Sentences with phrase «higher than any other film»

Le Mans (1971) set the bar for racing scenes higher than any other film has reached, especially in the digital age when ever..

Not exact matches

Solar cells based on semitransparent 80 - nanometer films made using the process were shown to have higher efficiency than any other ultra-thin film.

«Just Go with It» has major problems with its lack of wit and exhausted repeated jokes, but thankfully, Aniston's performance is able to boost up the comedy in the film; adding to an amount that ranks higher than many other films that try the same formula of comedy as of this film With Sandler's and Aniston's connection being believable, «Just Go with It» manages to hit the mark for several adults and teens to enjoy.

Another way in which Jackson aims to make An Unexpected Journey more than just another movie and perhaps the aspect that will spark more discussion than any other is his decision to shoot the film in High Frame Rate 3D.

Take away The Wind Rises, which was briefly screened in 2013 only to qualify for awards (which it did, collecting an Oscar nomination for best animated film), and Disney's 2013 average drops to 53.4 (the studio's lowest average since 2010), though that was still higher than four other major distributors last year.

They were also better than those of any other major studio, leaving Disney the only one of the seven majors to receive a grade higher than a C. Interestingly, Disney's three Marvel - related films (including Big Hero 6, which is not part of the Marvel Cinematic Universe) were not just the studio's highest - grossing releases, but were also the highest - scoring Disney films with critics.

Fox had seven films surpass the $ 300 million mark globally (more than any other studio), led by X-Men: Days of Future Past, the fifth - highest grossing movie of 2014 worldwide.

The action is a horrible muddle of skating, blood, fighting and stupid bike stunts all crammed within this tiny arena, at the same time you have other players skating down from higher levels or platforms for no apparent reason other than to look cool in the film.

(1) The Intouchables, an $ 11.5 million dramedy, based on a true story, that was co-written and co-directed by Olivier Nakache and Eric Toledano and has become the second highest - grossing French film of all - time in France and grossed more than $ 355 million internationally (more than any other French film and, for that matter, any non-English-language film, save for The Passion of the Christ); and (2) Rust and Bone, a fictional drama that was co-written and directed by Jacques Audiard, a best foreign language film Oscar nominee three years ago for France's Un Prophet, and features tour - de-force performances from Marion Cotillard, the best actress Oscar winner five years ago, and Matthias Schonaerts, the star of last year's Belgian nominee Bullhead.

Two other films I have to mention as runner - ups: David Mackenzie's Hell or High Water, which is much better than anyone expected.

Other than a touch of edge enhancement owed to the digital sharpening, the picture quality on high - definition Blu - ray is flawless, delivering a naturally film - like image with accurate color rendering and significant detail.

These findings indicate that men hold the higher status titles of film critic or critic in categories other than film including television critic, music critic, theatre critic, pop culture critic, and media critic.

While the film is being praised by other critics (higher marks than both previous Avengers films) you don't see much happening here that we haven't already seen in the other 13 films.

Is it shooting fish in a barrel to put «The Emoji Movie,» a film for children that had no aspirations at any point in its creation other than to milk money out of those children's parents, so high on this list?

As such, the effects workload wouldn't have been any higher than the average blockbuster — of course there would be heavy CGI elements, but probably far less than something like, say, Disney's other forthcoming tentpoles «John Carter» and «Oz: The Great and Powerful» — and the fantastical elements, at least in Elliot and Rossio's draft (Justin Haythe has since come on board to rewrite) aren't massively prominent, the film being more of a straight action Western.

But in reviewing the 945 top - grossing films since 1950, the researchers behind the report for the American Academy of Pediatrics did identify several PG - 13 titles that had a noticeably higher level of violent acts per hour than other similarly rated movies.

Other than «High Fidelity» Nick Hornby stories haven't done so well in their translations over to the film.

Although some of these high profile stars are relegated to smaller roles than others, the ensemble cast present an excellent on - screen chemistry and banter to rival Stallone's gang in the EXPENDABLES films.

Utilizing both traditional and digital media, RADiUS - TWC brings the highest quality films and other specialty entertainment to a wider audience than ever before.

Mignone's decision to employ a sprawling structure - replete with almost a dozen recurring characters - undoubtedly ranks high on the film's list of problems, as there inevitably reaches a point wherein certain figures become far more intriguing than others.

The MPAA says 18 - to 24 - year - olds attend more films than any other demographic — but with YouTube, Netflix, Hulu, Insta - stories, et al., the competition for attention is at an all - time high.

The disarming fact is that this movie never lays claim to any higher purpose other than to entertain and sell its wares, and yet manages to be so much more than most other big Hollywood films (which helps explain how it could be the # 4 box - office earner for 2014).

If we still screened shorts before feature films other than Pixar, this would be a good short to have screened before Hell or High Water.

Generally considered the lesser film of the Back to the Future trilogy, mostly because it is darker and less in fun than the other two, Back to the Future II is nonetheless an intelligent and well - constructed sequel that succeeds with high energy and clever twists and turns.

From here on out, this film isn't much different than other coming - of - age or high school romance films you've seen before.

With Disney Animation and other major studios producing critically acclaimed animated films at a rate far higher than 15 years ago, the animation categories have experienced an explosive growth in competition.

Despite the hysteria, it may not be appropriate yet to call a time of death on the decades and decades» worth of precedent that will be shattered when Argo wins Best Picture despite very conspicuously not being nominated for its director, not having even remotely close to the year's highest nomination tally (it trails behind four other films), and not having even a halfway plausible shot at winning more than two other categories aside from this one.

With its high - contrast, black - and - white cinematography and jazzy Elmer Bernstein score, the film conveys a certain kind of mythical 1950s New York City more vividly than any other film I can think of.

Rayno's patented Nano Carbon Ceramic window films optimize the advantages of both Carbon and Ceramic, resulting in a product that boosts higher color stability, durability, heat rejection and glare reduction than any other automotive window film on the market.

This is higher than other industries such as advertising, animation, film, TV and up 20 % compared to 2016.

We need to deliver higher productivity than ever before, not only for games, but also for film and other industries.

Some of our notable entertainment and media attorneys are: John Quinn, General Counsel of the Academy of Motion Picture Arts and Sciences, who has also represented entertainment and media clients in a number of high profile cases; Kathleen Sullivan, the former Dean of Stanford Law School, First Amendment scholar, and nationally renowned appellate advocate, who heads the firm's appellate practice group; Bob Raskopf, an expert in the sports, entertainment and media bars in New York, who is perhaps best known for his work on behalf of professional sports leagues and teams, newspapers and publishers; Claude Stern, who has represented a broad array of leading software developers, videogame manufacturers, online publishers and other media clients in all forms of intellectual property litigation, including copyright, patent, trade secret, trademark, and licensing disputes; Bruce Van Dalsem, who has tried and resolved disputes for studios, producers and performing artists in the film, television, music and finance businesses, securing a top five verdict in California based on the misappropriation of a film library; Gary Gans, an expert litigator in motion picture financing, production and distribution disputes, as well as copyright and idea theft cases, who has been named in 2012 by The Hollywood Reporter as one of America's «Top Entertainment Attorneys;» Jeff McFarland, who has litigated entertainment related cases for more than 20 years, including cases involving motion picture and television series profits, video game licenses, idea theft and the «seven year rule;» and Michael Williams, who represents a satellite exhibitor and other media clients in trademark, copyright, patent, antitrust and other commercial litigation.

For streaming 4K movies, this means that the Apple TV 4K offers all the services (other than Google Play) with the highest - quality HDR available: The recent addition of Vudu gives the Apple TV 4K a ready library of Dolby Vision feature films to stream; Netflix, and others (like Amazon, which still isn't available on Apple TV) also support both HDR10 and Dolby Vision; and the iTunes Store will sell 4K movies for the same price as current HD movies: $ 20 each, less than on other stores.