Sentences with phrase «high wood sculpture»

Brooklyn Museum, New York Curated by Eugenie Tsai ALONG THE WAY, KAWS's colossal eighteen - foot - high wood sculpture portrays a pair of gigantic figures with their heads lowered and with one arm around each other in a gentle embrace.

ALONG THE WAY, KAWS's colossal eighteen - foot - high wood sculpture, greets visitors in our Martha A. and Robert S. Rubin Pavilion and Lobby.

Not exact matches

He's created basketballs floating in vitrines of distilled water; encased new vacuum cleaners lit by fluorescence in Plexiglas towers; cast statuary and everyday objects in high chromium stainless steel; fashioned painted polychrome figurative wood sculptures; cast glass sculptures of sex.

New to the fair was a sector called Survey, bringing gravitas with a deliberately digital - free zone that called on 13 galleries to present tightly curated historical projects — the standout, New York artist Alison Knowles's The Boat Book, 2014, eight 8ft - high, wood - framed movable pages covered with images described by her dealer, James Fuentes, as «seminal social sculpture» that is «read» by crawling through it.

Roughly hewn in wood and then cast in bronze with Baselitz's trademark matt, black patina, the sculpture presents five almost comically elongated legs dressed in familiar high - heels, extending a recurrent motif that was used most recently in paintings and sculpture first exhibited at White Cube at Glyndebourne and White Cube Hong Kong.

In the mid -»70s, she made geometric wood sculptures layered with various shapes and symbols, some as high as 10 feet.

Originally conceived in wood in 1950, it is a painted bronze sculpture 60 inches high that was cast in a bronze edition of six later.

World auction records were also set for Gordon Matta - Clark (1943 - 1978), Lot 21, «Bronx Floors: Threshole,» 1972, $ 222,500; Matthew Barney (b. 1967), Lot 5, «Cremaster 4,» 1994 - 5, $ 387,500, more than double its high estimate; Mariko Mori (b. 1967), Lot 6, «Red Light,» 1994, one of an edition of three, $ 101,500, well over its high estimate of $ 60,000; Christopher Wool (b. 1955), Lot 35, «Untitled (Fool),» 1990, $ 420,500, seven times its high estimate; John Currin (b. 1962), Lot 2, «Untitled,» 1990, $ 46,000; Jeff Koons (b. 1955), Lot 14, «Buster Keaton,» 1988, a large polychrome wood sculpture, one of an edition of three, $ 409,500; Andreas Gursky (b. 1955), Lot 11, «Atlanta,» 1996, a large Cibachrome print from an edition of six, $ 90,500; and Richard Serra (b. 1939), Lot 22, «Sign Board,» 1969, $ 431,500.

Among the works that did well were Lot 16, a charming small sculpture, one of three examples down in 1945 - 6, by David Smith, shown above, that sold for $ 220,000 (not including the buyer's premium) and had had a high estimate of $ 150,000; Lot 5, «Atantolone,» a gloss household paint on canvas of colored dots on a white field that sold for $ 170,000 (not including the buyer's premium), well over its high estimate of $ 120,000; Lot 14, a large 1943 painted wood and wire sculpture, «Constellation,» by Alexander Calder (1898 - 1976) that sold for $ 1,982,500 (including the buyer's premium), more than double its high estimate, and Lot 24, a larger Calder sculpture, «Trepied,» that sold near its low estimate for $ 1,542,500 (including the buyer's premium); Lot 20, a large and very interesting and abstract but not very colorful 1953 Francis Bacon (1909 - 1992), «Two Figures at a Window,» that sold above its $ 1.2 million high estimate for $ 1,542,500 (including the buyer's premium); Lot 27, «Tour III» by Brice Marden (b. 1938) that sold within its estimates for $ 1,487,500 (including the buyer's premium), tying the artist's record; Lot 41, «Grillo,» by Jean - Michel Basquiat (1960 - 1988) that sold for $ 1,102,500 (including the buyer's premium), also within its pre-sale estimates; and Lot 31, «Vierwaldstätte See,» a large black and white 1969 landscape by Gerhard Richter (b. 1932) that sold for $ 1,047,500 near its low estimate of $ 1 million.

«Guardians of the Secret II» is a free - standing sculpture seven feet high, ten feet long and two feed deep that combines ceramic, steel, wood, painted canvas and found objects to interpret and give dimension to the images in the Pollock painting.

Composed of a bent plywood foundation constructed with the help of glue, clamps, and high frequency microwaves, the sculpture is sheathed in mesh — a metal chain link fencing that acts as a skin covering the wood base.