Sentences with phrase «helped move the film»

However, on the most part, a crisp script with some great dialogue, helped move the film at a good pace, never stopping it from becoming tedious.

All this helps move the film — which is Germany's submission for best foreign language movie — beyond a simple comedy, as does the director's refusal to objectify Ines» sufferings.

Not exact matches

I don't consider the film liberal or conservative, and I didn't go to people who were liberal or conservative, but to people who had moved me in some way and helped to change my life.

The historical setting helps, but the film seems to be able to ask these questions of normally non-religious people, and from all reports, move those people deeply.

When he was called to talk about his film, he was in the process of moving furniture out of his house, which he sold to help finance the filming of «Blue Like Jazz.»

A number of this year's films sought to draw specific attention to climate change, a move organizers» hoped would help the festival «serve as a signpost» on the route to the 2015 United Nations Climate Conference, which will be held later this year in Paris, France.

Already a success in the home — Microsoft says it has sold eight million Kinect sensors so far — controllerless computer interfaces could soon move beyond play to help out in the work place, for example, enabling manipulation of digital files using only gestures à la the film Minority Report.

I hope this film will help to change those statistics moving forward.»

Im english and move to berlin as of the 2/2/15... im looking to meet a likeminded art and literature film and music lover to help me engage in german culture and see another part of the world iv always wanted to go... please be intouch if you could be that person....

Meghan Markle was the one that got away for her ex-husband, film producer Trevor Engelson, but he has moved on with the help of Baywatch star Charlotte Catch up on the latest news, photos, videos, and more on Dating Advice.

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Meghan Markle was the one that got away for her ex-husband, film producer Trevor Engelson, but he has moved on with the help of Baywatch star Charlotte Wiz Khalifa; Meghan Trainor; Selena Gomez; Shawn Mendes; Liam Payne

Well the film was wide release, so it makes sense there wasn't an entirety of focus on the specifics, but I still think it would have worked better if it was more like the trailers professed intentions; doco style, with vignettes of alien / human scenes that emphasized and helped explain, not found footage either, like for example, after talking about Wikus in the past tense, it could focus on him for a bit then move on, but it stuck with him, and the film changed gears, I just thought it would have been better to focus on other things, as opposed to dumbing the plot down to one man and his battle against the evil government / corporation, and still stay in the doco style, it could have worked, no?

The actors gift Stebbings the substance he desperately needs to help «Defendor» land a few of its more ideal seriocomic moves, but the film itself is a cracked cause that never takes flight in a grand manner that befits the agreeably lunatic premise.

The film shows her Eilis moving into a boarding home run by Mrs. Kehoe (Julie Walters), landing a job and taking night classes thanks to help from Father Flood (Jim Broadbent), and falling in love with an Italian boy named Tony (Emory Cohen).

THE ROYAL TENENBAUMS By Kent Jones With the help of Gene Hackman, Gwyneth Paltrow, Ben Stiller, and Anjelica Huston, not to mention his usual partner in crime Owen Wilson, Wes Anderson has fashioned an epic comedy of loss in a poetically reconstructed Manhattan, a film that's both outrageously funny and deeply moving.

An infatuation complicated by Ruby's history, the film isn't strictly a romance but the themes of love, in all its forms, help keep the pace moving.

The moving image actually helped bring the band to a wider audience, via the distinctive use of its music throughout the beloved 2004 Texas football film Friday Night Lights and the subsequent TV series of the same name.

You're getting no more or no less than you'd expect from a movie like The Movie Never Stopped, but I was glad to see Simmons get a chance to help carry a film rather than simply move around the edges of the main story in a supporting role.

Relentlessly heartwarming, this film can't help but move us to tears.

That brazen move is enough to make this a must - see, but it's also one of the greatest Australian films of all time, one that helped redefine an entire nation's cinema.

One can't help wishing for a film that focuses unrelentingly on Neeson, but that film would move at a much slower clip, as The Grey rarely lets up in the first act, with Carnahan achieving skillful tension and the production utilizing specific and effective sound design to spotlight the uninhabitable environment.

I caught some of the titles: Nugu - ui ttal - do anin Haewon (Nobody's Daughter Haewon) is a delightful film from the South Korean auteur Hong Sang - soo, the story of a female student's «sentimental education» as it were, as she traverses through reality, fantasy, and dreams, we viewers never quite sure what we are watching; Jim Jarmusch's Only Lovers Left Alive (TIFF's Opening Night film) is an engaging and drily humorous alternative vampire film, Tilda Swinton melding perfectly into the languid yet tense atmosphere of the whole piece; Night Moves is from a director (Kelly Reichardt) I've heard good things about but not seen, so I was curious to see it, but whilst the film is engaging with its ethical probing, I found the style quite laborious and lifeless; The Kampala Story (Kasper Bisgaard & Donald Mugisha) is a good little film (60 minutes long) about a teenage girl in Uganda trying to help her family out, directed in a simple, direct manner, utilising documentary elements within its fiction.

The final act of the film finds suspense, which helps move it along.

But that Hugh Hefner biopic has now moved to Warner Bros., where it will be produced by Jerry Weintraub, the producer who once worked with Elvis, Sinatra and Dylan, and helped make Steven Soderbergh's Ocean's films at WB.

«The ending was really moving to me in a way that really helped me see this whole thing from a different perspective,» he said of the film, whose distributor, A24, recently put up a Disaster Artist billboard above Highland near where The Room one once loomed.

Of the documentaries (in recent years, Searching for Sugar Man and Twenty Feet From Stardom began their journeys at the festival before going on to Oscar glory), the frontrunner out of the new batch is Weiner, winner of the US documentary grand jury prize, which tracks Anthony Weiner's disastrous mayoral bid in 2014, followed closely by Life, Animated, an incredibly moving film that explores how films helped an autistic person communicate with the outside world.

Sciamma's understanding of this is what helps make Girlhood such a powerful, moving and relatable film, even when its ideas are filtered through the specificity of Marieme's story.

Rather this supremely humane and moving film concludes that kindness and courage can help one do the only thing that is truly possible: make the best out of the situation.

The magazine, which eventually moved into films as well, helped launch the careers of John Belushi, Harold Ramis, Bill Murray, Gilda Radner, John Hughes, P.J. O'Rourke, Mike Reiss, and Al Jean, among others.

Taika Waititi moves into the director's chair, following both Kenneth Branagh and Alan Taylor, and gives us the best film in the series and maybe even all of the Marvel Cinematic Universe, helped by a screenplay written by Eric Pearson and Craig Kyle & Christopher L. Yost.

Whatever character arcs the respective actors were on, the final cut of the film makes them out to be forgettable plot devices, helping the principal characters move from clue to clue via some thin «conflict» and «resolution.»

While tech / design elements are pro, none help «Septembers of Shiraz» become any less hectic or superficial a treatment of a good novel that should have made for a much more flavorful, thoughtful and moving film.

Goddard has been looking to move into feature film directing for quite a while now, having helped to executive produce 10 Cloverfield Lane, as well as directing the pilot of The Good Place for NBC, too.

Pretty much everything about it, and its accompanying music video, oozes 2002: JT's Crouching Tiger — inspired dance moves, the Britney look - a-like, the tramp stamp on the model who helps him film a revenge sex tape, the fact that the revenge sex tape was filmed with a clunky camcorder, and not a phone.

«Other People» — DAY ONE FILM U.S.A. (Director and screenwriter: Chris Kelly)-- A struggling comedy writer, fresh from breaking up with his boyfriend, moves to Sacramento to help his sick mother.

This high - level pilot program will identify talented early - to - mid career female film and TV directors for a year - long training and fellowship program, and pair them with advocates across the industry who will actively help them move to the next level.

«Awards help every film - maker move on with their career and the Oscars are the pinnacle,» he said.

Despite (or perhaps because of) the mania around Holmes at the moment, the film rights are still available, but Moore had already moved on, penning the spec script «The Imitation Game,» about the life of Alan Turing, the genius computer pioneer who helped crack the Enigma code, only to be persecuted after the war for his homosexuality; he ended up killing himself with a poisoned apple.

His questionable morals should be our first hint at the film's intention, but like the film, he's able to deceive us — those dance moves help.

Reiji apologizes throughout the film, another character is quietly mad and Reiji's sister goes through a mini «The Help» side - story that offers manipulative emotions that will work magic on audiences that are easily moved.

It took a little while but I finally caught up with the film after the fest and was so taken aback, so impressed and surprised and genuinely moved by what I saw, I couldn't help but write about it.

Not as commendable were the slick but forgettable Leatherface, the first disappointment by French filmmaking duo Alexandre Bustillo and Julien Maury; the Spierig Brothers» Jigsaw, part 8 of the exhausted Saw series; the dull Amityville: The Awakening by Franck Khalfoun, usually a respectable genre director, who does still add his share of clever touches (and meta moments, like when a group of teenagers watch the original Amityville Horror in the «real» Amityville haunted house, into which one's family has just moved); Open Water 3: Cage Dive, whose shark - franchise designation was tacked on as an afterthought, not that it helped to draw in audiences (in an anemic year for great whites, 47 Meters Down takes the prize for the best shark film); Jeepers Creepers 3, a super-limited release — surely in part because of director Victor Salva's history as a convicted child molester — which just a tiny bit later would probably have been shelved permanently in light of the slew of reprehensible - male - behavior outings in recent months.

I didn't like Deadpool, but I think the success of that film could help move X-Men in the right direction and give the marquee names a breather.

The sequel picks up pretty much where Fantastic Beasts left off, but moves the action to Paris as Newt and his friends are enlisted to help thwart Grindelwald's plans by none other than Albus Dumbledore, played by Jude Law in this new film.

The characters move the story along and with the director and the actor the costume designer helps to set the film's emotional tone in a visual way.

He meets Michelle (Samantha Morton) who introduces him to heroin, at which point the film moves into twitchy self - help groups in the company of a number of obvious American actors like Dennis Hopper.