Unlike traditional historical fiction, historical fantasy doesn't aim to be a perfect reflection of real life in the time and place in which it takes place.
Not exact matches
The Iliad and Beowulf were writing in the genre of
fantasy... «Once upon a time inky, pinky and bod got into a boat» The bible contains poems,
historical narrative, precise directions that is why you
do not compare it to the Iliad.
I felt Pan's Labyrinth
did the same, albeit on a higher level: I went to excited to see a film which combined mythology with the Spanish Civil War, but while the mythical creatures were fantastic, the
historical portrait was cartoonish and hence the tension between «reality» and
fantasy was slack.
In this
historical fantasy, produced by Tim Burton, vampires strike the same twitchy nerve among the citizenry that terrorists
do in our real world.
Edo - era Japan functions much as medieval Europe
does in dragon - and - wizard
fantasies: a freeform backdrop where exaggerated
historical elements and fairy - tale tropes seem equally at home.
I charge for my cover art and have
done many covers for mystery, horror,
fantasy and
historical books.
Posted by Victoria Strauss We don't often
do self - promotion here at Writer Beware — but yesterday was publication day for my young adult
historical fantasy Passion Blue — a novel of art, astrology, and romance set in Renaissance Italy.
Whether you're writing
historical novels, contemporary fiction, or even
fantasy, research photography is a skill worth developing (see what I
did there...).
Death Doesn't Bargain is the second
historical fantasy title in Sherrilyn Kenyon's Deadman's Cross series — available May 8th from Tor Books.
Several assorted other short stories that don't fit any of the above (and aren't yet published): a time travel story, a supers story, a solarpunk story set in the present day, a couple of pieces of
historical fantasy set in our world.