A
team that made it to the Final4 in the ultra-deep 20 Team League... I know he sets high expectations for his squads and like many of the other teams who dropped their first game of the Season... They have more than enough to compete in this marathon of a sea
team that made it to the Final4
in the ultra-deep 20
Team League... I know he sets high expectations for his squads and like many of the other teams who dropped their first game of the Season... They have more than enough to compete in this marathon of a sea
Team League... I know he sets
high expectations for his squads and like many of the
other teams who dropped their first game of the Season... They have more
than enough to compete
in this marathon of a season.
Part of this problem could be considered to be that the most used central midfield pairing, Lucas Leiva and Charlie Adam, aren't particularly dynamic nor inclined to get on the end of crosses (of which Liverpool have had more, per game,
than any
other team in the
league apart from Wolves — more of which, will be discussed later), so this only leaves a certain number of players who will be able to get into the box
in the more rigid 4 -4-2 utilised for most of this season. Inspite of this, however, 58 % of Liverpool's goals have come from inside the 18 yard box, the
highest in the
league so far this season
in terms of percentage of goals scored by each individual
team, suggesting that this is the best avenue of attack for Liverpool, so the question has to be: why have Liverpool only managed to score 14 times, the 10th lowest amount of goals
in the
league?
Some of our notable entertainment and media attorneys are: John Quinn, General Counsel of the Academy of Motion Picture Arts and Sciences, who has also represented entertainment and media clients
in a number of
high profile cases; Kathleen Sullivan, the former Dean of Stanford Law School, First Amendment scholar, and nationally renowned appellate advocate, who heads the firm's appellate practice group; Bob Raskopf, an expert
in the sports, entertainment and media bars
in New York, who is perhaps best known for his work on behalf of professional sports
leagues and
teams, newspapers and publishers; Claude Stern, who has represented a broad array of leading software developers, videogame manufacturers, online publishers and
other media clients
in all forms of intellectual property litigation, including copyright, patent, trade secret, trademark, and licensing disputes; Bruce Van Dalsem, who has tried and resolved disputes for studios, producers and performing artists
in the film, television, music and finance businesses, securing a top five verdict
in California based on the misappropriation of a film library; Gary Gans, an expert litigator
in motion picture financing, production and distribution disputes, as well as copyright and idea theft cases, who has been named
in 2012 by The Hollywood Reporter as one of America's «Top Entertainment Attorneys;» Jeff McFarland, who has litigated entertainment related cases for more
than 20 years, including cases involving motion picture and television series profits, video game licenses, idea theft and the «seven year rule;» and Michael Williams, who represents a satellite exhibitor and
other media clients
in trademark, copyright, patent, antitrust and
other commercial litigation.