Not exact matches
The museum is made up of a
historical exhibition centre which tells the story of 9/11 through
archives, media displays, monumental artefacts, genuine artefacts and narratives, plus a memorial
exhibition in which the lives of every victim of the 1993 and 2001 attacks are commemorated.
Situating itself within current art
historical and political debates, the
exhibition considers work by self - taught, spiritually inspired and incarcerated artists, alongside other projects based in performance, socially engaged practice and the
archive, as well as painting, drawing, sculpture and assemblage, that make insistent reference to place.
As well, the
exhibition is a tribute to the rich
archives and ethnicity of Sugar Hill, and creative proof of the omnipresent
historical force in each of our lives.
The
exhibition includes performance
archives, photographs, and videos documenting Russian performance in both the
historical avant - garde of the 1920s and contemporary periods.
One of the most accomplished curators anywhere, Hans Ulrich Obrist has devoted his life to the pursuit of a categorical understanding of the artistic tendencies of his time, both in his role as what he calls an «
exhibition - maker» and as a kind of human
archive of art -
historical knowledge.
We see the responsibility of the gallery as threefold: to work for the long - term development of each artist's career, acting as a liaison to international galleries and museums as well as placing works in collections; to create an
historical archive for each artist; and to act as an accessible public space in which the
exhibitions become an exemplary gesture of the power of subjectivity to the audience at large.
For Mining the Museum, his 1992 - 1993
exhibition at the Maryland
Historical Society in partnership with the Contemporary Museum Baltimore, Wilson was given unfettered access to the historical society's archives and stored objects, which he then arranged in installations throughout the
Historical Society in partnership with the Contemporary Museum Baltimore, Wilson was given unfettered access to the
historical society's archives and stored objects, which he then arranged in installations throughout the
historical society's
archives and stored objects, which he then arranged in installations throughout the building.
In its 16 years, it has celebrated and supported Atlanta and Georgia artists with
exhibitions, programs, permanent art collection and
historical archives.
Erlea Maneros Zabala conceived an
exhibition that is based on the
historical archive of Mathias Goeritz, the founder of El Eco.
Under the auspices of the Cultural Institute, Google is producing high resolution images of the Dead Sea Scrolls, digitizing the
archives of famous figures such as Nelson Mandela, and bringing online the
historical archives of many institutions through online
exhibitions.
Opened in 2009, the center — which spans five floors of Palazzo Boccella, a 16th century palace located in the
historical heart of Lucca, not far from Piazza dell» Anfiteatro — features an entrance lobby, eight special
exhibition rooms, encompassing a total floor area of 217 square meters / 2,335 square feet; a restaurant; a gift and book shop; staff offices; meeting rooms; and an
archive.
This
exhibition, in conjunction with the Wen Pulin
Archive of Chinese Avant - Garde Art, is Red Brick's first large - scale
exhibition focused on art
historical archives and documents.
The
exhibition integrates an interactive
archive which sets the theme of art and dance into a wider
historical context.
They see the responsibility of the gallery as three fold; to work for the long term development of each artists career, acting as a liaison to international galleries and museums as well as placing works in collections; to create an
historical archive for each artist; and to act as an accessible public space in which the
exhibitions become an exemplary gesture of the power of subjectivity to the audience at large.
Archives and objects associated with the site of an
exhibition often serve as a bridge between art -
historical investigations and current reflections, a process that seems to generate its own version of history and how a painting is situated in the present.
An art - history aficionado can easily lose hours browsing the institution's more than 3,500 - odd
exhibitions (this author already has), and the
archive is positively teeming with tasty
historical morsels of the sort usually only available in graduate courses.
14 Reesa Greenberg also expressed her appreciation for
exhibitions, such as Telling Histories: An
archive and three case studies in the Munich Kunstverein in 2003, which tried to breathe new life into the
historical debate regarding controversial
exhibitions with the explicit aim of revealing their relevance for contemporary, politically committed artists and institutions.
The
exhibition features works that respond to the
historical comic novel and media
archive The Imaginary 20th Century, by Klein and Bistis.
The «Beyond GRAMMATRON: 20 Years into the Future» symposium and
exhibition features presentations and panels focused on the convergence of net art and electronic literature as well as the curation and
archiving of
historical works of digital art.
Exhibition curators are Mike Kelly, Head of the
Archives & Special Collections at Amherst College, and Carolyn Vega, Assistant Curator in the Morgan's Department of Literary &
Historical Manuscripts.
JÉRÉMIE GINDRE Traucum Group
Exhibition Nièvre's
Historical Archives Center 12th September — 17th October, 2014 www.parcsaintleger.fr
Blending photographs from her
archives with a series of studies commissioned last year by the Louvre, the
exhibition evinces her complicity in the act of voyeurism and her acknowledgment of its persistence throughout the Western art -
historical canon.
La Biennale di Venezia is invited at the International Symposium to present the most significant aspects regarding the
Historical Archive of Contemporary Arts (ASAC), which expands and evaluates - also thanks to the several
exhibitions organized over the years - the conservational and documentary assets of La Biennale di Venezia, gathered from 1895 to the present.
A rich digital
archive of enhanced collection information and materials including biographies of each of the six featured collectors,
historical photographs, and videos will be available online during the
exhibition at guggenheim.org/visionaries.
This super-group, marvel showcase
exhibition will include: Jeanine Michna - Bales from her
historical project, Through Darkness to Light: Photographs Along the Underground Railroad, the deeply compelling images from Jeffrey Silverthorne's notable 1970's series, Morgue, and an exciting selection of recently acquired photographs from the
archives of iconic motor - sport's photographer, Jesse Alexander; additional artists included in this show are: John Albok, Lucienne Bloch, Peter Brown, Keith Carter, Esteban Pastorino Diaz, Vadium Gushchin, Earlie Hudnall, Jr., Yousuf Karsh, Ida Lansky, Cheryl Medow, Nickolas Muray, Bill Owens and Nic Nicosia.
The
exhibition will feature Emily Prince's drawn
archive of every fallen American serviceman and woman in Iraq; D - L Alvarez, Andrea Bowers, Sam Durant, and Frank Selby's renderings of iconic photos of political uprisings and counter-cultural movements; Fernando Bryce's redrawn
historical archives; and Ewan Gibbs and Richard Forster's drawings after snapshots of the changing industrial landscape.