Sentences with phrase «highest estimated lot»

The second - highest estimated lot is a sculpture by Roy Lichtenstein, Sleeping Muse, from 1983, which carries an estimate of $ 3.5 million to $ 5.5 million.

According to estimated values, not a single lot will be sold for half a million or more, as the highest estimated lot is Mark Bradford's Untitled from 2001 (Lot 175), which should change hands for $ 350,000 — $ 450,000, as well as Gerhard Richter's Abstraktes Bild (454 - 4) from 1980 (Lot 239).

Not exact matches

«With EEDAR estimating current League of Legends revenues to be more than $ 1 billion per year, this means that the value of Riot is significantly higher than $ 1 billion and Tencent would have paid a lot of money for the remaining 7 % of the company's shares,» Walker says.

A reasonable estimate is 0.7 - 1 grams of protein for every pound of body weight — if you're not very active, aim for the lower end, and if you're doing a lot of strength training or recovering from an injury, aim for the higher end.

Even though college students tend to not have a lot of personal property, the value of their property is probably higher than they estimate.

«Steve» by Barkley L. Hendricks covers the catalog and is the auction's top - selling lot, selling for $ 365,000 (including fees), a record price for Hendricks and more than double its high estimate.

The lot sold for more than four times its high estimate.

In this sale, they acquired the lots that featured on both the front and back covers of the catalogue, in each case taking the unusual step of paying more than the high estimate.

The top lots, a Norman Lewis painting that sold for three times the high estimate and a Beauford Delaney work that made twice the high estimate, were not the only works to significantly out - perform.

A Peter Halley work out - performed estimates to become the top lot at # 150k; a Banksy work sold for three times the high estimate to make # 137.5 k; and fitting with this year's fever for works by George Condo, a mostly estimated early work, Funny Landscape, from 1985 was sold for # 112,500.

Totaling $ 301,683,000 with 62/65 lots sold for a 95 % sell - through rate, Christie's managed a very successful sale despite the high estimates and selling prices coming in below them:

Lisa Ruyter's lot 28 (left) went for $ 43,750 against a $ 30k high estimate.

Jeff Koons and Cindy Sherman still found a way to surprise to the upside with lot 91 that went for $ 116,500 against a $ 60,000 high estimate and lot 97 that sold for $ 902,500, almost twice the $ 500,000 high estimate.

We saw strong bidding, with almost half of the sold lots hammered above the high estimate and new buyers in this category at record price points.

Lot 45 was the lower estimate ($ 20k) but the higher seller at $ 56,250.

The sale's top lot, a pair of huanghuali folding stools from the late 17th to the early 18th century (one of the pair shown above), sold for almost double the high estimate, realising $ 321,500.

(This is according to the high estimates set for each lot).

Here the Economist reveals who the trade believes bought the top lot, a Qianlong seal that was used to mark many of the emperor's scrolls, which sold for # 3.6 m or six times the high estimate:

Other top performing lots were the Chelsea Porcelain plaice tureens, which realised $ 300,000, and an English wicker picnic hamper from Asprey & Company that soared past its high estimate of $ 10,000 before selling for $ 212,500.

The top lot was Henry Moore's Oval Sculpture, which sold for $ 3,972,500 against a high estimate of $ 500,000.

The combined low estimate is $ 305m with high expectations for some of the lots.

Although failing to reach expectations and with nearly half of sold lots struggling to reach their low estimates, it was still a high total for a Phillips» London evening sale, led by a pleated Piero Manzoni canvas, Achrome, 1958, at # 5.6 m. On 11 February, Bonhams also achieved its highest total for a Contemporary sale at # 6.4 m led by Frank Auerbach's E.O.W. on her Blue Eiderdown V, 1963, at # 2m.

Stand out lots include a monster sale of Sam Gilliam's Rain for $ 684k against a $ 150k high estimate; and untitled de Kooning estimated at $ 200 - 300k but selling for $ 792k; Alexander Calder's small stabile, Pup, sold for $ 660k over a $ 350k high estimate; Joan Mitchell's Parasol sold for $ 3.3 m over a $ 2m high estimate; and Helen Frankenthaler's Haze which made $ 972k.

There'll be a lot of Andy Warhol's artwork at Bonhams «auction of Post-War And Contemporary Prints & Multiples in New York on Monday, May 11 (starting at 1 PM), but Wayne Thiebaud's Candy Apples from 1987 (Lot 142) will be the highest priced lot with estimated price at $ 40,000 — $ 50,0lot of Andy Warhol's artwork at Bonhams «auction of Post-War And Contemporary Prints & Multiples in New York on Monday, May 11 (starting at 1 PM), but Wayne Thiebaud's Candy Apples from 1987 (Lot 142) will be the highest priced lot with estimated price at $ 40,000 — $ 50,0Lot 142) will be the highest priced lot with estimated price at $ 40,000 — $ 50,0lot with estimated price at $ 40,000 — $ 50,000.

At Phillips they didn't hide estimated values of some lots — estimation for every lot is available, and the highest price should achieve Francis Bacon's Seated Woman from 1961 (Lot 33), that is estimated at $ 25,000,000 — $ 35,000,0lot is available, and the highest price should achieve Francis Bacon's Seated Woman from 1961 (Lot 33), that is estimated at $ 25,000,000 — $ 35,000,0Lot 33), that is estimated at $ 25,000,000 — $ 35,000,000.

The top lot of the evening was Jean - Michel Basquiat's Pork (1981), selling over its high estimate for # 5,122,500 / $ 6,838,538 / $ 6,167,490.

Despite two lots that exceeded their high estimates (Currin's «lesbians» and Alexander Calder's elegant black monochrome Deux Dates mobile) and three record highs for individual artists (Currin again, Guston, and Richard Serra), the sale bore witness to the fact that Sotheby's estimates had been set «when the world was a different place.»

Other top lots include a Nikolai Roerich Himalayan painting that made $ 761k over a $ 285k high estimate and an F. N. Souza portrait that made $ 419k over a $ 142k high estimate.

In the introduction to the catalog, Pegg notes that the works were created between 1870 (Lot 40: «Landscape,» an oil on canvas by Charles Ethan Porter, 1845 - 1943) and 2005 and that prices range from $ 300 to the highest estimate of $ 80,000 (Lot 550: Bob Thompson's «Allegorical Scene,» a circa 1959 oil on canvas).

In the three - day, thousand - lot sale of designer Alberto Pinto's stock, three lots by Claude Lalanne — with a combined high estimate of $ 500k — sold for a total of $ 2.3 m.

Anish Kapoor's Untitled (Void Cube) from 2005 (Lot 138) and Richard Prince's Untitled (Pens) from 1979 (Lot 176) are both estimated at $ 180,000 — $ 250,000, while Guyton - Walker's Untitled # 3 from 2009 (Lot 115) has the low estimate at $ 150,000 and high estimate at $ 250,000.

The highest priced lot will be Gerhard Richter's Abstraktes Bild from 1989 (Lot 202) that is estimated at $ 2,000,000 — $ 3,000,000, Jeff Koons» Moustache from 2003 (Lot 150) should be sold for $ 1,800,000 — $ 2,500,000, while Andy Warhol's Camouflage from 1987 (Lot 152) and another Richter's work, Abstraktes Bild from 1986 (Lot 200) are both estimated at $ 1,500,000 — $ 2,000,0lot will be Gerhard Richter's Abstraktes Bild from 1989 (Lot 202) that is estimated at $ 2,000,000 — $ 3,000,000, Jeff Koons» Moustache from 2003 (Lot 150) should be sold for $ 1,800,000 — $ 2,500,000, while Andy Warhol's Camouflage from 1987 (Lot 152) and another Richter's work, Abstraktes Bild from 1986 (Lot 200) are both estimated at $ 1,500,000 — $ 2,000,0Lot 202) that is estimated at $ 2,000,000 — $ 3,000,000, Jeff Koons» Moustache from 2003 (Lot 150) should be sold for $ 1,800,000 — $ 2,500,000, while Andy Warhol's Camouflage from 1987 (Lot 152) and another Richter's work, Abstraktes Bild from 1986 (Lot 200) are both estimated at $ 1,500,000 — $ 2,000,0Lot 150) should be sold for $ 1,800,000 — $ 2,500,000, while Andy Warhol's Camouflage from 1987 (Lot 152) and another Richter's work, Abstraktes Bild from 1986 (Lot 200) are both estimated at $ 1,500,000 — $ 2,000,0Lot 152) and another Richter's work, Abstraktes Bild from 1986 (Lot 200) are both estimated at $ 1,500,000 — $ 2,000,0Lot 200) are both estimated at $ 1,500,000 — $ 2,000,000.

Another interesting and rather beautiful work was Lot 173, «Piss Elegance,» a color photograph, one of an edition of four, by Andres Serrano, that sold above its high estimate fo $ 17,500.

A large painting of a woman by Jean - Baptiste Camille Corot, Lot 7, «L'italienne,» soared above its high estimate of $ 1,500,000 to sell to an American dealer for $ 2,866,000 to an American dealer.

Twenty - eight of the lots exceeded their high estimate and auction records were set for 15 artists and the jam - packed auction room burst into applause several times and at the end of the sale.

A good, colorful Robert Rauschenberg (b. 1925), Lot 270, a 15 by 20 inch solvent transfer on plastic, paper, ink and tape 1966 collage, sold for $ 25,300, far above its high estimate of $ 15,000.

A fine, typical Adolph Gottlieb (1903 - 1974), shown above, Lot 227, an acrylic on paper, sold for $ 25,875, and had a high estimate of $ 20,000.

Ms. Paulson described the auction as «fantastic,» noting that 27 of the 51 lots that sold went above the high estimate.

«Classic works from the 1960's fetched very strong prices,» Tracy Williams, senior vice president of Sotheby's Contemporary Art Department, noted, adding that six of the sale's top ten lots sold for over their high estimate.

The auction was extremely successful with almost 84 percent of the 67 offered lots selling for almost $ 47 million, extremely close to the pre-sale high estimate.

A stong acrylic on canvas by Robert Motherwell (1915 - 1991), Lot 210, sold for $ 79,500, well above its high estimate of $ 60,000, and a nice Mark Tobey (1890 - 1976) sold for $ 145,000, well above its high estimate of $ 80,000.

Lot 264, a very interesting 1948 - 9 oil and gouache on paper by Richard Diebenkorn (1922 - 1993), sold for $ 85,000, almost twice its high estimate.

While this was a difficult work, Lot 31, «Abstraktes Bilder (809 - 1; 809 - 2; 809 - 4),» three abstract and very colorful oils on canvas, each 88 1/2 by 78 3/4 inches and executed in 1994, sold for $ 3,415,750, more than twice its high estimate.

In fact, over 38 % of the lots in offer sold over high estimate, including Adrian Ghenie's Self - Portrait as Vincent Van Gogh (estimated at $ 300,000, sold for $ 2.6 million!)

This season offers the second highest, pre-sale low estimate for any Post-War & Contemporary Art Evening Auction ever to take place in Europe at # 95million (64 lots).

Lot 148, «Lust,» by Jack Pierson (b. 1960), a metal, painted metal, plastic and neon work executed in 1996 had a high estimate of $ 35,000 and sold for $ 134,500.

When it comes to the difference between high estimate and hammer price, the most successful lot — by far — was Frank Stella's Untitled, with hammer price that was more than 8 times higher than its high estimate.

World auction records were also set for Gordon Matta - Clark (1943 - 1978), Lot 21, «Bronx Floors: Threshole,» 1972, $ 222,500; Matthew Barney (b. 1967), Lot 5, «Cremaster 4,» 1994 - 5, $ 387,500, more than double its high estimate; Mariko Mori (b. 1967), Lot 6, «Red Light,» 1994, one of an edition of three, $ 101,500, well over its high estimate of $ 60,000; Christopher Wool (b. 1955), Lot 35, «Untitled (Fool),» 1990, $ 420,500, seven times its high estimate; John Currin (b. 1962), Lot 2, «Untitled,» 1990, $ 46,000; Jeff Koons (b. 1955), Lot 14, «Buster Keaton,» 1988, a large polychrome wood sculpture, one of an edition of three, $ 409,500; Andreas Gursky (b. 1955), Lot 11, «Atlanta,» 1996, a large Cibachrome print from an edition of six, $ 90,500; and Richard Serra (b. 1939), Lot 22, «Sign Board,» 1969, $ 431,500.

Lots 107 and 108 are large paintings dealing with voyeurism, sex and violence by Clemente, each with high estimates of $ 60,0000.

84 percent of the 68 offered lots were sold and more than half of the offered lots sold above their high estimates, a remarkably statistic.