressed the struggles of some sucker in WWI, so it's only fitting that the song «Hell and Back» be placed in the context of a discussion of a WWII film... that came out about 26 years before they even formed.

There may even be people out there - sane, normal people in many ways - who don't even know that the Liam Neeson / Catherine Zeta - Douglas - Jones - whatever - the - bloody - hell - she - calls - herself - these - days farrago is actually a remake of what is possibly the most terrifying film ever made.

If any of this made you curious about what the hell is happening in this film, you can check it out for yourselves when Director's Cut comes to select theaters on May 10 and 11, and hits VOD and Blu - ray / DVD combo on May 29, 2018.

... Ryan Reynolds took to Twitter yesterday to announce that filming on February's Deadpool movie is complete, as well as thanking fans for their help in dragging the project out of development hell, while he also teased a possible cameo appearance by Hugh Jackman's Wolverine, stating that: «God, I hope so.

A trio of okay filmographies for Cundey, Cimber, and Perkins plus trailers for this film and other Subversive titles (Living Hell, Battlefield Baseball, and Gemini) round out the disc.

Yet for all the set - pieces he directs the hell out of — an opening hunt; a piranha attack — it's only in its elliptical final throes that the film eclipses its surface pleasures, as the eponymous city shifts from narrative goal to vaporous MacGuffin.

This film takes an age - old character arc — arrogant whelp learns responsibility and real honor — and sells the hell out of it, because it takes the time to develop its characters.

Rounding out the composite list of the top 10 films of the year were MANCHESTER BY THE SEA (2), LA LA LAND (3), HELL OR HIGH WATER (4), ARRIVAL (5), JACKIE (6), LOVING (7), 20TH CENTURY WOMEN (8), HACKSAW RIDGE (9) and SILENCE (10).

After tossing out several other equally ridiculous ideas, Mendez suggests disguising the six as a Canadian film crew scouting locations — they'll pretend to look around a bit and then Mendez will get them the hell out of there.

This year, we welcome the return to Park City of filmmakers Maxim Pozdorovkin (The Notorious Mr. Bout — 2014 — check out our interview) and Mor Loushy (Censored Voices — 2015), our accurately predicted and highly anticipated Shirkers by Sandi Tan (actress Maya Rudolph is a producer), and the infamous M.I.A. documentary film that was in montage hell and which officially goes by the title: MATANGI / MAYA / M.I.A..

A24 has carved out one hell of a corner in the cinematic world, releasing some of the most unique and inventive genre films in recent years.

Another thing that scares the hell out of me when it comes to the success of this film is the appearance of Jai Courtney as John McClane's son, Jack.

Ayer clearly has no control as a writer or director, the cast feel like they are worlds apart from one another in every way, and the studio clearly cut the film to hell trying to salvage whatever they could out of the mess that he gave them.

The film, about a pair of troubled twins (Lukas and Elias Schwarz) making life hell for their mysteriously disfigured mother (Susanne Wuest), is built around a climactic twist I figured out in the first five minutes.

I've always loved this film's soundtrack, included two music videos for «Trip Like I Do» with Filter & The Crystal Method and «Long Hard Road Out of Hell» with Marilyn Manson & the Sneaker Pimps.

If you want to know a little more about the films of Claire Denis, check out our Cheat Sheet here, and then download the latest episode of Hell Is For Hyphenates, featuring Lynn Shelton talking the films of Claire Denis.

The best stories are universal, and a film that can scare across demographics is a hell of a lot more effective than one that only freaks out a small percentage of the population.

One of those films we were beginning to think would never crawl from development hell has at last made it out into the glow of the green light.

Most of its laughs occur in the crazy world of Hell depicted at the beginning, and when Nicky and company are out in NYC the film just gets dumber by the minute.

Real members of the Venice chapter of Hell's Angels fill out the gang and provide the stunt riding, which helps give the film its rough and ready character, but it's the anarchy of this gang and the chaos they leave in their wake that makes it so memorable.

It was this wonderful example of a film flying under the radar and popping up out of nowhere to surprise the hell out of you.

Personally, even though the trailer looks bad, I see this movie as another new Grindhouse film where Nic Cage «s character is a man who breaks out of hell (literally) to save his granddaughter after she's been taken for some ritualistic killing.

Through Romero's own words, he wanted to make a film that was a reflection of society when Hell runs out of room.

While it doesn't exactly reinvent the wheel, it brings a fresh (and hilarious) twist on the slasher genre; it's just a solid - as - hell film that I think horror fans are really going to get a kick out of.

• Woody Allen's Annie Hall — I found the film enormously funny and touching, but it worries the hell out of me: I suspect Allen doesn't dislike Alvy Singer, the character he plays (is?)

Not unlike Sidney Lumet's Before the Devil Knows You're Dead, the film is built out of classic noir conventions but keeps the circle of characters contained with in the family, to form a knotty plot that results in a domestic hell.

Several theories about the film's origins of myth are thrown out: it follows Joseph Campbell's hero cycle (not really) and it follows Dante's Inferno (sort of, in that they start out at a party and move up to the bowels of Hell — alas, the argument that they are almost separated into those who deserve to die and those who do not doesn't support the data) before professor of religion (at Pepperdine University, a fact unmentioned in this featurette) Christopher Heard throws out that it's an adaptation of the Christ myth.

Writer / director Michael Dougherty has given movie buffs everywhere a gift, not just in terms of crafting an excellent film (one that's assuredly destined for cult classic status), but in granting us the opportunity to surprise the hell out of all of our friends on Halloween night with a trippy little horror flick that they know nothing about.

... «and the old» (in chronological order) Perepoloch (Turmoil, Aleksandr Levšin, 1928)-- archival revelations happen Chlib (Bread, Mykola Špikovskij, 1929) Perekop (Perekop, Ivan Kavaleridze, 1930) * Kvartira nemca (The Apartment of a German, Mojsej Berov & Aleksandr Medvedkin, 1945)-- ecstasy (thanks to the Belye Stolby Festival) Leave Her to Heaven (John M. Stahl, 1945) Giorni di gloria (Days of Glory, Luchino Visconti, Giuseppe De Santis, Mario Serandrei, Marcello Pagliero, 1945) Morituri (Eugen York, 1948) Strange Victory (Leo Hurwitz, 1948) * Guān liánzhǎng (Platoon Commander Guan, Shí Hūi, 1951) Tiān xiānpèi (The Heavenly Match, Shí Hūi, 1955)-- some match that is Die Welt horcht auf (The World Pricks up Its Ears, Max Jaap und Karl - Eduard von Schnitzler, 1957) Ósmy dzień tygodnia (The Eighth Day of the Week, Aleksander Ford, 1958) The Lineup (Don Siegel, 1958) * Čovek i zver (Man and Beast, Edwin Zbonek, 1963) Lo scandalo (The Scandal, Anna Gobbi, 1966)-- revelations happen (now give us a film print) Gorke trave (Witness Out Of Hell, Živorad Mitrović, 1967) Nemirni (The Naughty Ones, Vojislav «Kokan» Rakonjac, 1967) I cannibali (The Cannibals, Liliana Cavani, 1969) Sziget a szárazföldön (Island on the Continent, Elek Judit, 1969) * Two Mules for Sister Sara (Don Siegel, 1970) Making of «Nedostaje mi Sonja Henie» (Making of «I Miss Sonia Henie», 1972)-- KarpoGODina * Hans — ein Junge in Deutschland (Hans — A Boy in Germany, Sohrab Shahid Saless, 1985)-- a lesson in (TV) history * Barbara (Nils Malmros, 1997)-- how could I not like iof a German, Mojsej Berov & Aleksandr Medvedkin, 1945)-- ecstasy (thanks to the Belye Stolby Festival) Leave Her to Heaven (John M. Stahl, 1945) Giorni di gloria (Days of Glory, Luchino Visconti, Giuseppe De Santis, Mario Serandrei, Marcello Pagliero, 1945) Morituri (Eugen York, 1948) Strange Victory (Leo Hurwitz, 1948) * Guān liánzhǎng (Platoon Commander Guan, Shí Hūi, 1951) Tiān xiānpèi (The Heavenly Match, Shí Hūi, 1955)-- some match that is Die Welt horcht auf (The World Pricks up Its Ears, Max Jaap und Karl - Eduard von Schnitzler, 1957) Ósmy dzień tygodnia (The Eighth Day of the Week, Aleksander Ford, 1958) The Lineup (Don Siegel, 1958) * Čovek i zver (Man and Beast, Edwin Zbonek, 1963) Lo scandalo (The Scandal, Anna Gobbi, 1966)-- revelations happen (now give us a film print) Gorke trave (Witness Out Of Hell, Živorad Mitrović, 1967) Nemirni (The Naughty Ones, Vojislav «Kokan» Rakonjac, 1967) I cannibali (The Cannibals, Liliana Cavani, 1969) Sziget a szárazföldön (Island on the Continent, Elek Judit, 1969) * Two Mules for Sister Sara (Don Siegel, 1970) Making of «Nedostaje mi Sonja Henie» (Making of «I Miss Sonia Henie», 1972)-- KarpoGODina * Hans — ein Junge in Deutschland (Hans — A Boy in Germany, Sohrab Shahid Saless, 1985)-- a lesson in (TV) history * Barbara (Nils Malmros, 1997)-- how could I not like iof Glory, Luchino Visconti, Giuseppe De Santis, Mario Serandrei, Marcello Pagliero, 1945) Morituri (Eugen York, 1948) Strange Victory (Leo Hurwitz, 1948) * Guān liánzhǎng (Platoon Commander Guan, Shí Hūi, 1951) Tiān xiānpèi (The Heavenly Match, Shí Hūi, 1955)-- some match that is Die Welt horcht auf (The World Pricks up Its Ears, Max Jaap und Karl - Eduard von Schnitzler, 1957) Ósmy dzień tygodnia (The Eighth Day of the Week, Aleksander Ford, 1958) The Lineup (Don Siegel, 1958) * Čovek i zver (Man and Beast, Edwin Zbonek, 1963) Lo scandalo (The Scandal, Anna Gobbi, 1966)-- revelations happen (now give us a film print) Gorke trave (Witness Out Of Hell, Živorad Mitrović, 1967) Nemirni (The Naughty Ones, Vojislav «Kokan» Rakonjac, 1967) I cannibali (The Cannibals, Liliana Cavani, 1969) Sziget a szárazföldön (Island on the Continent, Elek Judit, 1969) * Two Mules for Sister Sara (Don Siegel, 1970) Making of «Nedostaje mi Sonja Henie» (Making of «I Miss Sonia Henie», 1972)-- KarpoGODina * Hans — ein Junge in Deutschland (Hans — A Boy in Germany, Sohrab Shahid Saless, 1985)-- a lesson in (TV) history * Barbara (Nils Malmros, 1997)-- how could I not like iof the Week, Aleksander Ford, 1958) The Lineup (Don Siegel, 1958) * Čovek i zver (Man and Beast, Edwin Zbonek, 1963) Lo scandalo (The Scandal, Anna Gobbi, 1966)-- revelations happen (now give us a film print) Gorke trave (Witness Out Of Hell, Živorad Mitrović, 1967) Nemirni (The Naughty Ones, Vojislav «Kokan» Rakonjac, 1967) I cannibali (The Cannibals, Liliana Cavani, 1969) Sziget a szárazföldön (Island on the Continent, Elek Judit, 1969) * Two Mules for Sister Sara (Don Siegel, 1970) Making of «Nedostaje mi Sonja Henie» (Making of «I Miss Sonia Henie», 1972)-- KarpoGODina * Hans — ein Junge in Deutschland (Hans — A Boy in Germany, Sohrab Shahid Saless, 1985)-- a lesson in (TV) history * Barbara (Nils Malmros, 1997)-- how could I not like iOf Hell, Živorad Mitrović, 1967) Nemirni (The Naughty Ones, Vojislav «Kokan» Rakonjac, 1967) I cannibali (The Cannibals, Liliana Cavani, 1969) Sziget a szárazföldön (Island on the Continent, Elek Judit, 1969) * Two Mules for Sister Sara (Don Siegel, 1970) Making of «Nedostaje mi Sonja Henie» (Making of «I Miss Sonia Henie», 1972)-- KarpoGODina * Hans — ein Junge in Deutschland (Hans — A Boy in Germany, Sohrab Shahid Saless, 1985)-- a lesson in (TV) history * Barbara (Nils Malmros, 1997)-- how could I not like iof «Nedostaje mi Sonja Henie» (Making of «I Miss Sonia Henie», 1972)-- KarpoGODina * Hans — ein Junge in Deutschland (Hans — A Boy in Germany, Sohrab Shahid Saless, 1985)-- a lesson in (TV) history * Barbara (Nils Malmros, 1997)-- how could I not like iof «I Miss Sonia Henie», 1972)-- KarpoGODina * Hans — ein Junge in Deutschland (Hans — A Boy in Germany, Sohrab Shahid Saless, 1985)-- a lesson in (TV) history * Barbara (Nils Malmros, 1997)-- how could I not like it?

Kyle Patrick Alvarez impressed the hell out of me with his film adapted from one of David Sedaris» essays.

I loved the hell out of the first film, and I feel the same way about this one.

Films like Beasts of the Southern Wild, Silver Linings Playbook and Amour got some extra exposure, which is nice (I wouldn't have seen Amour if not for its surprise nominations, and I loved the living hell out of that movie), and this is the first good Spielberg film in a decade, so there are worse Spielberg films to glorify.

These are films like Alien that manage to both amaze you and scare the hell out of you in the same br...

Lady Bird as a character and film manages both tenderness and lawlessness; caught in the confuddling mix of teenage hormones and perceived oppressive parenting; rebelling against the grain, oft to her own detriment; Gerwig's capable filmmaking expertly capturing that claustrophobic feeling of teenage angst and insurgency; Saorsie Ronan performing the hell out of the role.

The elements of «Hell or High Water» sound familiar — a pair of bank - robbing brothers, a detective working his last case before retirement, the mean flatlands of West Texas — but the film turns out to be something different, an urgent and dynamic drama told in a low, measured cadence.

Every so often, a film manages to sneak its way in and surprise the hell out of you.

Check out the five films that scared the hell out of me below.

I'm a fan of what David Twohy and Vin Diesel are trying to do and I respect the hell out of both men for how they went about funding and getting this film released, but that still leaves me slightly disappointed with the outcome.

To help you get started on your October horror - watching binge, I've put together a list of five films that scared the hell out of me, spanning from my very first horror movie to the films that still keep me up at night.

Director Karyn Kusama returns this year with The Invitation, which impressed the hell out of me when it debuted in the Midnight program at the recent SXSW film festival.

First, the appearance of Zhang Zhiyi made me doubt the value of this production Second, I hope this is not anything similar to Wong's last film My blueberry night, which is boring as hell and his worst film so far (unless The Grand Master takes the title) Third, I hope Wong Kar Wai brings out the best in Song Hye Kyo.

If you like cool skull imagery, then you'll probably dig the hell out of this new piece of art for directer Jeff Wadlow's teen horror film Truth or Dare.

The places that it goes with its observations about race relationships in the United States are places that films rarely go on purpose anymore, and I admire the hell out of it for that.