Sentences with phrase «highlights archival materials»

The exhibition also highlights archival materials — drawings, photographs, films, scores, and texts — that -LSB-...]

The exhibition also highlights archival materials including event flyers by artists Keith Haring and David Wojnarowicz, as well as ephemera from clubs such as MEAT and the Clit Club that merged activism, art, performance and parties.

«Let's Talk» highlights archival material from the collected papers of Theodore Sizer and the Coalition of Essential Schools highlighting the creation of CES and its early years.

Not exact matches

Blu - ray Highlight: The Blu - ray doesn't actually feature any bonus material, but the accompanying DVD version does, although the only extra of note is a documentary from 2004 that combines archival footage with survivor interviews about the Holocaust.

The museum's architecture collections (including drawings, photography, models, and archival material) are growing rapidly, as highlighted by the gift of the large L.J. Cella Collection of drawings, photographs, and objects.

And, in 2017 Harvard mounted a second exhibition, Christopher Wilmarth: Before and After Mallarme, which highlighted many of the artist's studio files and other archival materials that the Harvard Museums have acquired over the last 16 years.

Archival materials documenting the Latino Museum's exhibition history, along with featured work by three visual artists, highlight LA's Chicano and Latino art and culture.

Both the exhibition and catalogue will highlight previously unpublished archival material — such as sketchbooks and documents — culled from the vast Frank Moore Papers, totaling 44 linear feet, housed at NYU's Fales Library.

Organized by the curatorial team of Bob Linder and Diego Villalobos, thematic exhibitions highlight changing selections of work from the Foundation's extensive 3,000 - piece collection of Ireland's art and archival materials.

Featuring: Amna Asghar, Dana Davenport, Umber Majeed, Tammy Nguyen, Ke Peng, Sahana Ramakrishnan, Sheida Soleimani Amna Asghar speaks on the construction and translation of disparate references, cultures, geographies, and generations from Pakistan and America; Dana Davenport addresses the complexity of interminority racism within her own community and institutions from her experiences as a Black Korean American; Umber Majeed's practice attempts to unpack the temporalities within South Asia as site, familial archival material, popular culture, and modern national state narratives; Tammy Nguyen interrogates natural sciences and non-human forms to explore racial intimacies and US military involvement in the Pacific Rim; Ke Peng documents the feeling of alienation and disorientation from urbanization and immigration by taking a journey into an imagined childhood in China, Hunan, where she was born and Shenzhen, a modern city where her family relocates to; Sahana Ramakrishan explores myths and religion from Buddhist and Hindu tales to speak upon the magic of childhood and the power dynamics of sexuality, race, and violence; Sheida Soleimani is an Iranian - American artist and a daughter of political refugees, making work to highlight her critical perspective on the historical and contemporary socio - political occurrences in Iran.

While the country's longstanding former President Robert Mugabe was being ousted through a military - led coup, Chiurai was exhibiting his politically - driven work, which combines art historical imagery with references from popular culture and archival material to explore the visual language and tropes that help construct myths, history, and ultimately power.Under the continued curation of Candice Allison, «Madness and Civilization» re-stages this exhibition alongside new works and research that highlights Chiurai's creative projects over the past two years.

Meanwhile, Art Expanded at the Walker Art Center in Minneapolis examines artworks, films, archival materials and ephemera from the so - called «expanded arts» scene of the 1960s and 1970s, highlighting some of the most important works of the 20th century.

Fusing archival material, readings from classical sources, and newly shot footage, the work explicitly highlights the greed, horror and cruelty of the whaling industry.

Merging archival material and new footage with classical references, the film highlights the terrific nature of the sea and its relationship with people, be they victims or perpetrators.