Sentences with phrase «historical figures presented»

'» [58] This kind of lesson often takes the form of hero worship, with larger - than - life characters — or real historical figures presented with their foibles airbrushed away — held up to students to encourage imitation of their actions.

Not exact matches

Again, these figures are estimated from historical data and do not reflect an actual portfolio, nor do they ensure that future outcomes will be similar to those presented here.

For Balthasar, the risen Lord, who wills to be present in His Church until the end of time, can not be isolated from this constellation of historical life.13 He gives a lasting character to these figures so that believers may continue to have access to the divine life.

The historical picture presents Jesus as an entirely human figure.

He is present for too much of the action and credited with too many breakthroughs to be believable as a historical figure.

Our concern has been simply to indicate what process - thought in a general way has to tell us about God, the world, the nature of man and society, coupled with some discussion of its references to the historical figure of Jesus and its way of envisaging the destiny of man both in and beyond his present mortal existence.

Then, secondly, there are those aspects of this knowledge which, like aspects of historical knowledge of any figure from the past, can become significant to us in our present in various ways.

In 1892 the liberal movement was at its height, Schweitzer's work was still fourteen years in the future, and the discussion was between, on the one hand, an orthodoxy still claiming the gospels as historical documents and the Christ of the Church's faith as a historical figure, and, on the other hand, a liberalism claiming the gospels as non-historical in their present form, but as capable of being used as historical sources, sources for the reconstruction of a historical Jesus to be distinguished from the Christ of the gospels.

Still, it does at least support an interesting premise for a family comedy, although it does come off as a second - rate rekindling of the Jumanji (rampant animal madness) and Bill and Ted's Excellent Adventure formulas (a motley ensemble of historical figures coming together to help the people of the present).

This lesson bundle focuses on: Vocabulary: greetings, family, friends, home and school, travel and nature, and history and communities Grammar: number and gender, articles, pronouns, punctuation, «Ser vs. Estar,» regular verbs in present and preterite, possession, and time Culture: independence of countries on the American continent; culture of the Spanish - speaking world, globally and in the US; and historical figures * We have provided the videos embedded within the lesson PDF and also separately in -LRB-.

Your own voice or the voice of a historical figure is definitely present and clear but may need to be louder and more poignant

Again, these figures are estimated from historical data and do not reflect an actual portfolio, nor do they ensure that future outcomes will be similar to those presented here.

Threads of politics, historical figures, and a war between nations really drove home the story being presented in Trails of Cold Steel.

In addition to these two main traditions there is a Jungian faction, also venerable, and the recent «hidden figuration'theories of Pepe Karmel, presented in the catalogue of the last retrospective, but these latter have the drawback that they treat Pollock's work as if it were analysable in the same way as any historical figure painting.

Soulages work feels wholly present in the contemporary discourse, rather than an important figure in the art historical, or a road marker in post-war abstraction.

Bringing together the dynamism of Picasso (particularly the captivating polemic tableau Guernica), Robert Colescott's acerbic historical reimaginings, and an incisive distillation of pop cultural and socio - political content, Abney's work presents the figure in stunning and curious detail.

In the present work, the figure is brought to the fore with a renewed sense of clarity, excavated from layers of historical allusion and abstract technique.

He messes around with time by presenting superheroes who are pitted against figures of historical evil — it makes you think about the complexity of good and evil as he questions whether they're absolute.

His artworks, presented as documents and attributed to fictional as well as historical figures, narrate and visualise stories about the Lebanese wars of the past three decades.

His work presents these figures in confusing and illogical acts, a critique that addresses America's habit of manipulating key moments from historical events.

Kohn Gallery is pleased to announce its participation at the 2017 edition of FIAC, with a booth of historical work that underscores the breadth and scope of 20th century Californian art with leading figures from the «60s through the present.

Her gallery will present innovative historical exhibitions of such influential European and American figures as well as showcases of exceptional new work by living artists and special commissioned projects.

Incorporating recent historical events, pop culture, television technology, and elements of his own figure into his work, Jackson comments on the way history has shaped our present moment, creating a body of work that reads as a new interpretation of post-war America.

With the renewed curatorial and academic interest in the African American contribution to the history of abstraction, «Mildred Thompson: Resonance, Selected Works from the 1990s,» presented in the Walter O. Evans Center for African American Studies, is a remarkable opportunity to expand this dialogue by celebrating the work of an under - recognized historical figure.

For his second solo exhibition in Hong Kong, California - based American painter Lee Waisler presents a series of moving portraits of historical and contemporary figures.

The collection's whimsical porcelain figures, enchanting miniature portraits, and a dazzling array of historical glass have ranked among NOMA's visitor favorites for decades, and the collection display is now being updated with a new installation that carries forward NOMA's curatorial initiative to integrate collections across material and culture, to provide layered interpretation, and to present the best of our Gulf region's artistic expression in context with our encyclopedic collection covering ancient to contemporary arts.

Drawing inspiration from his personal history and an interest in long - passed historical figures and events, Lerma creates work that expounds on the profound contingency of the present on the past, and how art and history share innate parallels of progression and innovation.

Exhibiting at Art Basel Hong Kong for the first time, PPOW is presenting a two - person booth that features historical paintings and drawings by the late Martin Wong, a self - taught Chinese - American painter and fabled figure of the East Village art scene that died from an AIDS - related illness in 1999, and glass - and - bronze sculptures that evoke elements of traditional Chinese landscape paintings from the Vermont - based Australian artist Timothy Horn, who's a recent addition to the gallery's stable.

Many of the contributors have taken part in exhibitions and public programs at the Atlanta Contemporary Art Center from 2007 to the present, and others have been included to represent provocative historical and contemporary viewpoints by a range of influential figures.

Portraitist Marlene Dumas presents figures in a gritty, unsentimental manner, evoking the essence of the human condition, while Kerry James Marshall paints the life of African - Americans in the twentieth - century, employing recent historical review to document the social challenges.

Humanism and Technology, The Human Figure in Industrial Society, 600 Seoul International Art Festival, National Museum of Contemporary Art, Seoul, December 16, 1994 — January 14, 1995 (Catalogue) Prints and Process, Old Dominion University, Norfolk, Virginia, October 1994 Democratic Vistas: 150 Years of American Art from Regional Collections, University Art Museum, University at Albany, New York, September 24 — November 13, 1994 (Catalogue) Master Prints from the Collection of The Butler Institute of American Art, The Butler Institute of American Art, Youngstown, Ohio, September 9 — October 19, 1994 Visible Means of Support, Wadsworth Atheneum Museum of Art, Hartford, Connecticut, June — November 1994 Against All Odds: The Healing Powers of Art, The Ueno Royal Museum and the Hakone Open Air Museum, Japan, June 9 — July 30, 1994 A Floor in a Building in Brooklyn, Richard Anderson Gallery, New York, June 9 — July 30, 1994 (Curated by Chuck Close) The Assertive Image: Artists of the Eighties, Selections from the Eli Broad Family Foundation, UCLA, University of California, Los Angeles, June 6 — October 9, 1994 From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection, National Gallery of Art, Washington, D.C., May 29 — November 27, 1994 (Catalogue) Facing the Past: Nineteenth — Century Portrait from the Collection of the Pennsylvania Academy of the Fine Arts and Confronting the Present, The Frick Art and Historical Center, Pittsburgh, May 27 — June 24, 1994 Inaugural Group Exhibition, Off Shore Gallery, East Hampton, New York, May 14 — June 13, 1994 30 YEARS ---- Art in the Present Tense: The Aldrich's Curatorial History 1964 — 1994, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, May 15 — September 17, 1994 (Catalogue) Face - Off: The Portrait in Recent Art, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, September 9 — October 30, 1994.

And throughout her oeuvre, while her abstractions came to resemble historical objects, Afnan's portraits of anonymous figures appear haunted by the present.

«More Mergers & Acquisitions» at the Atlanta Contemporary Art Center samples art from the 1970s to the present, finds treasures hidden in the homes of local collectors, mixes works of Atlanta artists with historical figures and...

Figures involved in the historical moments of Conceptual art, Feminism, performance and experimental cinema, who opened art up to wider discursive contexts — such as Chris Burden, Gordon Matta - Clark, Dan Graham, Hélio Oiticica, Joan Jonas, VALIE EXPORT, Mary Kelly, Adrian Piper, Carolee Schneemann and Michael Snow — were among more than 150 artists presented in the Biennale, not to mention many others in the catalogue and online.

Often presented with precise accuracy — as seen in the drawing by Eric Yahnker and collage by David X. Levine — contemporary, historical, and religious figures can find new meaning within the context of a portrait.

which translates roughly as Everything should (will) disappear, will see Nadège Dauvergne present her works which portray figures from historical paintings and places them into new environments, creating associations from ideas and forcing us to ask questions about our relationships with money and the sacred in our modern society.

In this work, and others, one can see references to figures such as Marcel Broodthaers and Sigmar Polke, giving us a historical thread to connect these ongoing discussions to the present time in flux.

Time - trend figures, such as Figure 9 below, present base and policy case information starting from the historical year 2005 through 2040, the end of the AEO2015 projection period.