Sentences with phrase «historical black colleges»

One of the things that I would definitely consider is when you go to hire be very conscientious about posting your job not just in places where your friends and family and people who look like you will go and find those jobs, but consider posting at historical black colleges and universities.

Not exact matches

Game Changer explores a historical milestone: On March 12, 1944, members of the white Duke University Medical School team played a secret, illegal game against a black team from the North Carolina College of Negroes in segregated North Carolina.

Selected Group Exhibitions 2017 Ted Stamm / Gerrit Rietveld, OV Project, Brussels, Belgium 2017 Painting on the Edge: A Historical Survey, Stephen Friedman Gallery, London 2012 Times Square Show Revisited, Hunter College Art Galleries, New York, NY 2010 Black & White, Galleri Weinberger, Copenghagen, Denmark 1987 Recent Acquisitions, Guggenheim Museum, Brooklyn, NY 1987 Recent Acquisitions, Brooklyn Museum, New York, NY 1985 Art Heritage at Hofstra, Emily Lowe Gallery, Hofstra University, Hempstead, NY 1985 Constructures: New Perimetries in Abstract Painting, Nohra Haime Gallery, New York, NY 1984 Fourth Annual Anniversary Show, John Davis Gallery, Akron, OH 1984 Fifteen Abstract New York Painters, Susan Montezinos Gallery, Philadeiphia, PA 1984 Small Works, Muhlenberg College, Allentown, PA 1984 Mail Art, Franklin Furnace, New York, NY 1984 Artists Call, Judson Memorial Church, New York, NY 1984 Process Black, LIU South Hampton, New York, NY 1984 A Decade of Art, Artists Space 105 Hudson, New York, NY 1984 Offset: A Survey of Artists Books, New England Foundation for the Arts, Wakefield, RI 1983 David Reed, Sean Scully, Ted Stamm; Zenith Gallery, Pittsburgh, PA 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; 1708 East Main Street, Richmond, VA 1983 Abstraction Two Views: Davis and Stamm, The Contemporary Arts Center, Cincinnati, OH 1983 Second Anniversary Exhibition, Harm Bouckaert Gallery, New York, NY 1983 Hundreds of Drawings, Artists Space, New York, NY 1983 A More Store, Jack Tilton Gallery, New York, NY 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; Condeso / Lawler Gallery, New York, NY 1983 Artists for Nuclear Disarmament, Colburn Gallery, Burlington, VT 1982 A Look Back: A Look Forward, Aldrich Museum, Ridgefield, CT 1982 Pair Group, Art Galaxy, New York, NY; travelled to Jersey City Art Museum, Jersey City, NJ 1982 Destroyed Prints, Pratt Manhattan Center, New York, NY 1982 Annual Holiday Invitational, A.I.A. Gallery, New York, NY 1982 Group Exhibition, Roy Boyd Gallery Chicago, Merwin Gallery, Illinois Wesleyan University, Bloomington, IL 1982 Pair Group II, Jersey City Museum, Jersey City, NJ 1982 Black and White, Freeport Mc Mo Ran, New York, NY 1982 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post, Greenvale, NY 1981 Drawings, Roy Boyd Gallery, Chicago, IL 1981 Abstract Painting: New York, Hofstra University, Hempstead, NY 1981 Arabia Felix, Art Galaxy, New York, NY 1981 Words and Images: Contemporary Artist's Books, Southern Alleghenies Museum of Art, Loreto, PA 1981 Love: Hate: Fear and Suicide, University of Brussels, Brussels, Belgium 1981 New Directions, Commodities Corp..

Berkeley Art Museum, University of California, Berkeley, CA Birmingham Museum of Art, Birmingham, AL Bowdoin College Museum of Art, Bowdoin College, Brunswick, ME Cameron Art Museum, Wilmington, NC Colby College Museum of Art, Colby College, Waterville, ME Hampton University Museum, Hampton University, Hampton, VA Harvard Art Museums, Harvard University, Cambridge, MA La Salle University Art Museum, La Salle University, Philadelphia, PA Library of Congress, Washington, DC The Metropolitan Museum of Art, New York, NY Museum of Modern Art, New York, NY Nasher Museum of Art, Duke University, Durham, NC National Collections of France, Ministry of Culture, Paris, France National Museum of African American History & Culture, Smithsonian Institution, Washington, DC Newark Museum, Newark, NJ New Orleans Museum of Art, New Orleans, LA New - York Historical Society Museum & Library, New York, NY The Galleries at Pasadena City College, Pasadena City College, Pasadena, CA Pennsylvania Academy of the Fine Arts, Philadelphia, PA Philadelphia Art Alliance, Philadelphia, PA Philadelphia Board of Education, Philadelphia, PA Philadelphia Museum of Art, Philadelphia, PA Schomburg Center for Research in Black Culture, New York Public Library, New York, NY Ruth Chandler Williamson Gallery, Scripps College, Claremont Colleges, Claremont, CA St. John's University, Queens, NY Smithsonian American Art Museum, Washington, DC Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University, Atlanta, GA The State Museum of Pennsylvania, Harrisburg, PA The Studio Museum in Harlem, New York, NY United States General Services Administration, Washington, DC

Mildred's Lane is founded in the spirit of other contemporary and historical outpost projects such as Olafur Eliason's Laboratory, Andrea Zittell's High Desert Test Sites, Rirkrit Tiravanija's The Land, Black Mountain College, and Donald Judd's Marfa, TX.

African - American Museum, Philadelphia, PA Akron Art Museum, Akron, OH The Anacostia Museum, Smithsonian Institution, Washington, DC The Art Gallery, University of Maryland, College Park, MD Art Institute of Chicago, Chicago, IL Baltimore Museum of Art, Baltimore, MD Bowdoin College Museum of Art, Bowdoin College, Brunswick, ME Brooklyn Museum, Brooklyn, NY California African American Museum, Los Angeles, CA Carl Van Vechten Gallery of Fine Arts, Fisk University, Nashville, TN Colby College Museum of Art, Colby College, Waterville, ME Columbus Museum, Columbus, GA Corcoran Gallery of Art, Washington, DC Crocker Art Museum, Sacramento, CA Crystal Bridges Museum of American Art, Bentonville, AR David C. Driskell Center, University of Maryland, College Park, MD Detroit Institute of Arts, Detroit, MI Dimock Gallery, George Washington University, Washington, DC Fort Wayne Museum of Fine Arts, Fort Wayne, IN H.C. Taylor Art Gallery, North Carolina Agricultural and Technical State University, Greensboro, NC Heckscher Museum of Art, Huntington, NY Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC Howard University Gallery of Art, Howard University, Washington, DC LaSalle University Art Museum, LaSalle University, Philadelphia, PA The Metropolitan Museum of Art, New York, NY The Museum of African American Art, Tampa, FL National Air and Space Museum, Smithsonian Institution, Washington, DC National Gallery of Art, Washington, DC National Museum of Women in the Arts, Washington, DC New Jersey State Museum, Trenton, NJ New Orleans Museum of Art, New Orleans, LA Newark Museum, Newark, NJ Philadelphia Museum of Art, Philadelphia, PA The Phillips Collection, Washington, DC Schomburg Center for Research in Black Culture, New York, NY Smithsonian American Art Museum, Washington, DC Tampa Museum of Art, Tampa, FL Tougaloo College Art Collection, Tougaloo College, Tougaloo, MS University of Iowa Museum of Art, University of Iowa, Iowa City, IO Wadsworth Atheneum Museum of Art, Hartford, CT The Watkins Collection, American University, Washington, DC The White House Historical Association, Washington, DC Whitney Museum of American Art, New York, NY

As a continuous and performative work - in - progress, we negotiate both Black Mountain College's historical importance and its potential as a model for contemporary creative, educational and community practice.

As continuous work - in - progress, we are developing a multi-faceted kaleidoscope of contributions negotiating both Black Mountain College's historical and its current dimensions.

1985 Drawings 1975 — 1985, Barbara Toll Fine Arts, New York, USA Great American Prints, Dolan Maxwell Gallery, Philadelphia, USA Fabrications, Gallery 400, College of Architecture, Art and Urban Planning, University of Illinois at Chicago, USA A New Beginning: 1968 — 1978, Hudson River Museum, Yonkers, USA With an Eye to Nature, Jeffrey Hoffeld & Co, New York, USA New York Now: Correspondences, Laforet Museum, Tokyo, Japan, traveled to Tochigi Prefectural Museum of Fine Arts, Japan; Tasaki Hall, Espace Media, Kobe, Japan Eighth Anniversary Exhibition1977 — 1985, McIntosh / Drysdale Gallery, Washington, USA New Work on Paper 3, Museum of Modern Art, New York, USA Ten Gallery Artists, Nina Freudenheim Gallery, Buffalo, New York, USA Appropriations: Black and White, Vanguard Gallery, Philadelphia, USA Nine Printmakers and the Working Process, Whitney Museum of American Art, New York (Exhibition traveled to Munich, Germany, Process und Konstruktion) From Organism to Architecture, New York Studio School, USA Jonathan Borofsky, Douglas Huebler, William Leavitt, Pat Steir, William Wegman Drawings, Richard Kuhlenschmidt Gallery, Los Angeles, USA New Expressive Landscape, Sordoni Art Gallery, Wilkes College, Wilkes — Barre, USA Doppelganger, organized by Paul Groot, Aorta, Amsterdam, Netherlands Promenades, Centre d'art Contemporain, Geneva, Switzerland New Art Modernism, San Francisco, USA Contemporary American Prints: Louis Comfort Tiffany Foundation Purchases, Brooklyn Museum, Brooklyn, New York, USA Harry de Jur Playhouse, Henry Street Settlement, New York, The Second Hurricane (Music by Aaron Copeland, Libretto by Edwin Denby, Back drop contributed by Pat Steir) Large Drawings, Bass Museum of Art, City of Miami Beach, USA, traveled to Madison Art Center, Madison, WI; Winnipeg Art Gallery, Winnipeg, Manitoba, Canada; Norman MacKenzie Art Gallery, University of Regina, Regina, Saskatchewan, Canada; Anchorage Historical and Fine Arts Museum, Anchorage, Arkansas; Santa Barbara Museum of Art, Santa Barbara, USA (Exhibition organized and circulated by Independent Curators Incorporated, New York) The Success of Failure, Diane Brown Gallery, New York, USA

What is notable about this current artistic and curatorial interest is the way it expresses nostalgia for a specific art - historical moment, one marked by collaboration — a schemata in which Judson Dance Theater is a holy grail equivalent to Black Mountain College.

2017 Sputterances, Metro Pictures, New York, NY Content into Form: Historical and Contemporary Perspectives on Jacob Lawrence and Black Mountain College, Black Mountain College Museum + Arts Center, Asheville, NC Why Draw?