Sentences with phrase «historical fact and fiction»

In this Developer Diary we learn about the research done by the development team in order to weave historical fact and fiction together and tell a story of crossed destinies and a broken love torn apart by the chaos and horror of the war.

Philippa Gregory said she opposes historical fact and fiction being treated as «one and the same»

Not exact matches

Reinforcing the fact that this book is historical fiction and not a precise biography, my friend Dalia Mogahed (executive director of the Center for Muslim Studies at Gallup and member of President Barack Obama's Advisory Council on Faith - Based and Neighborhood Partnerships) rightfully noted in her review that this «is not a book recounting Muhammad's life, but a beautiful story inspired by it... There was editorial license and creativity, and while many of the words and events have been recorded in authentic sources, many have not...»

None of this will prove that Jesus is the Christ, but most scholars (both Christian and non-Christian) will tell you that what you have posted is fiction not based at all on the historical facts we know.

I understand them very well, I just don't believe them to be completely factual and to be a work of historical fiction interlaced with magic, miracles and mumbo jumbo that the people of that time would have taken as fact but were merely unexplained phenomenon.

Political fiction often involves a judicious mix of known facts and historical characters with those of the novelist's imagination.

A few more fun facts about me — I'm a former Chicago TV News anchor and reporter; My husband and I will be married 12 years this July; I have an adorable 11 - year - old Pug named Bella; I am the second of five siblings; my favorite fitness regime includes running, biking and weight training; and I love historical fiction!

This was a story about film pioneers and preservation, historical fiction utilizing remarkable facts about the life and careers of Georges Méliès to tell a moving, universal tale of a 1930s orphan living in Paris» main train station.

This story uses fiction and historical facts.

Filled with historical facts, realistic characters, and an eye for social and cultural details, this book is a must read for those who enjoy historical fiction and spy novels (Shirin M).

It seemed to me, too, that an introduction was needed to help put the poems into historical perspective for young readers, and that it would be good to have back matter that would help readers sort the fact from the fiction in the story.

As a very loose rendition of historical fiction, it requires an ability to enjoy the suspension of belief in order to appreciate the humor, as well as an ability to look past the few offensive remarks to that are both poignant stabs at the time period as well as timely interpretations of the fact that prejudice and racism are far from dead.

Filed Under: Blog, Writing Craft Tagged With: #histfic, #writetips, accuracy, authenticity, Deborah Swift, editing #amwriting, fact and fiction, Historical accuracy, historical fiction, history, S J Parris, Sol Stein, Susanna Calkins, The Time - Traveller's Guide to RestoratiHistorical accuracy, historical fiction, history, S J Parris, Sol Stein, Susanna Calkins, The Time - Traveller's Guide to Restoratihistorical fiction, history, S J Parris, Sol Stein, Susanna Calkins, The Time - Traveller's Guide to Restoration Britain

Creating believable historical fiction means getting facts straight and making sure that your research and imaginative input inspires the most plausible, complex plots and characters you can possibly bring to life.

This is the tale of historical fact mixed with fiction and a touch of fantasy.

And watching Thompson and his wife struggle to separate fact from fiction in the «Ballad,» then explain the difference between them to a four - year - old, is a hoot; they end up having to read aloud, «at her insistence,» an entire biography of Andrew Jackson to establish historical conteAnd watching Thompson and his wife struggle to separate fact from fiction in the «Ballad,» then explain the difference between them to a four - year - old, is a hoot; they end up having to read aloud, «at her insistence,» an entire biography of Andrew Jackson to establish historical conteand his wife struggle to separate fact from fiction in the «Ballad,» then explain the difference between them to a four - year - old, is a hoot; they end up having to read aloud, «at her insistence,» an entire biography of Andrew Jackson to establish historical context.

- Publishers Weekly «Dietrich works real characters and historical events into the mix, expertly blending fact and fiction.

In fact, with Booklist Editors Recommend you'll find numerous creative suggestions for read - alikes for titles on both the Top 10 Historical Fiction list and the Top 10 Historical Fiction for Youth.

For example, if you write historical fiction, share articles, pictures, and facts about the time period you write about.

Author's Digest offers five facts and tips for using horses in your self - published book, whether it's historical fiction, western, or fantasy.

Having discovered a love of historical research and blending fact with fiction, she looks forward to penning many more historical fiction novels.

They often frame their 16 mm films through performance, as a way to heighten the embodiment of characters who are often brought together across different historical moments, facts, and fictions.

Her works move between film and theatre, fact and fiction, historical models and subjective adaptations.

Creating riotous narratives that blur the boundaries between fact and fiction, Papadopoulos employs lyrical excess — gathering magazine cuttings and pop culture together with art historical references.

By weaving together historical fact, autobiographical data or excerpts from science - fiction films and didactic books, they build narratives and stories which amalgamate relevant coincidences from the past, as well as foretell the future.

While Walker draws inspiration from sources like the antebellum South, testimonial slave narratives, historical novels, and minstrel shows, she generally conflates fact and fiction to uncover the living roots of racial and gender bias.

As with many of Campbell's works The Welfare of Tomás ó Hallissy questions the validity of documentary form as historical representation, blurring fact, and fiction, recording and interpretation.

The camera inhabits a temporal vacuum, able to capture or create moments chronologically and geographically distinct, such as 1960s Leeds or 1970s USA, and present them as either historical fact or fiction.