To see the universe as a whole in this way, with the same God working in the universe at large, and in the life of Jesus, and in the lives of all of us, was put in
highly symbolic language by the apostle Paul in his letter about the «Cosmic Christ» in Colossians 1.
To see the universe as a whole in this way with the same God working in the universe at large, in the life of Jesus and in our lives was put in
highly symbolic language by Paul in his letter to the Colossians about the Cosmic Christ.
Here certainly, as in the case of the other four «last things,» we are talking in
highly symbolic language.
Not exact matches
But there are two fundamentally different ways of approaching such an explication, and they are correlative with the two primary ways of understanding the
language in which the confessional statement is made: the univocal, which takes the
language as rigidly discursive, and the imagistic, which sees it as
highly analogical or
symbolic.
Especially in Buddhism does this
symbolic language appear
highly inaccessible.
They use
highly symbolic and mythological
language to describe it, but I don't see any alternative to that.
In Resonant Structures, Rademeyer considers the
language of mathematics, which, he explains «is also a
symbolic system, a
highly formalised
language.
The pictured peg leg is therefore representative of Henriette, and the powerful composition of blue and pink is
highly symbolic: in Bourgeois's visual
language, blue represents peace, meditation, and escape, while pink stands for femininity and acceptance of self.
Rather than merely resurrecting this forgotten
language of the Fin de Siècle, Fox has found his own way of inverting the coded articulation of desire, playfully and subtly expressing a
highly personal and
symbolic pictorial
language of concealment.
Fox playfully exploits and reconfigures this sentimental
language, to construct double meanings and unsustainable utopias expressing a
highly personal and
symbolic pictorial
language.
The looming piece stands alongside the rest of the Capote's
highly symbolic and allusive show, containing many years of works including a gilt bronze hammer and sickle, cast bronze hands spelling out «Freedom» in sign
language, and silver prints laid in porcelain urinals.