Sentences with phrase «high walls between»

What I really like about this new seat is the privacy... very high walls between seats so you feel all alone in your cozy cocoon.

Also, note the high walls between each seat which provide peace and quiet and separation from other passengers.

High walls between seats make conversation with seat mates difficult.

It reactivates the feelings of overwhelming anxiety which caused it originally and stands like a high wall between the person and the help which he desperately needs.

The similarities in plight are not incidental, despite the supposed high wall between church and state.

And though there is meant to be a high wall between the Times editorial and news sections, the January 30 op - ed extravaganza was followed, six days later, by a front page Times news story, headlined, «Preschool Push Moving Ahead in Many States» — proof of what the two columnists had said on the 30th.

Not exact matches

U.S. stock index futures pointed to a higher open on Wall Street on Tuesday, with futures for the S&P 500, the Dow Jones and the Nasdaq 100 up between 0.2 and 0.3 percent.

Now the gritty space, its cinder walls repainted white, resembles a cross between a high - end laboratory and an industrial bakery.

Treasury yields edge slightly higher, and prices slip, on Monday as trade tensions between the U.S. and China appear to be dialed back after helping spark a selloff to close out last week's action on Wall Street.

no, the best way to keep us on the straight and narrow is to make the wall between all churches and state higher and wider.

The precious wall of separation between church and state was rebuilt higher and more solid than ever.

Neither can pass laws which aid one religion, aid all religions, or prefer one religion to another... in the words of Jefferson, the [First Amendment] clause against establishment of religion by law was intended to erect «a wall of separation between church and State»... That wall must be kept high and impregnable.

To appreciate their fear of the consequences of too high a wall of separation between church and state, something vigorously supported by all too many secular and religious Jews?

Eating probiotic rich foods (or taking a high - quality supplement in which the bacteria are still alive) improves our immune systems, helps lessen the gaps between the cells that line our intestinal walls (gaps that are not supposed to be there), and restores proper balance of microflora in the intestine.

In the space between it and the high wall of the stands are the two bullpens.

But there's a world of difference between lapping alone at Indy and running in traffic, as the high speeds and close walls can make things much more complicated.

Side Walls — you will find that the type of walls on bassinets varies between brands and styles, with some having low walls and some relatively Walls — you will find that the type of walls on bassinets varies between brands and styles, with some having low walls and some relatively walls on bassinets varies between brands and styles, with some having low walls and some relatively walls and some relatively high.

The wall is 2 inches high and does a great job at stopping food from falling off and helps my child's toys from getting lost in between our car seats.

Salons with the highest standards drain all the water, scrub the residue from the walls, and run a cycle of disinfectant for 10 minutes between every client — a procedure thats particularly important for older machines with pipes that can harbor standing water, a haven for bacteria.

Set against the backdrop of a technologically advanced Shanghai, where people are only allowed to travel between countries with official passports called «papelles,» the film charts the efforts of Seattle native William (Tim Robbins) to get to the bottom of a contraband - papelle operation within the walls of a high - tech company that manufactures them.

This involves tough talk in saloons, face - downs on Main Street and a chase sequence between high canyon walls that's a nod in the direction of «Star Wars.»

Meanwhile, back behind the wall, even less fun is being had as a civil war is threatening to break out between «factionless» commander Evelyn (Naomi Watts)-- who, in a case of «meet the new boss, same as the old boss» has grown desperately tyrannical after off killing Kate Winslet's high - handed Jeanine in the previous film — and former Amity leader Johanna (Octavia Spencer), who now leads the catch - all group known as Allegiant.

Davis, who teaches high school technology in Camilla, Georgia, has blown out the walls of that parallel classroom by orchestrating student collaboration across continents, between places as distant as the United States and Bangladesh.

We tick the significant boxes: Brandenburg Gate, which had been boxed in by the Berlin Wall; Checkpoint Charlie, the best - known crossing point between East and West Berlin; Unter den Linden, an elegant boulevard, and Karl - Marx - Allee, a street lined in socialist - style residential blocks; Charlottenburg Wilmersdorf, a western town with a palace and an Olympic stadium, and Prenzlau, an eastern town with one of the highest jobless rates in the country; and Glienicker Bridge in Potsdam, where commies and capitalists used to swap spies.

Amazon has tried to begotiate in good faith with a greedy publishers who with their army of high - priced, shifty Wall Street lawyers continue to walk the fine line between legal and illegal.

A physical manifestation of the struggle between Soviet Communism and American capitalism — totalitarianism and freedom — that would stand for nearly thirty years, the Berlin Wall was the high - risk fault line between East and West on which rested the fate of all humanity.

In a state that has a marked migrant and immigrant student population, there are those who worry that this revolutionary concept could only serve to broaden the already vast chasm between the schools that serve the higher socioeconomic classes and those that don't, an educational wall built between the haves and the have - nots.

«I just want to make sure I'm the first to congratulate the Wall Street Journal on its shocking discovery of a correlation between higher prices and lower demand.

Between innovative community security initiatives and the higher average income of the city, Frisco is objectively safer than most of the rest of America — Frisco is one of the top ten safest cities in America, according to 24/7 Wall Street.

I can't match wits with the wizards of Wall Street, but in my little pea - brain, that would seem to exemplify a big difference between «safe,» blue - chip, high - dividend stocks and CDs or Treasury notes.

Hike across the Dolomites South Tyrolean Ladin valleys and explore the incredible geography and geology of the Dolomites — high mountain passes, incredible sweeping vistas of dramatic peaks, and lush green valleys set between vertical walls — as you experience the centuries - old Ladin culture that is so unique to this region.

Join Somoto Canyon Tours on their 6 - hour adventure experience that takes you along the Rios Tapacali and Coco between the soaring canyon walls, through caves and if you choose, off 20 - metre high cliff jumps.

On - site facilities include a communal bar, lounge and dining area, conference hall for business or other conferences, Wi - Fi internet, outside wedding venue gazebo, splash swimming pool, security with high walls, alarm, electric fencing and 24 - hour armed response, collection from airport, beautiful garden areas around and between buildings with many walkways, cleaning service, air - conditioning with heating or cooling.

Between wildlife activities, Guests can savour a quiet moment in the dim stillness of the 19th - century stone chapel; enjoy high tea in the shade of the verandah or sit late into the night in the convivial stone - walled cellar bar.

The only major difference I can tell between the SAS seats and the Delta One Suites is that the Delta One Suites will offer much more privacy with higher walls and a door.

Like any open world game, though, the expansive freedom you have to play and explore comes at the cost of bugs: a few times, we noticed the AI get jammed into a tree, or through a wall, or get really confused by a shin - high obstacle between us and them.

Features • Sci - Fi action / adventure combines aerial and on - foot combat for a totally unique third - person shooter experience • Will's jetpack delives total freedom of movement allowing players to race against UFOs in high - speed chases and rain death from above onto unsuspecting otherworldly foes • Speed and scale unmatched by any other action title: send Will zipping through tight corridors and then out into immense canyons and futuristic geoscapes • Gravity - defying vertical combat system, where moving up is the only way to bring your enemies down • Seemless transition between jetpack flight, ship - to - ship dog fighting and third - person shoot - «em - up action all exists within the same level — not broken up into different «areas» • Unique grip system that allows the players to scale walls by jumping from surface to surface and hijack UFO's while in mid-air • Huge bosses that require fast reflexes and aerial barnstorming manoeuvres to defeat • Developed by Airtight Studios, a new group featuring team members from the Crimson Skies series of video games

Another option to get about is the wall jump which lets you scale high walls by pinging between.

Opening: «Brassaï: Language of the Wall: The Tapestries, 1968» at Higher Pictures One of the important players in the modernist movement in Paris between WWI and WWII, the Hungarian photographer, sculptor, writer and filmmaker Brassaï (the pseudonym of Gyula Halász) is best known for his salacious photographs of Paris at night and his poignant portraits of the famous artists and writers of his time.

The work, a glass wall that holds a mixture of lithographs and photographs of flowers and stretches 4 meters high and 34 meters long, acts as a soft border or barrier between those who arrive... Read more

This makes them essentially different from Frank Stella's wall - mounted high reliefs that are constructed like three - dimensional sculptures (with space in between) projecting directly from the wall.

His Torqued Ellipses made about twenty years ago invited you to enter menacing constructions, walking through, going between high narrow curving walls of steel tilting inward or outward.

In Armando Andrade Tudela's latest exhibition, «Alto sorto sopra» (Rising High Above), two sculptural installations inhabit the far left corner of the gallery's rectangular subterranean space, with the second of these wedged between a column and two radiators jutting out from the wall.

LW: The Hurricane Waves, 6 ft high and from 9 to 11 ft in length, seem to fit between the columns of the wall as if the intervals had been measured for them.

Group Exhibitions 2018 Official Selection, Garden State Film Festival, Asbury Park, NJ 2017 Worm's Work, curated by Mild Climate, The Finishing School, Athens GA Unloaded, Marcia Wood Gallery, Atlanta GA Official Selection, 5th Annual Short Shorts, White Space Atlanta GA Official Selection, Best Shorts Competition (Award of Recognition), La Jolla, CA Official Selection, The World's Independent Film Festival, San Francisco, CA 2016 Acts of Sedition: A Group Exhibition, White Box, NYC, NY Transitions: States of Being, Zuckerman Museum of Art, Kennesaw GA Little Things Mean A Lot, Swan Coach House Gallery, Atlanta GA 2015 Drawing Experiment, Chastain Gallery, Atlanta GA Birdwatching, Gallery Walk at Terminus, Atlanta GA 2014 Exquisite Exhibit, curated by Joey Orr, Atlanta Contemporary Art Center, Atlanta GA Score: Artists in Overtime, MOCA GA, Atlanta GA 2013 Ant Linkage, Welch Gallery, Georgia State University, Atlanta GA Drawing Inside the Perimeter, High Museum of Art, Atlanta GA 2012 Paper Moon, Clayton Gallery, Kennesaw State University Museum and Galleries, Kennesaw GA Soltem Os Bichos, Atlelie397, Sao Paulo, SP, Brazil 2011 Watching Hands: Artists Respond to Staying Healthy, David J. Spencer Museum at the CDC, Atlanta GA Something Along The Lines of Rock «N» Roll, Solomon Projects, Atlanta GA New Media from the Permanent Collection, MOCA GA, Atlanta GA 2010 Hand to Hand, AthICA, Athens GA Limitless, Agnes Scott College, Dalton Gallery, Decatur GA Everything and the Space between Everything, Agnus Scott College, McCain Library, Round Wall Gallery, Decatur GA Hand to Hand, Chaffee Art Center, Rutledge VT 2009 More Mergers and Acquisitions, Atlanta Contemporary Art Center, Atlanta GA Accessing the Artist's Brain: Drawing as Metaphor, AVA Gallery, Chattanooga TN Three Small Deaths (film screening), DiverseWorks, Houston TX Everything and the Space between Everything, Jackson - Hartsfeild Airport, Atrium Gallery Atlanta and Agnes Scott College, McCain Library, Round Wall Gallery, Decatur GA Hand to Hand, Western Kentucky University Gallery, Bowling Green KY 2008 The World's Smallest Art Fair, Anna Kustera Gallery, NYC NY Hand to Hand, Spruill Gallery, Atlanta, GA 2007 Little Things Mean A Lot, Swan Coach House Gallery, Atlanta GA Tablet: Contemporary Southern Painting, Tanner Hill Gallery, Chattanooga TN Tenth Annual Arizona State University Art Museum Short Film and Video Festival, ASU Museum of Art, Tempe, AZ Exile From The Land Of Reason, Eyedrum, Atlanta GA The Petrified Man, Welch School of Art and Design Art Gallery, Georgia State University, Atlanta GA 2006 Flamingo Sculpture Garden, Scope Art Fair, Miami FL Run For Your Lives, DiverseWorks, Houston TX Hand to Hand, Ruby Green Gallery, Nashville TN 2005 Toy, Fe Gallery, Pittsburgh PA SouthXeast: Contemporary Southeastern Art, University Galleries, Florida Atlantic University, Boca Raton FL Gas, Food, Lodging: Imagining Escape, Welch School of Art and Design Art Gallery, Ga..

A wall - length piece, produced in collaboration with students from Hedlands Senior High School in the Pilbara region of Western Australia early last year, responds to the landscape in a work that is described as «between a contemporary painting and a cumulative palimpsest.»

The monumental sculpture and public installation, made of pressed tin and mirrors, hangs on an outdoor wall next to the High Line, between West 21st and West 22nd Streets, and will be visible from the park and the street below it through Summer 2013.

The piece will make use of the gallery ceiling, walls, and floor to manifest not only the physicality of the High Line skimming above the streets below, but also the intangible disconnects between park and city.

A vast 3 - metre - long, 2 - metre - high wall - like structure comprised of a sequence of rectangular sponge blocks each bearing the stenciled misnomer «Pietra» (Stone), this is a work that explodes the traditional boundaries between painting, sculpture, language, theatre and environment.

2008 «Character Project» — USA Network Commission Honored Educator, The Society for Photographic Education, Cleveland, OH Oxbow School, Napa, CA — Visiting Artist Residency 2007 Addison Gallery of American Art, Andover, MA - Edward E. Elson Artist - in - Residence 2006 Studio Museum in Harlem, New York, NY - Artist in Residence, «Expanding the Walls: Making Connections Between Photography, History, and Community» 2005 Addison Gallery of American Art, Phillips Academy, Andover, MA - Edward E. Elson Artist - in - Residence San Francisco Arts Education, San Francisco, CA - Artist - in - Residence 2003 Detroit Institute of Arts, Detroit, MI - Artist - in - Residence California State University, Monterey Bay, CA - Artist - in - Residence, The Reclamation Project 2002 John Simon Guggenheim Memorial Foundation Fellowship - Fellow in Photography David and Alfred Smart Museum of Art, The University of Chicago - Artist - in - Residence 2000 Federal Reserve Bank, Chicago, IL - Commission 1999 International Artist's Studio Program in Sweden (IASPIS), Stockholm, Sweden - Artist - in - Residence Percent for Art Commission, Chicago Department of Cultural Affairs - Midway Airport Center for Documentary Sudies at Duke University - «Idivisible» / A National Documentary Project Parrish Art Museum, Southampton, NY - Artist - in - Residence Yale University Art Gallery, New Haven, CT - Artist - in - Residence 1998 National Portrait Gallery, London - Artist - in - Residence 1997 Addison Gallery of American Art, Phillips Academy, Andover, MA - Edward E. Elson Artist - in - Residence Cleveland Center for Contemporary Art, OH - Artist - in Residence 1996 High Museum of Art, Atlanta, GA, «Picturing the South: The Commission Project» Wadsworth Atheneum, Hartford, CT, Residency Project Committee for Public Art Commission, Cleveland Public Library Virginia Beach Center for the Arts, VA / Colonial Boys and Girls Club, Norfolk, VA - Residency Workshop 1995 Walker Art Center, Minneapolis, MN - Artist - in - Residence Wexner Center for the Arts, Columbus, OH - Artist - in - Residence 1994 Percent for Art Commission, Chicago Department of Cultural Affairs - Mabel Manning Near West Side Branch Library 1993 The Museum of Modern Art, New York, MoMA Life Trustees Portrait Commission The George Gund Foundation, Cleveland, OH, Commissioned Project The Museum of Contemporary Photography, Columbia College and Providence - St.