Sentences with phrase «hero in slow motion»

Also, note that the victory screen gives you a glance at your hero in slow motion and you know you're in for a very cinematic experience.

Not exact matches

The follow - up to 2016's surprise superhero smash is even more overtly «edgy,» concluding its opening sequence with a shot in which its nigh - indestructible hero is blown to bits, his severed head and limbs turning graceful slow - motion spirals as they ride a fireball toward the camera.
Returning director Joss Whedon stages the mighty heroes coming together in slow - motion, with dramatic music behind them, to enhance the excitement.
In between what little plot there is, we get to hear all the latest and greatest of today's up and coming hitmakers, all the while watching our heroes walking in slow motion, looking cooIn between what little plot there is, we get to hear all the latest and greatest of today's up and coming hitmakers, all the while watching our heroes walking in slow motion, looking cooin slow motion, looking cool.
Cut to Ronnie ordering his subordinates around with over-the-top lingo out of movies like Commando and Delta Force; cut to slow - motion shots of the mall cop crew, squinting and posing in badass formations that emphasize their dorky self - importance; cut to Ronnie's bombastic antics constantly getting in the way of police detective Harrison (Ray Liotta), who highlights the hero's dumbassery by actually knowing what he's doing.
And let's not forget about the action sequences, which feature awesome fight choreography, impressive special effects allowing the heroes and villains to throw air, fire, water or air at each other, and some really cool long unbroken shots that use zoom - ins and slow - motion in a way that recalls «The Matrix» or «300».
Wong's violent interludes are most often brief riots of slurred or slow - motion action alternating unexpectedly with freeze - frames; these sequences, delivered so rapidly one can often barely perceive what's happening, are obviously abstract versions of the action scenes in conventional martial - arts films (The Eagle Shooting Heroes included).
In virtually every promo for Marvel's Black Panther, there's been a slow - motion shot of the Chadwick Boseman's titular hero avoiding a car explosion by back - flipping onto another vehicle.
Rusty is a dull hero, an alleged bad boy who loves his mother, respects his mom's boyfriend, wants to save his best buddy in the whole world, and speaks with unnatural lyrics of love for a woman he just meets in a diner (Marley Shelton, who appears in one scene to walk through a door and to a stool repeatedly in slow motion before making googly eyes at Rusty, who returns the favor).
What follows in both Gibson's film and Fulci's is a period fantasy leaking blood and viscera, scored with drama and shot in operatic slow - motion: tales of martyrs and heroes, of battles against the unclean (more suggested in Gibson's film as a steely - eyed, newly - risen saviour gets ready to rock), and, in their different / same ways, reduced to the barest elements of conflict - action - resolution, repeat.
Sam Fisher was pretty much portrayed as an action hero with cover mechanics, in - motion lethal accuracy and Max Payne slow - mo.
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