Not exact matches
For the 14th Istanbul Biennial, in keeping with her Documenta strategy of hiring agents to advise on the show — she will draft the
exhibition with
help from various artists, curators and others: «seeking the artistic advice of Cevdet Erek, the intellectual rigor of Griselda Pollock, the sensitivity of Pierre Huyghe, the curatorial imagination of Chus Martinez, the mindfulness of Marcos Lutyens, the acute gaze of Füsun Onur, the political philosophies of Anna Boghiguian, the youthful enthusiasm of Arlette Quynh - Anh Tran, the wise uncertainties of William Kentridge and manifold qualities and agencies to come as the process
develops».
She will
help develop focus
exhibitions and plan installations in the permanent collection galleries, including a project to reinstall the Modern Art Galleries this summer.
Cocurated by Alfred Pacquement — the former Musée National d'Art Moderne director who previously
helped organize the artist's 2013 retrospective at the Centre Pompidou — and uniting fourteen large - format paintings, the
exhibition tracked Hantaï's production in the crucial years 1960 — 71, when he
developed his signature practice of pliage: painting variously crumpled or knotted canvases and then subsequently unfolding and stretching them for
exhibition.
«It has an unparalleled collection of art and a deep history of
helping artists
develop their practice and realize ambitious projects... I am excited to begin working with Jessica and the team to guide Dia's strategic approach to
exhibitions, collections, and public programs and
help the institution continue to fulfill its mission.»
They will be looking at drawings in the
exhibition Noguchi's Early Drawings in order to parse how Noguchi's serial imitations of canonical Modernist approaches to abstracting the human figure
helped him
develop the values and strategies that became his style.
A Group
Exhibition Featuring Members of the DiverseWorks Artist Board The DiverseWorks Artist Board provides integral programmatic input and
helps to
develop policies around the artistic direction of the organization.
To advance Hancock's commitment to supporting young adults of color, we have established the Young Curators Council, a paid curatorial mentorship program that will
help develop programming that will revolve around this
exhibition.
A contemporary restaging plan will be
developed to showcase the Philadelphia City Planning Commission's 1947 Better Philadelphia
Exhibition — a pivotal historic project that
helped define the future of urban redevelopment.
In looking at self - organised
exhibitions, off - site projects, commercial gallery and museum shows over this 20 - year period, Periodical Review 20/16 aims to share a spectrum of practices, creating dialogue and critical reflection to
help develop and support Irish contemporary art as a whole; and to act as an accessible survey of contemporary art for a wider audience, showing an expanded experience of art practices from around the country.
All applications must include a 500 - word description of an
exhibition or program idea that the applicant would like
help in
developing.
The formative moment examined in this
exhibition sees Isamu Noguchi
developing the exquisite sensitivity to form and void that would
help him shape spaces in remarkably varying media.
Exhibitions or events of this kind
help artists get involved in numerous ways and significantly benefit TCU students by enabling them to
develop their professional networks with the local creative community.
There will also be daily
exhibition tours throughout the weekend to
help contextualize the festival within Hancock's evolution as an artist, beginning with his early childhood drawings and the comic strip he
developed for his college newspaper, and followed by a more in - depth investigation of his evolving use of line, color and humor.
AG: Sometimes one person will present an idea for a show and others will
help in
developing the premise or organizing the
exhibition.
They have also
helped to create the New Tokyo Contemporaries, a loose network of youthful and like - minded
exhibition spaces in the city; its purpose, as Rosen says, is to foster «the cultural context out of which a market
develops.»
In my constant search to
develop and be a part of a community of artists, I have been actively involved with various arts organizations, including
helping to manage a cooperative gallery, joining the board of Arts Gowanus (a nonprofit), and have curated and organized several art
exhibitions.
During his three - and - a-half year tenure at the High Museum, Mr. Labaco
helped to
develop and strengthen the museum's collection of 20th - and 21st - century design, which he partially documented in the recent
exhibition Under Construction: Building a Contemporary Design Collection for the High (2010).
Join our Faculty Advisory Board to
help develop and strengthen the intellectual framework for the Collection and upcoming
Exhibitions
A percentage of proceeds from this
exhibition will support WHOLE WORLD Water, an international campaign
developed to
help end the global water and sanitation crisis.
The overview on group
exhibitions and the participating artists, their
exhibition history as well as the
exhibition history of the gallery, museum or non-profit venue provides additional insight and
helps to explore, analyze, discover, and
develop.
A graduate of the University of Toronto and the Ontario College of Art and Design, she was previously the Curatorial and Programming Assistant at The Power Plant, where she
helped develop and coordinate
exhibitions and public programming initiatives.
All applications must include a 500 - word description of an
exhibition idea that the applicant would like
help in
developing.