Sentences with phrase «here as an actress»

Just to be here as an actress and to be here for music.

Not exact matches

These days there are several wealthy and successful men who are Sugar Daddy Dating Australia as well as the sugar babies here in Australia are attractive, classy woman, Gorgeous and young college students, would - be actresses or models, we just name just a few.

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Moore's typically prickly demeanor, often cited by her detractors as her biggest liability as an actress, actually works to her advantage here, as she unearths the voracious ambition in Jordan's soul.

Having spent the last few years ticking hot - girl boxes in largely meaningless blockbuster fare it would have been easy to forget what a fine actress she is when the material is right, and here the role of menacing alien succubus presents a character as suited to her as Jake La Motta was to De Niro.

Where as Stewart just isn't a particularly good actress and is sort of unpopular in the movie world, but she also seems miscast here.

The casting of Harley Quinn Smith and Lily - Rose Depp (the daughters of Smith and Johnny Depp, reprising his «Tusk» role here) as two endlessly sarcastic, butt - kicking teenage heroines helps the time pass more bearably than it might have otherwise, but really, to shackle two lovely and promising teenage actresses to material this dreadful could be reasonably construed as an awfully expensive form of child abuse.

So it is not surprising that two of contemporary cinema's best actresses, Rachel Weisz and Rachel McAdams, take the leading roles here and that Alessandro Nivola does perhaps the most affecting work of his career as their costar.

When you have Judi Dench and Cate Blanchett as the lead actresses, it's more than reasonable to expect that the film will be bolstered by powerhouse performances, and that's exactly what you'll get here.

An iconic chameleonic actress who has wowed in myriad features, television and stage productions from Prime Suspect to Brighton Rock, The Hundred - Foot Journey to Trumbo, Mirren is endlessly watchable and is here given a truly multi-dimensional role as discussions about the ethical machinations of war grow more heated.

Madonna has a bad rap as an Actress but she is so good here, not blow me out of the water good but in a I didn't know she could kind of way and I don't care for McDormand in Fargo.

Natalie Portman, normally a delightful, charming actress, is embarrassed here as Thor's girlfriend, playing a character devoid of plausible emotional responses and desires.

Kenyan actress Nyong» o has earned a nod for her role as Patsey in 12 Years a Slave, here pictured with Best Supporting Actor nominee Michael Fassbender.

Last Year «Äôs Big Winners: In LA, while Oscar snubees «ÄúWALL - E «Äù and the ultra deserving Sally Hawkins took top honors for best picture and actress, eventually Oscar winners Danny Boyle, Sean Penn, Heath Ledger and Penelope Cruz all won here as well.

It's immediately evident that Turner isn't looking to deliver anything resembling a subtle performance here, as the actress offers up a scenery - chewing turn that vacillates wildly between somewhat charming to aggressively annoying.

While there are plenty of high points to recommend here from the giddy sophisticated comedy - romance Jewel Robbery (1932), a Pre-Code Ernst Lubitsch wannabe, to the eclectic political espionage thriller British Agent (1934) to the exotic and risque melodrama Mandalay (1934), I cast my vote for THE HOUSE ON 56TH STREET (1933) as the quintessential Kay Francis vehicle and an excellent introduction to the actress.

Every blowsy harridan who ever beset W.C. Fields; character actresses like Gale Sondergaard or Minna Gombell, who could always be counted on to make big trouble in»30s films; even Lucile LaVerne, the moustached hag who made the Gish sisters» lives hell in Orphans of the Storm and served as the model for the witch in Disney's Snow White - none of these is an evil patch on Midler here.

Thankfully, the 1996 Oscar winner (Best Supporting Actress for The English Patient) is back to something approaching her best here as a woman who is as sympathetic and beguiling as she is frustrating.

Best actress in a TV series, drama Caitriona Balfe, «Outlander» (Starz) Claire Foy, «The Crown» (Netflix) Maggie Gyllenhaal, «The Deuce» (HBO) Katherine Langford, «13 Reasons Why» (Netflix) Elisabeth Moss, «The Handmaid's Tale» (Hulu) IMMEDIATE REACTION: Katherine Langford, the star of Netflix's controversial drama about teen suicide, is the surprise name here — especially against voter favorites such as Foy and Moss, the latter of whom is the likely lock to take home the prize as the lead of Hulu's terrifying (and timely) «Handmaid's Tale.»

I'm Jennifer Caulfield, and as soon as I get out of here, I'm going to Los Angeles to be an actress.

However, since neither of those three actresses has a real lock hold on this final slot, this category is actually pretty ripe for an upset — my guess could be an Alicia Vikander changing course on The Danish Girl and entering herself as a lead here to nab a double nomination — and if that happens, I reserve the right to count it as a correct prediction since it was impossible to plan for.

Adam Sandler proves that the sources he mines for comedy aren't so funny recast as drama (and here again, the 2002 themes of identity and extra-textual readings), while Emily Watson makes a claim as one of the most adorable actresses in filmdom.

Check out Clayton's Best Supporting Actress predictions here, where he's got he three - time Oscar winner as the bridesmaid at # 6 (however, based on his article this week, I imagine Meryl will make Clayton's lineup since he thinks she will «cake walk her» way to a nomination).

They don't give Oscars for movies like this, but Staunton is as good or better here than she was in «Vera Drake,» in which she was nominated for a best actress Oscar.

Manohla Dargis in the New York Times called it a «prime object lesson in the degradation that can face Hollywood actresses, especially those over 40,» contrasting Stone's performance here with her turn as Laura in last year's Broken Flowers, where she was «luminous and touching... partly because the role called for her to act her age, and she happily complied.»

With the actress in town as part of the impressive delegation representing Scandinavian filmmaking (including Mads Mikkelsen, Nicolas Winding Refn, Tomas Alfredson, Bille August and Tobias Lindholm — our interview here — among others) we spoke with Ms. Rapace about these and other projects, her impeccable work ethic and the importance for her of maintaining recurring relationships with actors and directors.

Best supporting actress: Here's where Scarlett Johansson will be honored for the wrong performance: The academy will nominate her for «Lost in Translation,» where she was indeed wonderful as the young newlywed who becomes Bill Murray's late - night soul mate, instead of «The Girl With a Pearl Earring,» where with only a handful of spoken words, she tells us everything we need to know about a young woman who could have achieved anything, if only she had been born in a different time and place.

Most actresses can handle the dry comedy that comes with the high school girl role, but few can quite keep the emotional back - story burning as brightly as Stone manages here.

LESHER: We've cast this really — I can't remember what her name is, this German actress and her aunt as well is this great theater actor here in London who's playing her aunt who also has a really great scene with Brad.

So I'm as surprised as anyone that mine turned out to be Peet, a long - proficient actress who has never previously ignited as she does here, playing the sourly pragmatic and intimidatingly perma - bronzed beautician sister of Rebecca Hall's meek do - gooder.

And though Alexander is building herself something of a fanbase, romantic comedy is not a natural leap from procedural dramas, as the actress proves here with help from her husband, Edoardo Ponti, son of Sophia Loren and the movie's director, co-writer, and producer.

There are plenty of young actresses out there who could tear the role of Jennifer to shreds (in a good way), but instead, it falls upon the thin and pretty Fox, whose societal function as eye - candy continues here.

Here, she talks changing her script to give the lead role to the actress she'd originally wanted to play the mother, and about what she learned as a talent producer who walked actors to and from set for seven years.

Rosamund Pike (Gone Girl) * Could go Supporting — Currently I have Pike as a Supporting Actress contender, but I've heard that she'll at least initially be going Lead, so here she is.

Blanchett is a commanding presence, as always, an actress capable of projecting simultaneous warmth and frigidity (though the latter is here a measure of the repression of that natural warmth).

Here, as an ordinary mom, she doesn't play «ordinary»; she just acts as if she'd never left Australia or become world - famous at all, and instead has had a nice, solid career as a local middle - age character actress playing wives and moms.

The cast of Independence Day 2 has swelled further this week, with director Roland Emmerich revealing via Twitter that actress Joey King (Oz The Great and Powerful, Wish I Was Here) has joined the sequel, as well as confirming the return of Brent Spiner, who featured in the 1996 original as Dr. Brackish Okun.

The real highlight here is Hera Hilmar (The Ottoman Lieutenant), who Silberling described as one of the few actresses he auditioned that wasn't intimidated by Kingsley.

As much a testing of the boundaries of the fiction / nonfiction realms as it is simply telling a story (similar to his approach to «Actress»), here Greene creates a hybrid that is «emotionally gripping and infinitely thought - provoking.&raquAs much a testing of the boundaries of the fiction / nonfiction realms as it is simply telling a story (similar to his approach to «Actress»), here Greene creates a hybrid that is «emotionally gripping and infinitely thought - provoking.&raquas it is simply telling a story (similar to his approach to «Actress»), here Greene creates a hybrid that is «emotionally gripping and infinitely thought - provoking.»

«So it is not surprising that two of contemporary cinema's best actresses, Rachel Weisz and Rachel McAdams, take the leading roles here and that Alessandro Nivola does perhaps the most affecting work of his career as their costar -LSB-...] Coming across at first as timid and plain (quite a challenge for an actress as charismatic as McAdams), Esti turns out to be passionate not only about Ronit but about her vocation as a teacher in a girls high school as well.

Audiences fell in love with Paulina García as the romantic heroine in Gloria, the Chilean sensation that won her the Best Actress award at the 2013 Berlin Film Festival and other honors along the way (including a nomination here).

He's incredibly lucky that he cast an actress as talented as Sally Field, an actress who always delivers and certainly does so here.

um... elsewhere is instantly a «star» actress [more on her and Scorsese's women here]; Jon Bernthal (The Walking Dead) is a surprising standout as the least sycophantic member of Belfort's gang of crooks; ubiquitous Matthew McConaughey's monologue on masturbation with impromptu song - chanting is deeply entertaining; and the ingeniously cast Oscar winner Jean Dujardin (The Artist) delivers a pitch perfect cameo as a smiling shady Swiss banker.

Actresses are reportedly planning to wear black to the 2018 Golden Globes as a sign of protest against sexual harassment — but Rose McGowan is not here for it.

Actress Asia Argento came out as part of the introduction of the award with jury member Ava DuVernay and dropped this: «I have a few words to say — In 1997, I was raped by Harvey Weinstein here at Cannes.

There are a few standouts in the supporting cast as well, including Tiffany Haddish as the lone female Blip (who of course must shoulder the burden of Rell's emotional baggage), plus a delightfully self - mocking cameo from an actress who, in the interests of preserving one of the film's few legitimate pleasures, shall remain nameless here.

Boseman is no doubt the king here, but it's obvious that he steps back to let others shine, especially the three solid women leads: Lupita Nyong» o as Nakia, a Wakandan spy and warrior; his Queen Mother Ramonda, played by the incomparable Angela Bassett; and his ferocious, tech - savvy little sister Princess Shuri, a newcomer British actress Letitia Wright.

Leia has rarely gotten this much to do in these movies, and here she's not only capable of extraordinary feats (the Force is strong with this one) but she's also as wry as we knew the actress to be off - camera.

An exciting and internationally mixed cast (American notables Gerwig and Corbet join Iranian actress Farhani and a slew of known French players, like Smet and up and comer Etienne) should help broaden interests here as well.