Sentences with phrase «historical context of the exhibition»

Columbia School of the Arts MFA candidates and recent alumni present new video, sound, and performance - based artworks in response to the objects, artists, and historical context of the exhibition Other Primary Structures.

Not exact matches

Bringing together newly commissioned essays from leading activists, curators, and humanitarians, extensive photographic documentation, and an array of archival materials, the catalogues will serve as the comprehensive record for this groundbreaking exhibition and provide readers with an expanded historical and political context for the project.

In the context of its exhibition series «Minimalism in Germany», which started in 2005, the Daimler Art Collection is making a first attempt to re-stage the historical presentation.

Curated by Andrea Lissoni in the «Shed» space, the exhibition offers a selection of Condorelli's most significant works, which reveal her ability to work with the relationships between art and architecture, space and socio - historical contexts.

The exhibition incorporated a diverse range of media including photography, film, video, fashion, and other forms of popular culture and prompts rich discussions about the contested ways that African and African American beauty have been represented in historical and contemporary contexts.

This winter P.S. 1 presents an exhibition of outstanding Minimalist and Post-Minimalist works on paper, providing historical and artistic context to the Ronald Bladen: Selected Works exhibition which also opens February 7.

In the future we look forward to placing their art in historical context through exhibitions, spotlight publications, and special showcases at key art fairs, and to educating curators, collectors, and the public about the place these artists have in the larger scheme of artistic production.»

With more than 50 of his works on display, the exhibition has been cleverly and informatively curated so as to place Marini's work within the wider art - historical context, ranging from early Etruscan sculpture, through 15th - century Florentine works, to Auguste Rodin and even Henry Moore.

Thankfully, assistant curator Alison Hearst wrote a detailed exhibition pamphlet, a handy guide that explains Torres intentions and outlines the context of his place within the current art historical narrative.

At Turner Contemporary, it will be displayed within the context of a trans - historical exhibition that includes figures such as Thomas Gainsborough, Joseph Wright and Angelica Kauffman, as well as major 20th - century and contemporary artists including Andy Warhol, Lucian Freud, Louise Bourgeois, Damien Hirst, Sarah Lucas, Ian Breakwell, Felix Gonzales - Torres and many others (over 100 works in total).

The exhibition will offer a new perspective on these two artists, who, though strikingly different in their approach, each examine questions related to the context in which their works are shown, while addressing the art - historical debate on the politics of form.

This exhibition will take a socio - historical approach, examining Peláez's work in the context of the changing material culture and urban landscape of Havana during the first half of the 20th century.

In other words, the exhibition does not aim to track a historical development, but to identify precedents for the particular mix of instruction - based art making amongst close acquaintances or intimates that characterizes the more recent art in the show, and the spaces and contexts within which these works are set.

Upcoming at Virginia Museum of Fine Arts Posing Beauty in African American Culture April 27 — July 26 This exhibition examines the contested ways in which African and African American beauty has been represented in historical and contemporary contexts through a diverse range of media, including photography, film, video, fashion, advertising, and other forms of popular culture such as music and the Internet.

This exhibition examines the contested ways in which African and African American beauty has been represented in historical and contemporary contexts through a diverse range of media, including photography, film, video, fashion, advertising, and other forms of popular culture such as music and the Internet.

The exhibition explored in depth the relationship of radical politics to art, by providing visitors with factual context in the form of historical objects that brought home the social and historical realities the movement faced, interspersed with historic artwork that supported and reflected its circumstances and ideals, as well as contemporary pieces.

The immersive exhibition Carved, Cast, Crumpled investigates the essential qualities of three - dimensional art across historical and cultural contexts, questioning what it means to be in the presence of an object.

In the exhibition, landscape was viewed both in historical and cultural contexts and as a realm of existence often beyond the reach of cultural institutions.

Thematic essays come together with a select number of object entries to place individual works of art within a larger historical context, and the whole is lavishly illustrated with one hundred images from the exhibition itself.

This immersive exhibition investigates the essential qualities of three - dimensional art across historical and cultural contexts, questioning what it means to be in the presence of an object.

«Using juxtaposition, redirection, irony and his own idiosyncratic brand of humor, he confronted viewers with powerful symbolic uses of historical artifacts that put them in entirely new contexts,» the historical society's librarians wrote in a 2013 article about the exhibition.

The inclusion of these works subtly and powerfully confronts the legitimacy of the European perspective by challenging the historical references and context even within the exhibition, thus allowing the show to subvert itself.

This exhibition will provide a critical examination of this series in relationship with the broader art historical context of global conceptualism and minimalism dominant in the late 1960s and 1970s.

That said, «Speaking Back» is not an exhibition tailored to address Cape Town's distinct historical context: a city whose social, cultural, and civic past is mired in hierarchical classifications of race, but also made vibrant by an organic and effortlessly tolerant multiculturalism that flowered in certain locations, despite prohibitions, and may do so again.

Nahmad Projects» newest exhibition explores the cultural complexities of sexuality, highlighting three artists» historical and theoretical contexts.

Scholars and artists, including Rebecca Quaytman, Richard Shiff, and exhibition curator Dana Miller, will consider the broader art historical context of DeFeo's work and her lasting influence on contemporary artists.

For his SCAD Museum of Art exhibition, Wilson will use works from the Walter O. Evans Collection and additional source material from several historical institutions in the city of Savannah to encourage viewers and venues to recognize that changes in context can create significant changes in meaning.

Unsettled is intended to place into a historical context the recent controversy surrounding the removal of a film by David Wojnarowicz (1954 - 1992) from the exhibition Hide / Seek: Difference and Desire in American Portraiture at the National Portrait Gallery in Washington, D.C. Spurred by activists, members of Congress objected to the film's imagery, and museum officials reacted by removing it from view.

By revisiting this piece within the context of an exhibition honoring Bashford Dean, Blachly and Shaw suggest that their own creation has become a chapter in the historical account of this man's life.

These exhibitions emphasize historical, cultural, social and artistic contributions, providing a broader context for the lives of African American Marylanders explored in the permanent exhibition.

This exhibition is the second phase of the project, in which the DMA's Curatorial Department supplemented existing information with new research that places the mural series within the historical context surrounding its creation.

This two - part lecture program taught by teaching fellow Elizabeth Buhe will provide art historical context for the exhibitions Carmen Herrera: Lines of Sight and Dreamlands: Immersive Cinema and Art, 1905 — 2016.

This exhibition offers a correspondingly eclectic mix of materials, ranging from documents of purely historical interest to major artworks that transcend their context absolutely.

With over 190 works dating from the Renaissance to the present — nearly forty percent of which are drawn from the Museum's collection, supplemented with major national and international loans — the exhibition demonstrates the type of groundbreaking show that can result when the Museum mines its vast collection and curatorial resources to present modern and contemporary art within a deep historical context.

Edited by Susan Cooksey, Robin Poynor and Hein Vanhee, the essays discuss a variety of questions that the exhibition raises about the wider historical and cultural context.

To offer a context of these questions, Lauren van Haaften - Schick (PhD Candidate in the History of Art at Cornell University) will discuss artists» contracts in historical perspective, with a focus on exhibition and resale rights.

Scholars and artists including Richard Shiff, Bill Berkson, Ron Nagle, and exhibition curator Dana Miller will consider the broader art historical context of DeFeo's work and her lasting influence on contemporary artists.

The first major exhibition of Walters» work since the 1950s, this show situates him in the historical context of Woodstock ceramic arts, spanning the Byrdcliffe colony in the early 20th century and the work of Woodstock modernist artists in the 1920s and»30s.

One of the first regarding a museum exhibition, a Wikipedia entry on Rembrandt in Southern California has been created to document this unique undertaking, to provide historical context about collecting in Southern California, and to encourage public participation in this project.

«Ultimately, the goal is to expand the understanding of the arts of Africa through landmark acquisitions and innovative exhibition strategies that link together historical, modern and contemporary African arts, and placing them in local, transnational, and global contexts.

By making artwork and exhibitions concrete and personal for each viewer, the Museum provides a context to address contemporary and historical issues presented by artists of African descent.

A key ambition of the exhibition is to show artists in the specific contexts from which their pieces emerged, as well as speak to a historical and artistic evolution that both question and advance the conversation about the black effect.

In this exhibition, you will encounter highly experimental artistic practices set within the ceremonial and historical context of the Lieutenant Governor's Suite.

The exhibition integrates an interactive archive which sets the theme of art and dance into a wider historical context.

Li Xu sees the exhibition as reflecting the many complex concerns of contemporary Chinese society, from the «unique historical context and cultural experience» to which the country is heir, to the desire to forge a contemporary culture that is entirely its own.

Engaging the architecture and layered dynamics of the historic English and American Camps located in San Juan Island National Historical Park as its primary venue, the exhibition extends its inquiry and presentation into the urban context of Seattle, including a central group exhibition at Georgetown's studio e gallery, and a solo presentation hosted by Specialist, located in Pioneer Square.

The historical exhibitions have revived careers, helping women artists take their place within the context of larger movements.

Millennium Court Arts Centre is proud to present «Shane Cullen, Durer and the Gallowglass, Antwerp, 1521» a new body of work by International Irish artist Shane Cullen, a touring exhibition that explores the importance of public art in both an historical and contemporary context.

Ribas will discuss the project's inception, its historical and conceptual context, the interdisciplinary aspect of many of the contributions, and discuss some of the works in the exhibition.

Curated by esteemed curator Djon Mundine, this exhibition will bring together historical and spiritual objects from the collection of Robert Bleakley, and place them in context against contemporary screen based works alluding to ideas of transformation.