Sentences with phrase «high and low art»

Groundbreaking exhibitions — that blurred distinctions between high and low art — were presented at alternative and artist - run spaces.

By overlaying utopian consumerist imagery with the tropes of Modernist geometric abstraction, the artist skilfully blends the registers of high and low art while questioning the seductive powers of commercial imagery in today's society.

His choices of three - dimensional form and re-cut footage present us with High and Low Art simultaneously, the ability to engage with a family audience combined with the potential for critical thoughts in regards to culture and engagement.

The eighteen works in the exhibition explore subjects including imagery related to advertising, branding, and corporate culture; the flattening of hierarchies between perceived high and low art; the blurred boundaries between the handmade and the technological; and the visual manifestation and capturing of speed as images move through digital frameworks.

Appropriating characters, images and effects from pop culture, the work of KAWS blurs the lines between high and low art, and between art and fashion.

Utilizing Ben - Day dots, as well as text bubbles, inky black shadows and flat, two - dimensional perspective, Lichtenstein challenged perceptions of high and low art.

The exhibit juxtaposes the artist's love of high and low art, political activism and humor.

Pop art artists like Andy Warhol and Roy Lichtenstein were ground - breaking in their provocative confrontation with high and low art using motifs and references from popular comics.

He has gone on to produce a major body of work that shuns the flatness of the picture plane replacing it with a divergent mix of high and low art materials that are bolshy and strident, elegant and considered, yet seldom demure.

«This show explores what the Blue Period looks like for a contemporary artist today and examines how the internet and social media epidemic has blurred the lines between high and low art as a result of excessive accessibility,» The Dot Project and AucArt explains, «which provides us with an opportunity to view the Old, Modern and Contemporary Masters in one feed, but does a million likes make it a masterpiece?»

Through a kind of eclecticism, the famous artist attempts to discover how far he can push the line between high and low art.

Long before Peter Fischli and David Weiss made Fotografias, Nancy Spector had noted that the two liked to «undermine conventional distinctions between high and low art.»

McDevitt combines references to Piet Mondrian, the De Stijl movement, and graffiti, skillfully interweaving high and low art.

I like to see and experience how certain works interact with each other by mixing and matching styles, media, high and low art and younger and older artists.

Push It is a show meant to survey the current influence of the Street Art movement on the contemporary art world outside of the archaic and rigid binaries of high and low art and artist stereotypes and in keeping with the fluid, transdisciplinary approach of many artists working today.

The reuse of popular imagery, such as comic strips for collage material, playfully calls into question the traditional borders of high and low art.

Most likely, Warhol started to realize that he could blur the line between high and low art at the time he was creating these commercial designs.

Mira Billotte of White Magic leads a set of fourth - dimensional vibrations and shamanic trance, Volunteers Park transforms collisions of high and low art into dreamy ambient compositions, and Tara Jane Oneil's multi-piece act fuses stone age technology with electronic devices, creating melodic, experimental music.

Pop surrealist master Mark Ryden (BFA 87 Illustration) blurs traditional boundaries between high and low art to often disquieting effect, taking cute or kitschy clichés to darkly enigmatic places.

Pioneering Pop Art printmaker and painter Roy Lichtenstein burst onto the scene in the early 1960s with a solution to the problem — an instantly iconic comic - strip style belonging to a Postmodern age in which the boundaries between high and low art had become for ever blurred.

This show looks at how the GALA Committee pushed the boundaries of systems for art - making, in the process exploring how high and low art was connected — and whether Melrose Place fans were aware of conceptual art.

This survey will showcase nearly 50 years of work, including new fabric and wallpaper commissions that bridge the gap between the public and private spheres as well as high and low art.

Incorporating signage, glitter, cardboard, cookies, and postcards, he questions the divisions between high and low art by intermingling their conventions.

The entire collection of works is a pendulous examination of high and low art, and how an individual can be represented.

Theo Mercier (b. 1984, France) creates tongue - in - cheek sculptural and photographic assemblages of collaged images and found objects that playfully collapse the boundaries between high and low art, craft and industry, past and present, Western and non-Western cultures.

Melding individual expressionism with broader socio - economic concerns, Rhode's work reveals a mastery of illusion, a rich range of historical and contemporary references, and an innate skill for blending high and low art forms.

The selection of works on paper by local and international artists is filled with references to high and low art, the recognizable human form, and the psychological realm.

Los Angeles - based artist Mark Ryden expands his singular melding of high and low art, cerebral meditation and pop - culture camp with «The Gay 90s: West,» a new exhibition at the Kohn Gallery in L.A. that's a continuation of «The Gay 90s: Olde Tyme Art Show,» which took place at New York's Kasmin Gallery in 2010.

His works navigate minefields of desire, fear, regression and the abject in everyday life, often by creating a hybrid of high and low art.

Michael Darlin, chief curator at MCA Chicago, sees the Superflat concept as a broader statement about Japanese culture, wherein the distinction between high and low art is much less definitive than in the West.

In his early career Warhol forced the cultural establishment to integrate signs of crass consumerism (the Soup Cans) and commercial exploitation (the Marilyns) into the world of high art, thus helping to destroy the very distinction between high and low art.

Native of Tokyo, Japan, Takashi Murakami is a contemporary artist famous for constantly blurring the line between high and low art.

Constantly re-imagining his recognizable imagery inspired by art history and the animated cartoons, his approach to Pop art tradition is blurring lines between high and low art and fashion, and selling on all levels of the market.

For Pop Art, it effaces the difference between high and low art as well.

Dubuffet believed children, the uneducated and the naive are able to immediately «hit the bull's - eye» and arrive at something visionary in their art making.The detritus and random objects of urban streets represented a diminishing horizon, for him, between high and low art.

The ready - made component of his work blurs the distinction between high and low art.

In his photography, sculpture, installations, and works on paper, Breuning merges humor, kitsch, and pop culture to investigate the relationship between high and low art, often calling into question our assumptions regarding historically designated «masterpieces» by artists such as Pablo Picasso and Jackson Pollock.

Blurring the line between high and low art, Scharf exhibited work in storefronts and tagged Manhattan sidewalks with popular cartoon characters, and his art became internationally known during the 1980s.

Minter is known for her interest in exploring the boundaries between high and low art.

Art history and elements of high and low art are woven into his works, uncovering storylines of black history often ignored by the Western art canon.

Disregarding distinctions between high and low art, Fischli and Weiss's work never fails to surprise the viewer with its arrestingly flat, straightforward humor and the simplicity of their gestures.

They were ambivalent about both high and low art, but they produced works of impressive visual glamour.

In that essay Greenberg dissects American art and culture; and he suggests that high and low art can exist simultaneously at any given moment in our civilization.

He goes on to define what he means by high and low art and as an example he draws the contrast between a poem by T. S. Eliot and a Tin Pan Alley song; or a painting by Georges Braque and a Saturday Evening Post cover; all being examples of contemporaneous culture.

Questioning the distinctions between high and low art, Ceramics presents new works that are an appropriation and celebration of the cultural and historical vernacular traditions of her native Poland and a wider European context.

As to the case you make — I certainly have no objection to mashing up high and low art, Ballet & rock n» roll, married to serious themes often yield great results.

It was about mixing high and low art and different elements together.

He has coined the term Superflat, through which he interprets modern culture, erasing the lines between high and low arts.

Not exact matches

The art department was thus able to secure high quality, low - cost locations and decorations with ease.

And a dark art according to a large number of startups which failed and who attributed product pricing that was too high or too low to make monAnd a dark art according to a large number of startups which failed and who attributed product pricing that was too high or too low to make monand who attributed product pricing that was too high or too low to make money.