Sentences with phrase «historic works»

These works have been specifically selected to be shown with a small series of historic works, also painted from the artist's studio.
In addition to its continuous exhibition schedule of new work, the gallery continues to develop interest in showing historic works in relation to contemporary artists.
But I guess I really do get a thrill from seeing contemporary and historic works together and being able to make some wonderful connections there.
He was also an early proponent of the museum - quality show within a private gallery, securing sought - after loans of historic works that are often not for sale.
Back to Future: Hosts museum - quality solo exhibitions with historic works by artists from the 1960s, 70s and 80s.
Simon Lee Gallery, in collaboration with the Archivio Luciano e Carla Fabro and Micheline Szwajcer, presents a solo exhibition of historic works from the early 1960s by celebrated Italian artist Luciano Fabro (1936 - 2007), his first in London since his landmark show at the Tate Gallery in 1997.
It will be the third in a continuing series of exhibitions that invite prominent indigenous artists to present their work in dialogue with historic works held by the Pomona College Museum of Art.
The show includes historic work by Louise Nevelson, Alice Neel, Louise Bourgeios, with work by mid-career and rising stars.
A number of members will present an extensive variety of works on paper, including drawing, paintings, and watercolors, such as Salon 94's presentation of historic works on paper by Sudanese surrealist artist Ibrahim El - Salahi.
Triptych not only continues the gestural under - painting similar to the paintings made in the summer of 1973, but revisits the fiery palette of the most historic works by the artist from the 1950s like Duo I (1956) and Duo II (1956)(both in the Collection of the Whitney Museum of American Art) and further, West 23rd (1963)(Collection of the Museum of Modern Art).
A Los Angeles - based artist, Mary Corse has had an exhibition of recent and significant historic work at Lehmann Maupin this autumn.
NEW YORK — MARC STRAUS is proud to announce a solo presentation of Hermann Nitsch at THE ARMORY SHOW 2018, at Pier 92, Booth F22, featuring seminal historic works as well as recent paintings.
In 15,000 square feet of exhibition space, imaginatively designed by renowned architect David Adjaye, the exhibition will feature historic work from the Edison Manufacturing Company and the Fleischer Studios, as well as seminal works by masters of the moving image genre — Paul Chan, William Kentridge, Raymond Pettibon, Martha Colburn, Kara Walker and Federico Solmi.
The exhibition focuses on important historic works from the 1970s by artists such as Felim Egan, Robert Ballagh, Gerda Frömel, Maria Simonds - Gooding, Michael Warren, Patrick Scott, Tony O'Malley and Michael Coleman.
The exhibition will also feature a memorial presentation of Battle Station, a rarely seen work by legendary artist and theorist RAMMELLZEE, and a display of graffiti black books and other historic works from the Martin Wong Collection presented in collaboration with the Museum of the City of New York.
«We took a bit of a risk bringing historic work — video art, no less — but the response here has been tremendous.
In order to explore this theme within his oeuvre, Grasso carefully selected historic works from the Renaissance and Baroque collection of the Bass Museum of Art to create a dialogue with his own works from a wide range of media, all of which investigate a notion of history that is neither linear nor cyclical.»
Over 20 contemporary artists show new commissions alongside historic works from international public and private collections including the Art Institute of Chicago and the State Tretyakov Gallery, Moscow — these works roughly correspond to the years examined in the RA show, when all forms of visual art were harnessed for revolutionary purposes.
Beginning with historic works drawn from the RA Collection, From Life traces a line from the origins of the RA in the 18th century to the present day.
At this new space we will give our represented artists the opportunity to expand their practice to a larger scale in a very flexible space, host a number of guest curated shows, as well as continue to develop the gallery's interest in showing historic works in relation to contemporary artists.
The program at the gallery is multidisciplinary, conceptual and process oriented, and aims to foster the development of new emerging art and present and preserve older generations of artists» work while fostering a unique commitment to re-examine historic work and present major figures deserving re-introduciton.
The exhibition includes new works in addition to seminal historic works, such as Joseph Beuys's Capri Batterie (1985).
It is a unique opportunity to see historic works by Bill Viola, -LSB-...]
By juxtaposing new and recent paintings by the four artists with historic works ranging in date from the 1930s to early 1960s by artists such as Franz Kline, Irene Rice Pereira, John Graham, and Reginald Marsh, to name a few, Open Windows reveals sometimes surprising affinities, influences, and contrasts among and between the twenty - first - century works and mid-twentieth-century paintings, opening windows on new possibilities and fresh ways of seeing.
Gallery Highlights 2017, an exhibition focusing on the best and most historic works acquired by the Addison Rowe Gallery in the past year
Guest curated by Tanya Zimbardo, Assistant Curator of Media Arts at the San Francisco Museum of Modern Art, the exhibition brings together for the first time historic works by these two artists, exploring their different approaches to the description of space through structured activity performed for the camera.
Unions, no longer represent most of the working class because most historic working class no longer see collective action as in their best economic interests.
Curator Adrienne Edwards is working closely with galleries — who will pay no fees for participation — to present new and historic works centered on performance and participation in the fair's public areas.
Historic works comprise a broad range of sculptural and two - dimensional objects that include reliquary guardian figures from Gabon, healing figures from the Republic of the Congo, vessels from Cameroon; masks and personal sumptuary from central and western Africa, and religious and political staffs from across Africa.
The central space is given over to research, highlighting key historic works borrowed from the RIBA Drawings Collection, as well as a selection of critical articles and advertisements culled from archival issues of Building magazine, dating from 1975 — 2002.
More than twenty years after it was first imagined, the Pulitzer remains a place where ideas are freely explored, new art is exhibited, and historic work reexamined.
-- Artists understand that their work is one component of a large group exhibition, which includes several historic works.
«Yes, I am interested in the older women artists but I look back to historic works for research.»
The Documenta show in Germany this year included many historic works, ranging from ancient stone figures to still lives by the 20th - century Italian painter Giorgio Morandi.
The exhibition presents historic works coming from Venetian institutions such as the Gallerie dell «Accademia (Giovanni, Bellini, il Marescalco, Scuole di Tiziano) and Fondazione Giorgio Cini (miniatures from the Masters from the XII to the XV centuries) as well as contemporary works from the Pinault Collection and other public and private collections.
One of the few historic works in his collection, Fountain is based on a urinal which Duchamp found, signed «R Mutt», and exhibited as a work of art in 1917.
It features a number of rarely exhibited historic works including Phantom (1971), a dramatic polyurethane installation consisting of five monumental sculptures that glow in the dark, and the installation Primary Structures (Paula's Props), first shown in 1975.
It joins historic works by John Constable, JMW Turner and William Blake and more recent Diploma Works (given by artists when they are appointed Royal Academicians) by artists such as Tracey Emin, Cornelia Parker and David Hockney.
But to be honest, I felt like the only parts of the exhibition reserved for postcolonial critique were Gordon Bennett's cutting sketches of the oppression of Australian Aboriginals (Notepad Drawings, 1992), or Gaganendranath Tagore's depiction of colonial economic misery in British India (1917 - 30)-- both now historic works, and both framed drawings.
For the FOG Design + Art fair, Jessica Silverman Gallery will present a group booth exploring macro - and micro-architectural themes through historic works by Barbara Kasten and Suzanne Blank Redstone, and recent works by Julian Hoeber, Dashiell Manley, Hugh Scott - Douglas, Ian Wallace and Nicole Wermers.
We are thrilled that Oliver Laric, through winning the award, has been able to respond so adventurously to the holdings at The Collection and Usher Gallery, producing a commission that brings the museum's most historic works so vividly into the 21st century.»
10 In When Attitudes Become Form (Bern 1969, Venice 2013), Claire Bishop notes that, since the proliferation of contemporary art museums as «experience economy» in the late 1990s, «there has been a widespread consensus that the best means of understanding historic works of ephemeral art is through direct experience rather than photographic documentation.»
Historic works re-created especially for the Hayward Gallery include early installations by Doug Wheeler, Nancy Holt, and Brigitte Kowanz.
While historic works reference the original sculpture, highlighting interest in the Laocoon's drama, narrative, expression and status, the more recent pieces take the Laocoon's more formal characteristics, turning a figurative story into an abstract one.
a b c d e f g h i j k l m n o p q r s t u v w x y z