Sentences with phrase «here at the publisher»

Here at Publisher's Corner, you will find a curated collection of my bylined articles on artificial intelligence and a good number of interviews with today's AI thought leaders.

Not exact matches

You can bet someone somewhere at Google, Netflix, Facebook or Amazon — or, insert any other household - name Internet business or publisher here — is live A / B testing this or that URL on unsuspecting users right now.
Then I sat down with Ed, who's the publisher here at Mauldin Economics, and we started talking about what price we were going to sell this for.
Today at the meeting of AAAS (publisher of Science) here, researchers discussed how scientific analysis can help identify the artist behind a painting, even when his or her identity has been lost for centuries or millennia.
Results of a new model, unveiled here yesterday at the annual meeting of the American Association for the Advancement of Science (ScienceNOW's publisher), may help win support for repairing the wetlands.
The finding, reported here today at the annual meeting of the American Association for the Advancement of Science, publisher of ScienceNOW, suggests to the researcher that modern behaviors such as dolling up with jewelry may have originated from a need to communicate rather than a fundamental change in the human brain.
The current method is biased, giving less populous states 3 % to 4 % more seats than they deserve, Young reported here on 17 February at the annual meeting of the American Association for the Advancement of Science (publisher of ScienceNOW).
I am tempted to just print the whole thing on this blog post, but my publisher would probably sue me, so you can click here to check out the book cover on Amazon at least.
While it's true that the standard of quality for Nintendo games is much higher than what most gamers expect to get from run of the mill publishers like Activision, Ubisoft, and EA, there is more here at play that just delaying a game.
Click here to view original web page at Self - Publishing Grabs Huge Market Share From Traditional Publishers
Let's be honest here, most non-fiction — at least non-fiction most people consider worth reading — comes from traditional publishers.
You can find the novel An Adventure in Indianapolis in this week's Book of the Week here at Angie's and pre-order from the publisher at [email protected].
Here's the bottom line, in a nutshell... sorry I just couldn't resist the mixed metaphor: Many first - time authors are frustrated at their inability to get either an agent or a publisher.
In addition, for those ebook publishers striving to keep their «book buzz» strong after FREEBIE days, here's an opportunity to do so at reasonable prices.
So... since big publishing is going to entrench for the long war (and they'll lose this Hachette battle, pretend publicly they didn't, then sit back and watch the next publisher take their best shot at Amazon, rinse & repeat), here's how you quickly end that war:
Here are my suggestions based on advice from cover designers, publishers and the staff at CompletelyNovel's experience with self - publishing writers.
«What I want to do at Frankfurt is make publishers aware of the opportunities here,» Shah says in an interview with Publishing Perspectives from his offices in Karachi.
You can get more information on your other publishing options at http://www.PublishingGame.com, but in the meantime, here are five things your publisher won't tell you:
(cont'd)- I'm giving away hundreds of listings on the Vault, and as a result of doing so, won't see one thin dime of income on the site until October or later - Given all the time and money I've already sunk into developing the site, I don't even expect to earn back my upfront investment until sometime next year - I'm already personally reaching out to publishers on behalf of authors who are listed in the Vault, on my own time and my own long distance bill, despite the fact that I don't stand to earn so much as a finder's fee if any of those contacts result in an offer - I make my The IndieAuthor Guide available for free on my author site and blog - I built Publetariat, a free resource for self - pubbing authors and small imprints, by myself, and paid for its registration, software and hosting out of my own pocket - I shoulder all the ongoing expense and the lion's share of administration for the Publetariat site, which since its launch on 2/11 of this year, has only earned $ 36 in ad revenue; the site never has, and likely never will, earn its keep in ad revenue, but I keep it going because I know it's a valuable resource for authors and publishers - I've given away far more copies of my novels than I've sold, because I'm a pushover for anyone who emails me to say s / he can't afford to buy them - I paid my own travel expenses to speak at this year's O'Reilly Tools of Change conference, nearly $ 1000, just to be part of the Rise of Ebooks panel and raise awareness about self - published authors who are strategically leveraging ebooks - I judge in self - published book competitions, and I read the * entire * book in every case, despite the fact that the honorarium has never been more than $ 12 per book — a figure that works out to less than $.50 per hour of my time spent reading and commenting In spite of all this, you still come here and elsewhere to insinuate I'm greedy and only out to take advantage of my fellow authors.
January 2010 I started blogging and by the end of 2012, so we are talking a good couple of years of blogging here, I built a speaking platform for myself, I had started podcasting, I was blogging a couple times a week, good community of people and then boom, the book offer comes in from a publisher in the U.S. and I didn't go with that initial offer but it made me think very seriously about going back to that goal of someday writing a book and so I was introduced to a literary agent and I obviously went the traditional publishing route with Virtual Freedom but there's nothing wrong with the self publishing route at all.
Here's what you can do: Pay attention to these changes, because at some point — if you've ever wanted to get in front of a traditional publisher, 2018 may be a great year to do it!
The Frankfurter Buchmesse is also an important international platform for educational media of all kinds: More than 1,000 publishers, technology suppliers, service providers and other player from the educational field gather here to do business, to network, to find new trends at the many publishing events around the Fair days.
Here you can see how a self - publisher can potentially sell a book at a lower cover price and still make more money per sale than a traditionally published author.
This debut novel has received two starred reviews (Publishers Weekly and Library Journal) and top pick at any number of romance sites, too many to list here.
To illustrate, here are two cases of different book distribution plans, each netting its self - publisher a profit of $ 26,000 at the end of the year:
Maybe you could blog about the changes to our eco-system since the high point in 2011 when self - published authors could suddenly find deals with big publishers like Amanda Hocking... If only I'd read this article in the UK Guardian in 2012, I might never have self - published at all, here's the link: https://www.theguardian.com/books/2012/may/24/self-published-author-earnings
I received an Advance Review Copy (ARC) of The Self - Publisher's Ultimate Resource Guide and promised to write and post an honest review here on my own blog and on at lesat one other ebook site (see links, below) in exchange.
Here is why I can laugh at this from a safe remove: I don't have a contract with a traditional publisher.
Okay, and here is John Sargent's response, from Macmillan, which also appears in full at Publishers Lunch in the Jan. 30, 2010 edition:
Here at Reedsy, the growing freelance economy in both the U.S. and the U.K. has our attention, and along with looking at the current changes it's causing within the publishing industry, we're looking forward to how the publisher - freelancer relationship may continue to evolve.
In addition to selling books at its own online store with the lowest fee of any retailer listed here (15 %), the Smashwords Premium Catalog offers authors and small publishers a way to distribute their titles across a variety of retailers, including Apple's iBookstore, the Sony eBook Store, Barnes & Noble, Kobo, and others.
It is in this role that I present at publishers» conferences (Publishers» Forum, Berlin, O'Reilly's Tools of Change Conference, Frankfurt in 2011, 2012), and write articles (see Publishing Perspectives here publishers» conferences (Publishers» Forum, Berlin, O'Reilly's Tools of Change Conference, Frankfurt in 2011, 2012), and write articles (see Publishing Perspectives here Publishers» Forum, Berlin, O'Reilly's Tools of Change Conference, Frankfurt in 2011, 2012), and write articles (see Publishing Perspectives here and here).
It's so much simpler here in Malaysia and Singapore but then again, the market is not big because these publishers don't aim at the international market.
One thing I've noticed here, as well as at other similar blog sites, is that the ones making negative comments about publishers seem to have a spiteful agenda, rather than wanting to be fair and honest.
How Much Money You Can Expect to Make From Your First Book Contract (Chad R. Allen): Chad's the Editorial Director at Baker Books, and here he breaks down exactly how publishers calculate advances and how much money an author can earn from a book.
Here, the Defendants acted consistently with a collusive arrangement, and inconsistently with a pro-competitive arrangement, as they sought to pressure another publisher (whose market share was growing at the Publisher Defendants» expense after the Apple Agency Contracts became effective) to jpublisher (whose market share was growing at the Publisher Defendants» expense after the Apple Agency Contracts became effective) to jPublisher Defendants» expense after the Apple Agency Contracts became effective) to join them.
And since the publisher didn't hold her at gunpoint (I'm guessing here), guess whose fault it is?
Here's more from Publisher's Marketplace: «When one sister is at a crossroads in her life, she finds her great grandmother Jo's letters to Meg, Beth and Amy, and discovers Jo's secrets may hold the key to finding her own way in life.»
«Here at Aquafadas, we know that speed is a priority for publishers.
Subscription is still at an early stage here and some publishers are still experimenting, but as a general rule, publishers are very reluctant to go to a flat rate.
Guy Kawasaki has been a constant presence at publishing events since launching APE: Author, Publisher, Entrpreneur (featured here along with my interview with Kawasaki: APE - ing Your Book with Guy Kawasaki [Audio]-RRB-.
Here she is talking to Mac Slocum at at O'Reilly Tools of Change on 14 February 2011 about the golden age of publishing — and how publishers and booksellers need to adapt to it.
It's why the point that Mike Shatzkin expresses in the comments on this post here — that «it is hugely counterintuitive to me that a single actor whose main capability MUST BE writing could be a more effective marketer than a publisher who would have good reason to develop capabilities at scale across a list» — is both completely right and totally wrong.
I'm so convinced that it will happen that I've been working with other folks here at Time Inc. (Fortune's publisher) to create prototypes of digital magazines that will soon be delivered to tablets and smartphones.
Some indie - pub only awards include: ForeWord Magazine's Book of the Year Award, the Independent Publisher Book Awards, the Natilus Book Awards, and here at home the Colorado Independent Publishers Association Evvy Awards.
So here the GOAL is to get up electronically as many things as possible while mailing as many submissions and manuscripts to traditional publishers at the same time to get to the DREAM of making a living with your fiction.
We at Author Secret are here to help you, with our Guide to ISBNs for Self - publishers.
Just in time for those reports that Big Five publisher Simon & Shuster (S&S) is, like Hachette, in negotiations with Amazon, as covered here by Sarah Shaffi at The Bookseller.
Now I know I'm being wildly optimistic here, assuming that I will be able to find at least some success with self - publishing, and that I will be one of the lucky few to hook an agent and then a publisher, and even that I will somehow magically get my butt in gear and suddenly become prolific.
The key messages here, presented at the conference by Writers Digest's Phil Sexton, are that «hybrid authors» — engaged in both self - publishing and traditional publishing — make more money from writing, engage in more social - media tactics to support their writing, and are the least impressed with traditional publishers.
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