Sentences with phrase «hidden cultural meanings»

Also to see the hidden cultural meanings and inspirations from games

Not exact matches

This role and framework is important also for another crucial reason: if buyer personas are developed and created through the prisms of marketing and sales research orientation, they will tend to be self - referential views of target buyers (an inside - out view) as opposed to a means for discovering not so obvious and hidden meanings that make up social and cultural contexts.

1987 1987 Biennial Exhibition, Whitney Museum of American Art, New York (catalogue) Perverted by Language, Hillwood Art Gallery, Long Island University, Greenvale, NY (curated by Robert Nickas, catalogue) Reconstruct / Deconstruct, John Gibson Gallery, New York (curated by Robert Nickas, catalogue) Extreme Order: Cemin, Gober, Halley, Lemieux, Steinbach, Lia Rumma Gallery, Naples (curated by Collins & Milazzo, brochure) Primary Structures, Rhona Hoffman Gallery, Chicago (curated by Robert Nickas) Avant - Garde in the Eighties, Los Angeles County Museum of Art, Los Angeles (catalogue) Paint — Film, Bess Cutler Gallery, New York Post-Abstract Abstraction, The Aldrich Museum of Contemporary Art, Ridgefield, CT (curated by Eugene Schwartz, catalogue) NY Art Now: The Saatchi Collection, Saatchi Gallery, London (catalogue) Generations of Geometry, Whitney Museum of American Art at The Equitable Center, New York Similia / Dissimilia, Columbia University Art Gallery, New York; travelled to Sonnabend Gallery and Leo Castelli Gallery, New York; Städtische Kunsthalle, Düsseldorf, Germany (curated by Rainer Crone, catalogue) The Castle, documenta 8, Kassel, Germany (curated by Group Material) Reinhard Onnasch Galerie, Berlin (catalogue) Anti-Baudrillard, White Columns, New York (curated by Group Material) Recent Tendencies in Black and White, Sidney Janis Gallery, New York (curated by Jerry Saltz, catalogue) Terrae Motus, Grand Palais, Paris (catalogue) The Beauty of Circumstance, Josh Baer Gallery, New York (catalogue) New York Now, The Israel Museum, Jerusalem, Israel (catalogue) 1986 Admired Work, John Weber Gallery, New York Spiritual America, CEPA Galleries, Buffalo, NY (catalogue); travelled to Stavanger Faste Galleri, Stavanger, Norway (curated by Collins & Milazzo) New New York, Cleveland Center for Contemporary Art, OH Signs of Painting, Metro Pictures, New York, and Donald Young Gallery, Chicago Painting and Sculpture Today 1986, Indianapolis Museum of Art, Indianapolis, IN (catalogue) Paravision II, Margo Leavin Gallery, Los Angeles (curated by Collins & Milazzo) Political Geometries: on the Meaning of Alienation, Hunter College Art Gallery, New York (catalogue) Post Pop, Michael Kohn Gallery, Los Angeles Tableaux Abstraits, Villa Arson, Centre National d'Art Contemporain, Nice, France (catalogue) Europa / Amerika, Ludwig Köln Museum, Cologne, Germany (catalogue) End Game: Reference and Simulation in Recent Painting and Sculpture, Institute of Contemporary Art, Boston, MA (curated by David Joselit and Elisabeth Sussman, catalogue) Ashley Bickerton, Peter Halley, Jeff Koons, Meyer Vaisman, Sonnabend Gallery, New York The Hidden Surface, Middendorf Gallery, Washington, DC Geometry Now, Craig Cornelius Gallery, New York Surfboards, Michael Kohn Gallery, Los Angeles Art and Its Double: A New York Perspective (El arte y su doble), Centre Cultural de la Funcacio Caixa de Pensions, Madrid; travelled to Fundación Caja de Pensions, Barcelona (catalogue) Rooted Rhetoric, Castel Dell «Ovo, Naples (catalogue)

I attempt to overcome the limitations of circumstance by playing with the subtle, hidden meaning (cultural and environmental) of interior spaces and exterior places that people choose, both consciously and subconsciously, to surround themselves with.

In the greenhouse, Fox's participatory Seedbank project (2014) draws upon a dialectic range of sentimental and the sexual symbolic floriographic meanings from different cultural timeframes where that flowers were employed to communicate hidden or forbidden pleasures.

Referencing a range of historical and contemporary codes and double meanings including floriography, the Victorian cultural phenomenon that used flowers as tokens to communicate hidden or forbidden pleasures, Fox developed the «Phantasieblume» body of work (2008 - 11), a series of intricately hand cut decorative objects resembling the preciousness of handcrafted Victorian lace sited within a series of cabinets.

Guillaume Pinard is an informed observer of art and cultural artefacts — of which he scans appearances and hidden meanings.

Behind their seductive, and painstakingly created, glittering, beaded surfaces, works such as Kitchen, Back Yard, and Trailer probed the hidden corners of American cultural values, using labor - intensive crafts as a metaphor for and a means to transcend the mundane and the squalid.

During the interviewing cycles, somebody will always «there is no cultural fit» and this can be some hidden part of racism, sexism... it might mean «the candidate is not like me».