Sentences with phrase «highlights flatters the face»

Not exact matches

This option is great for the most ultra-low maintenance of women, as you're committing to some super flattering face - framing highlights, but not a full head.

Swipe your highlight on your cheekbones, on the bridge of your nose, and on your cupid's bow (that pucker right above your lips, under your nose) to «highlight» the highest points on your face in a really flattering way!

I sweep this over the higher points of my face and down my nose and cupids bow for a beautiful glow that highlights the face in the most flattering of places for a natural finish.

The shoulder - grazing length is universally flattering for every face shape, works on a number of hair textures, not to mention that Palermo's honey blonde highlights hit the light just right for a year - round sun - kissed effect.

To properly highlight or strobe, use a concealer that's two shades lighter than your skin tone or a highlighter that flatters your complexion to emphasize the areas of your face that naturally catch the light.

I could easily wear this one without bothering to correct or conceal, which of course means that, when wearing it, you need to do the contour highlight and blush trilogy to avoid looking like a flat painting of a face.

In addition to implementing contouring into your fruit pigmented ® makeup routine, adding highlight can also help to lift certain areas of the face that may be falling flat; attracting light to high points of the face could help draw attention to some of your best features, while making skin look less droopy or slack.

It is amazing to style the highlights in a flattering face - framing shape around your face.

«Bangs that hit right at the corners of your eyes and highlight the cheekbones» are especially flattering to oval and round faces, says Garren.

But the background has been cleaned up and the shadow tones reduced to create flat areas so that your attention is drawn to her face and the highlights in her eyes.

Certainly there are things to love; Bilbo's character progression and his untimely addiction to one precious ring is welcome (although not nearly as prominent as it ought to be), the set design and telescopic vistas are almost as epic as ever, seeing the majesty of gold - diggin» dragon Smaug realized in impressive CG tantalizes the little boy in me (the one who listened to The Hobbit audiobook until it wore out), and one particularly fun scene involving dwarves in a barrel is a blatant film highlight; but other elements that ought to stand out fall flat on their face and never recover.

2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France

Henry Hudson will be exhibiting a series of works that depict Van Gogh?s flat in Brixton, a reminder of London?s ongoing historic internationalism, whilst Nick Hornby will be exhibiting an edition of his version of Michelanelo?s David, shortlisted for the Victoria and Albert Cast Courts, further highlighting London as a city committed to history as it faces its future.

Select a black face and this «flat tyre» isn't as noticeable, but we like the lighter faces and they highlight the lack of a truly round display.