Sentences with phrase «high culture against»

Opposition to this move has centered on the criticism that such «franchising» is a distinctly corporate activity at odds with the Museum's perceived role as preserver of high culture against such interests.

Not exact matches

The key organs of popular culture have declared dissenting views on sexuality and marriage unfit for polite conversation, setting off occasional high - profile witch hunts against dissenters and enabling an environment of intimidation well beyond those.

Of course the response is condemned as a philistine reaction against today's so - called high culture, which has, for the most part, descended into a self - indulgent and transgressive vulgarity far removed from the panache and imagination of an earlier modernism.

She said: «I think that there is a lot of high tension in the country, and there has been a culture of extremism that has allowed the majority population, regardless of what is motivating them, to attack and spiral those attacks against religious minorities.

Challenge Success recognizes that our current fast - paced, high - pressure culture works against much of what we know about healthy child development and effective education.

Our current fast - paced, high - pressure culture works against everything we know about healthy child development.

Not only are we up against a school district food system that is set in it's ways, we're battling a larger food culture that values high calorie, highly processed convenience food AND huge food lobbies that have great influence over Congress and the legislation that is passed.

Our experience is not unique and we know that the current high pressure, fast - paced culture works wholly against the development of healthy children.

«That's the message sent loud and clear yesterday by thousands of parents across New York who rose up against a top - down, one - size fits all approach to education that focuses on the over-utilization of high stakes Common Core standardized tests and refused to have their children be any part of this culture of testing.»

In the past two weeks, hundreds of thousands of parents across the state staged a parental uprising against the Common Core curriculum and culture of over-utilization of high stakes standardized tests and exercised their right to refuse to have their children take the grades 3 - 8 ELA and math exams.

Media mogul and Chairman Emeritus of DAAR Communications Plc, High Chief Raymond Dokpesi has instituted N5billion defamation suit against the Minister of Information & Culture, Alhaji...

This was shown by adding the cephalosporinase - containing OMVs to cultures containing the ampicillin - susceptible gut bacteria, Bifidobacteria breve, which effectively protected them against high concentrations of antibiotics.

The serums of some patients with subacute spongiform encephalopathies contain an autoantibody in higher titer against a normal fibrillar protein within the axon of mature central neurons in culture.

It's being billed as «an unlikely coming - of - age story set against the backdrop of late»80s counter culture which follows a disillusioned teen recruited into a storied high school for assassins.»

What remains to be seen is whether widespread public support for universal academic achievement can be maintained when the youth culture is against it, when significant fractions of young people are dropping out of high school, and when others are failing high - school exit examinations.

Looking back, I can see that my colleagues and I were struggling to counteract powerful tendencies that work against high student achievement in urban schools: If teachers work in isolation, if there isn't effective teamwork, if the curriculum is undefined and weakly aligned with tests, if there are low expectations, if a negative culture prevails, if the principal is constantly distracted by nonacademic matters, if the school does not measure and analyze student outcomes, and if the staff lacks a coherent overall improvement plan — then students fall further and further behind, and the achievement gap becomes a chasm.

89, and her colleagues at the Challenge Success project at Stanford University, spell out something that seems especially important these days: Our fast - paced, high - pressure culture is working against kids being able to develop in a healthy, happy way.

In the past two weeks, hundreds of thousands of parents across the state staged a parental uprising against the Common Core curriculum and culture of over-utilization of high stakes standardized tests and exercised their right to refuse to have their children take the grades 3 - 8 ELA and math exams.

Though the book is endorsed by Wendy Kopp, founder of Teach for America, the call for decreased teacher empathy appears to rail against the biggest tenets of teacher training by Teach for America and other reform minded teacher - education programs, which want teachers to see the stories behind the students and embrace their cultures, while finding ways to hold students to high standards (Teach for American, 2016).

Chapter 1: Things Must be Pulverized: Abstract Expressionism Charts the move from figurative to abstract painting as the dominant style of painting (1940s & 50s) Key artists discussed: Willem de Kooning, Barnett Newman Jackson Pollock, Mark Rothko Chapter 2: Wounded Painting: Informel in Europe and Beyond Meanwhile in Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymans

Dubuffet was reacting against the professionalization of art and what he saw as the stifling conformity of «high» culture.

The multilingual performance clashes high art against queer slang, playing with language, music and double entendres particular to Latino and black underground gay culture.

The Bad Faith exhibition will feature the first showing of Common Culture's new work I Dreamt I Was A Monkey — And They Made Me Wear Shoes, a multi — channel video installation featuring «ex — TV «soap» actors performing scenes of discrete social interaction» set against a backdrop of high street consumption.

In addition to initiating the court case, SOS - Racisme has filed a notice with the Conseil d'Etat — the highest juridical administrative instance in the country — against the ministry of culture's decision to extend the same rule to fifty national museums as well as over a hundred national monuments.

Once poised as the medium best suited to bridge high and low cultures, film is now, arguably, more divided against itself than ever; and what remains of art according to this new configuration is...

2002 Illustraded Catalog, Big Girl Paintings, Gagosian Gallery, Beverly Hills, CA 2001 Included in exhibition, Mythic Proportions: Painting in the 1980's, Museum of Contemporary Art, Miami 2000 Included in exhibitions: The International Festival of Contemporary Sculpture: Contemporary American Sculpture, Monaco; The Lenore and Burton Gold Collection of 20th Century Art, High Museum of Art, Atlanta 1999 Included in exhibitions: The American Century: Art and Culture 1950 - 2000, the Whitney Museum of American Art, New York; The Virginia and Bagley Wright Collection of Modern Art, Seattle Art Museum, Washington; Bad - Bad: That is a Good Excuse, Staatliche Kunsthalle, Baden - Baden, Germany 1997 Included in exhibitions: The Hirshhorn Collects: Recent Acquisitions 1992 - 1996, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.; La Biennale de Venezia: Future, Present, Past, XLVII International Arts Exhibition, Venice 1996 Release of film, Basquiat, directed and produced by Schnabel 1994 Julian Schnabel: Retrospective, at the Museo de Monterrey, Mexico; included in exhibition, U.S. Painting of the 1980s, at the Irish Museum of Modern Art, Dublin, Ireland 1993 Included in Drawing the Line Against AIDS, exhibition in conjunction with Art Against AIDS Venezia, under the aegis of the 45th Venice Biennale, Peggy Guggenheim Colletion, Venice 1992 Included in exhibitions: Le Portrait Dans L'Art Contemporain, at the Musée d'art moderne et d'art contemporain, Nice, France; Manifeste, at the Musée national d'art moderne, Centre Georges Pompidou, Paris, France 1991 Solo exhibition, Julian Schnabel, at the Nelson - Atkins Museum of Art, Kansas City; included in exhibitions: The 1980's: Selections from the Permanent Collection, at the Whitney Museum of American Art, New York; Toward a New Museum: Recent Acquisitions in Painting and Sculpture, 1985 - 1991, San Francisco Museum of Modern Art, California 1989 Traveling solo exhibition, Julian Schnabel: Works on Paper 1975 - 1988, originating at the Museum für Gegenwartskunst, Basel, Switzerland 1986 Traveling solo exhibition, Julian Schnabel: Paintings 1975 - 1986, originating at the Whitechapel Art Gallery, London 1985 Completes four etching, lithographs published by Pace Editions, New York 1984 - 2001 Solo exhibitions at PaceWildenstein, New York 1984 First solo exhibition at the Pace Gallery, New York 1979 First solo exhibition at the Mary Boone Gallery, New York

It made the case against the utopian planning culture of the times — residential high - rise development, expressways through city hearts, slum clearances, and desolate downtowns.