Sentences with phrase «historical exhibition a year»

The gallery organizes six exhibitions including one historical exhibition a year.

Not exact matches

Many of the historical details, such as the first person Barnum ever put on exhibition — a nearly blind and paralyzed slave woman named Joice Heth he claimed was over 100 years old and owned by George Washington himself — are completely removed from the story.

Our Santa Barbara location offers approximately twenty exhibitions each year, including solo shows for contemporary artists and curated historical exhibitions.

She is director of exhibitions at the California Historical Society, where she has worked since 2012, overseeing the production of several exhibitions each year and serving on the senior management team.

As cofounder of the Center for Historical Reenactments (CHR), an independent project based in Johannesburg, Ngcobo curated «PASS - AGES: references & footnotes» at the old Pass Office in Johannesburg and contributed to the ongoing project «Xenoglossia, a research project,» culminating this year in an exhibition in Johannesburg.

Divided into roughly three historical periods, Outliers is the first exhibition to establish how the mainstream art world has looked to self - taught artists for inspiration and innovation for more than 100 years.

A treasury of sculptures, textiles and gold is travelling from Germany to the midwest for this hefty historical exhibition, which takes place 500 years after the religious reformer nailed his 95 theses to a church door in Wittenberg.

The exhibition, the artist's first solo show of paintings in New York in six years, continues to reveal Taaffe as a philosopher of painting, offering compelling meditations on art and culture, both contemporary and historical, and visual ruminations on the interrelated families of forms and images in art, architecture, and archaeology.

This year our partners will present over 36 exhibitions across 25 venues, combining ambitious presentations of Scottish & international contemporary art with landmark art historical survey shows & newly commissioned work.

Over the years this space has hosted important exhibitions - both of recent works and also historical surveys - featuring works by artists such as Alighiero e Boetti, Louise Bourgeois, Francesco Clemente, Helmut Federle, Suzan Frecon, Alberto and Augusto Giacometti, Amar Kanwar, Alex Katz, Kimsooja, Yayoi Kusama, Richard Long, Kazimir Malevich, Agnes Martin, Piet Mondrian, Antoine Pevsner, David Rabinowitch, Ad Reinhardt, Robert Ryman, Albert Steiner, Philip Taaffe, and Ian Wilson.

Spanning over 40 years and featuring an international group of more than 130 artists, the exhibition spans the frameworks of natural science, historical and mythological confrontations, ritualistic practices, and self - exploration.

With over thirty years of experience in the arts, Baker has worked on more than 300 exhibitions with over 800 artists including both emerging artists and world - renowned figures such as Richard Serra, Cy Twombly, Mark di Suvero, Chris Burden and Damien Hirst and historical exhibitions of work by Henry Moore, Alexander Calder, Joan Miró, and Andy Warhol.

The elaborate three years project could be seen as well as some sort of reenactment of the historical exhibition since it represents the reunification of the works from 1944.

A hundred years later to the day, +100 The London Group Today opens in the capital, a unique exhibition that connects Britain's leading contemporary artists to their historical counterparts.

Within the scope of its 10th year anniversary celebrations, the exhibition brings together artists from neighboring geographies that have historical, political, and cultural ties with Turkey including the Balkans, the Caucasus, and the Middle East, etc..

Known for over 25 years as a legendary director of exhibitions at Massachusetts College of Art and Design in Boston, Jeffrey Keough's innovative curatorial vision has connected local artists in the New England region with international artists such as Xu Bing, William Wegman, Kiki Smith, Tony Oursler, and many others, while tackling diverse historical, social, and political themes ranging from the Holocaust, to AIDS, to the bombing of Hiroshima.

His April - May 2009 exhibition at Postmasters Gallery presented five projects based on the same concept (one of them a video), and made over the last several years, with the selection of sites alluding to Thomas Cole's series of allegorical landscape paintings (at the New - York Historical Society), «The Course of Empire.»

Although the Chinati Foundation concentrates primarily on its permanent collection, one or two temporary exhibitions are organized each year to supplement and expand the historical context for the permanent collection.

Motley died in 1981, and ten years later, his work was celebrated in the traveling exhibition The Art of Archibald J. Motley, Jr. organized by the Chicago Historical Society and accompanied by a catalogue.

But more to the point, in the last year and a half my students at the Kunstakademie Düsseldorf and I have begun a study of exhibition types, an attempt as a group to create a typological study of exhibition forms — the monographic or survey show of an individual artist, thematic or historical group exhibition, international biennial, etc..

This year's Kabinett sector includes thematic group exhibitions, art - historical showcases and solo presentations by both established and emerging artists; more than half of the participants will feature work by female artists.

Schwartz was putting together a proposal for an exhibition on the history of the neighborhood between the 1977 Blackout and 2007 for the Brooklyn Historical Society, but was coming up short when he went looking for photographs from many of those intervening years.

«The attention to detail, historical accuracy and physical nature of Mike Nelson's sculptural practice guarantee that his new installation for the British Pavilion will be one of the most challenging solo presentations ever mounted in over 70 years of exhibitions organised by the British Council in Venice.»

Now, the Whitney Museum of American Art is redressing this art - historical injustice with «Robert Indiana: Beyond LOVE,» an exhibition showcasing a half century of the 84 - year - old artist's work.

Zwirner's exhibition schedule is about two years ahead, and within time some of the ideas I have for historical or one - person shows should have the opportunity to get implemented.

Over the past 30 years, the gallery has presented historically significant exhibitions in Los Angeles alongside exciting contemporary artists, creating meaningful contexts to establish links to a greater art historical continuum.

Curated by Abdellah Karroum, the exhibition will feature Neshat's existing and newly produced works, including the major photographic series, The Book of Kings (2012) as well as a selection of video installations commenting on the historical, cultural and political realities that she has focused on for over 30 years.

In our iconic building we host a year - round changing programme of historical, modern and contemporary exhibitions presenting sculpture from across the world.

Alongside the exhibition of the finalists, this year's edition will also present two sections by invitation; the «foreign presences» will bring together the works of Greg Colson, Kim Dorland, Franklin Evans, Jason Tues - tin, Eric Mistretta and Katy Moran, while «Appearances Italian» will break off in a solo show of Gabriele Arruzzo and a memorial hall dedicated to Anselmo Bucci, a leading exponent of the historical group twentieth century.

The joint exhibition spanning Mr. Johns's 60 - year career of paintings, sculpture, drawings and prints will also be influenced by Philadelphia's strength in historical and encyclopedic work and the Whitney's in modern and contemporary American art.

«After decades of spotty acquisitions, undernourished scholarship and token exhibitions, American museums are rewriting the history of 20th - century art to include black artists in a more visible and meaningful way than ever before, playing historical catch - up at full tilt, followed by collectors who are rushing to find the most significant works before they are out of reach,» the New York Times reported last year.

The exhibition continues the programme Barney has developed over the last seven years in which narrative sculpture is generated through a complex system of storytelling that intertwines personal, historical, and modern mythologies.

In its 16 years, it has celebrated and supported Atlanta and Georgia artists with exhibitions, programs, permanent art collection and historical archives.

Brown had found his vocation, and for the next 15 years the Joseph Brown Gallery held numerous survey exhibitions of historical, modern and contemporary art, as well as solo exhibitions by Australia's most prominent artists.

For 15 years he organised mostly historical exhibitions of early 20th century British art including Abstract Art in England 1913 - 1915 (1969) which critically reassessed the importance of the Vorticist movement in the UK.

Two Temple Place, until 2 April 2014 Every year between January and April, Two Temple Place — a mansion on London's Embankment — opens its Neo-Gothic interiors to the public with a temporary exhibition, allowing visitors an architectural as well as art - historical treat.

A recent, year - long exhibition at MOCA, the Museum of Chinese in America, Sour, Sweet, Bitter, Spicy: Stories of Chinese Food and Identity in America was a historical investigation led through the subject of food.

In recent years, a number of historical exhibitions have been revisited and restaged.

Four exhibitions in a year is rare exposure for an artist in New York City, yet Yevgeniy Fiks (b. 1972 Moscow) has accomplished just that: The Lenin Museum, a solo exhibition exposing the duplicity of expediency and erasure in the instrumentalization of gay culture in Soviet Russia, currently on view at the James Gallery at the CUNY Graduate Center, and three collaborative projects, which confront issues of representation within historical practices of commemoration and identity formation within the public sphere.

While the exhibition was a radical undertaking at the time, fifty years later — amidst continuing demographic changes in our society — the exhibition and its art historical focus are ripe for re-examination.

Next year, the ICA will also stage the first British solo exhibition by Israeli artist Dor Guez, new pictures by fashion and contemporary photographer Viviane Sassen and a project by Chinese artist Zhang Ding, which will transform the ICA theatre into an installation, recreating rock concerts that had historical significance.

SNO opened its first project space in 2004 and for the past four years has presented exhibitions of established and emerging artists side - by - side, allowing for a broader perspective on non-objective art in both contemporary and art historical terms.

Scenes from the South, 1936 - 2012, an exhibition of thirty photographs interweaving historical and contemporary images made in the American South over more than 75 years, will be on view at Howard Greenberg Gallery from May 9 through June 1, 2013.

Now, more than thirty years later — and with such emendations still pending — comes another exhibition featuring Krasner's work, among others, that aims to knock the painfully constricted socks off the fat feet of the art historical canon — and succeeds with flying colors.

Indeed, while we tend to think of conceptual art as belonging very much to now, this challenging exhibition views it as a tightly defined historical phenomenon, whose heyday was 40 years and more ago, a period during which, the show claims, British artists changed the very nature of art.

Celebrating the role of drawing in Western art and underscoring its importance in the Smart Museum's collection during the last 20 years, the 20 still lifes, landscapes, allegories, historical scenes, and life drawings in this exhibition range from a sketch by French impressionist Camille Pissarro to a drawing by 16th - century Dutch painter Abraham Bloemaert.

In a 2013 exhibition at Auburn University I exhibited a new body of paintings that are the result of many years of research into historical techniques.

«My colleagues (past and present) and I continually think about the relationship between the contemporary and historical parts of the museum's collection and exhibitions, and how they relate to the city of Baltimore,» said Kristen Hileman, the BMA's Senior Contemporary Curator since 2009, who curated Crosby's solo exhibition — a show planned years in advance of the museum's recent series of shows by women and people of color.

In an experimental exhibition titled Across the Sky Came a Screaming, Joseph G. Cruz will present a selection of ongoing and new photographs, sculptures, works on paper, texts, video and Historical artifacts from a years - long project, The Death of God Left the Angels in a Strange Place.

The Institute's iconic building hosts a year - round changing programme of historical, modern and contemporary exhibitions presenting sculpture from across the world.