After the first Deadpool enthusiastically flipped the bird (and hung a moon, and performed a number of other obscene gestures) at the comic - book -
hero film genre, what could the creators of the follow - up do for an encore?
Not exact matches
Del Toro, a master of crossing
genres, subtly turned his
film into a commentary on American social hierarchy, including reinventing the beast as a romantic
hero.
The biggest event of its kind in the region, Tidewater Comicon returned to Virginia Beach May 12 - 13, bringing with it many of the iconic creators, writers, and artists of your favorite comic book
heroes and villains, along with actors from various
genre films and TV shows, uniquely talented vendors, and amazing cosplayers, including Carson Dye, who showed off her stunning Corpse Bride cosplay.
David: If you've read any of my previous reviews of
films featuring super
heroes, you know this is not my
genre of choice.
Jordan's Killmonger has a legitimate grievance, one that rattles our
heroes, making them re-think and change their ways — unprecedented for a
film in a
genre like this one.
We're going to be seeing
films of all kinds and
genres within this shared universe, and more so than any of the other MCU
films, Black Panther feels like an invitation for everyone to take part — to tell stories from unique perspectives and world views, and to bring cultural, ideological, and social ideals to these comic book
heroes.
In previous Marvel
films, character deaths served their usual superhero -
genre purpose: They motivated the
heroes into action.
If you've read any of my previous reviews of
films featuring super
heroes, you know this is not my
genre of choice.
But most action
films do have something of a right wing perspective (especially the super
hero genre) in that they are about re-inforcing rather than challenging the status quo.
«The action
genre has long been dominated by male
heroes, and it's so exciting to be part of a
film that will allow for not just one female action
hero but a whole ensemble of very capable, fierce female characters that reject tired stereotypes,» she said.
Diesel became the action
genre's lost
hero after the first XXX
film, in which he played the skateboarding XXX - treme sports guy recruited by Samuel L Jackson to fight for justice.
Neeson, a seasoned action -
hero found success in the
genre with the
film Taken.
Much like Quentin Tarantino's name has done in the past for
genre films like «Iron Monkey» and «
Hero,» the appearance of del Toro's name gave fans of the Mexican filmmaker something to look forward to.
For the most part, Last Action
Hero is a funny and irreverent good time, not only for action movie junkies, but for
film buffs that know and love all of the conventions that the action
genre holds.
Daggers, however, is director Zhang Yimou's follow - up to the callowly beautiful
Hero and, like that movie and a number of others (Ashes of Time, Bride with the White Hair, Crouching Tiger, Hidden Dragon, Kill Bill, Zatoichi, Warriors of Heaven and Earth, and, in a way, Goodbye Dragon Inn), it belongs to a martial arts / art - house
genre of
films by hip young directors upgrading
genres they loved as teenagers - «martial arts plus.»
King Hu rose to prominence in the 1960s and»70s as a superb director of wuxia
films («A Touch of Zen»), a popular Chinese action
genre of swords, sorcery and chivalrous
heroes.
«That's the
genre where I feel like two characters can be the two
heroes and the two villains of the
film — they are both one another's chief obstacles and one another's chief goal in the movie.
The story, cobbled together by the director and young
film enthusiasts Dario Argento and Bernardo Bertolucci, plays like a collection of the
genre's greatest hits: the tense, real - time set pieces of High Noon; the mysterious
hero of Shane; the encroaching antlike forces of civilization as explored in The Man Who Shot Liberty Valance.
This
film didn't impress me quite as much as Call of
Heroes did unfortunately, but it's still a solid entry to the wuxia
genre.
The biggest event of its kind in the region, Tidewater Comicon returned to Virginia Beach May 12 - 13, bringing with it many of the iconic creators, writers, and artists of your favorite comic book
heroes and villains, along with actors from various
genre films and TV shows, amazing cosplay, and uniquely talented vendors, including rapper and artist Tonezee.
And it offers up what has to be the last word in fan - service mid-credits stinger, in which our
hero borrows Cable's time - travel gizmo to not only undo most of the plot of the
film, but also all of Reynolds» previous forays into the superhero
genre.
The great shame and irony of Antitrust is that after all the high concept — the creative use of sesame seeds, the Citizen Kane-esque skewering of a media tycoon, the constant reiterations of the
hero's intelligence — the
film remains a conventional addition to the thriller
genre that is slightly better than it should be because of its audacious goofiness, but far worse than it could have been because of its failure to be goofier.
to the Movies finds our egocentric, wildly satirical Super
Heroes in their first feature
film extravaganza — a fresh, gleefully clever, kid - appropriately crass and tongue - in - cheek play on the superhero
genre, complete with musical numbers.»
It's at that point where the story begins: almost every
film in this
genre, even the more plausible ones, feature a
hero who immediately slips into revenge mode.
It's not long before they encounter Mud (Matthew McConaughey, sporting a large snake tattoo and a chipped front tooth a la Jim Carrey in «Dumb & Dumber «-RRB-, who's not only the namesake of Jeff Nichols «brilliantly constructed, emotionally satisfying
genre deconstruction, but also the
film's
hero and anti-
hero.
3:15 am (19th)-- TCM — The Lady from Shanghai Most of Welles»
films, no matter the
genre, feel a little noirish in mood, but The Lady from Shanghai is the real thing, complete with fatalistic
hero who gets dragged into a murder plot by a femme fatale (Rita Hayworth).
Encased in a pre-packaged
genre that has its own rules for
heroes and the women who fly next to them, there was no call to make it a great
film beyond the requirements of its franchise formula...
The festival's programmer, Colin Geddes, is one of the truest
genre fans I've ever met, and a
film hero.
Every moment an exhausting workshop of ideas (and every character the same), The Caveman's Valentine is a concept so «high concept» that it suddenly became clear to me that the
film fits into the comic - book
genre of entertainment, with Romulus's «Caveman» a slightly more mundane version of Todd McFarlane's urban noir
hero, Spawn.
The
film foretells the age of the geek
hero by at least ten years and sparked a fire for an entire
genre of meta madness, my
films included.
The
film could never feature a giant battle against an army of aliens... or really an army of any kind, but it succeeded by focusing on character — which made it uproariously funny thanks to the sheer awesomeness of its titular
hero, but also unique within the
genre.
A «nonfiction
film» that creates the poetic aura of a narrative
film, David mixes most of the audiovisual
genres of expressionism, documentary, fiction, avant - garde, video art, visual arts: posters, collages, drawings, to offer the most complete and multi layered vision of a popular
hero ever rendered in a
film.
It's a
film about shoestring, kitchen - sink
genre pics made by the fratboy villains instead of the
hero geeks, and the cult that's sprung up around it is based on hearty belly - laughs and beer burps.