Sentences with phrase «hierarchies of traditional art»

Working in a variety of media, these artists maintain the sparse aesthetic, abstraction, and re-examination of the hierarchies of traditional art materials and processes that defined historical Minimalism.

Working in a variety of media, these artists share a notably sparse aesthetic and abstract vocabulary, playfully challenge the hierarchies of traditional art materials and processes, and deftly marry formalism with the personal and political.

orking in a variety of media, these artists share a notably sparse aesthetic and abstract vocabulary, playfully challenge the hierarchies of traditional art materials and processes, and deftly marry formalism with the personal and political.

Not exact matches

«It is time to turn the traditional hierarchy, Ken Robinson discussed, on its head and develop a generation of true thinkers and problem solvers through prominent art education for all,» writes Richard Wells (@EduWells).

The Barnes collection is displayed in ensembles that integrate art and objects from across cultures and time periods, overturning traditional hierarchies and revealing universal elements of human expression.

«do it» was perceived as a sigh of relief from the traditional hierarchy produced between active artist / passive audience, which was still the most common way of experiencing art in the 1990s.

The birth of Cubism and many writings of intellectuals, and critics, such as Clement Greenberg, emphasized the move towards a non-objective art, while the figure art, and art that relied on realism, on the other end of this hierarchy, was in return considered to be less important, traditional, and even to represent the enemy politics.

His refusal to propagate traditional art historical hierarchies exposes new, fantastical imagery that teeters on the peripheries of reality and deconstructs those myths still clinging to the practice of painting.

According to the open call, the purpose is to «encourage rigor and depth of concept, context and creativity over labels, hype and hierarchies» and the organizers are open to all media and performance - based art in addition to more traditional work.

As reported by Robin Pogrebin in a recent New York Times article, the Museum of Modern Art is planning a move that would have been unthinkable just a few years ago: reinstalling its permanent collection outside of the museum's traditional hierarchy, which placed painting and sculpture at the top of the pyramid, with drawing, prints, photographs, and illustrated books playing supporting roles, and film, performance, digital media, architecture, and design as outliers of varying importance.

With the rise of MFA programs and the accompanying professionalization of the arts, Black Mountain's fabled atmosphere of collaboration, experimentation for experimentation's sake and disregard for traditional teacher / student hierarchies — all set in the dreamy outdoor setting of a North Carolina mountain town — beckons to us from the grainy black - and - white photos in these books, offering a tantalizing possibility that a different art world is possible.

While Van den Dorpel speaks through the specialized language of computer programming and perhaps abstrusely anthropomorphizes variably folk or «traditional» approaches to fine art, his work addresses more universal concerns related to ethics of economic austerity as well as those of inclusion, alienation, and social hierarchies.

As increasing numbers of artists seek out traditional techniques in art and compete for prizes, the question of hierarchy may be worth visiting, if only to do this...

Landscape Portraits continues Oppenheim's investigation of the relationship between image, process and material, while also engaging the traditional art historical categories and hierarchies of landscape and portraiture.

The permanent collection of the PAMM is installed thematically within two rooms on the first floor and four rooms on the second and is organized around the historical criteria of genres within Western painting and the traditional hierarchy of genres that developed out of the Renaissance period and was promoted within European art academies up through the 19th century.