Sentences with phrase «historical points of departure»

The presentation of their work revolves around art itself and its history, both ancient and modern, and they take quite disparate approaches to historical points of departure.

Here at the outset let us take care to make it clear that the question of an historical point of departure arises even for a contemporary disciple; for if we are not careful here, we shall meet with an insuperable difficulty later (in Chapter V), when we come to deal with the case of the disciple whom we call the disciple at second hand.

It is preceded by the motto: Is a historical point of departure possible for an eternal consciousness?

With the early Arts and Crafts movement and the Bauhaus vision of art integrated with everyday life as its historical point of departure, the Art and Craft department seeks to elaborate on the relationship between art and life, on matters of materiality (production, sustainability, globalisation), on design and architecture, and on artistic practice in social and political contexts in a contemporary perspective.

Hayes takes the 1977 National Women's Conference in Houston, TX as a historical point of departure.

Not exact matches

We see at once that the historical in the more concrete sense is a matter of indifference; we may suppose a degree of ignorance with respect to it, and permit this ignorance as if to annihilate one detail after the other, historically annihilating the historical; if only the Moment remains, as point of departure for the Eternal, the Paradox will be there.

As Pastor Klein rightly points out, Mr. Nuechterlein inexplicably chooses women's ordination and other modern issues as tests of catholicity, despite their negative effects on church unity and their radical departure from historical Christianity.

Let's face it goalkeepers tend to march to the beat of a different drum and Szczesny certainly fell into that category, but most of his antics were relatively harmless and simply reflected a certain level of immaturity that isn't uncommon for someone thrust into the limelight at such a young age... lord knows we've seen that happen with numerous players throughout the years and very few were ever banished for such behaviour... the only on - field action that drove me crazy was his inability to take a deep breath and not try to rush the play with an ill - timed throw at certain points in the game when common sense suggested holding the ball and slowing things down... the fact that he continued to do this probably had a lot to do with the glaring lack of coaching time spent with the goalkeepers... ultimately he made the fateful decision to take his frustrations out into the public sphere and paid dearly for it... in the end, his services were wanted by several of the best Italian squads, which is significant considering the historical importance placed on the defensive side of the ball in Serie A... all I know is that if someone asked me to pick the most athletically gifted goalkeeper we have had in our squad since the arrival of Wenger, without hesitation, he would be my pick and for that reason his departure is more than a little disappointing... what else is new though

These new works take historical paintings and Internet culture as their point of departure and utilize paint and digitally manipulated printed images to create hybridized portraits suffused with cultural and societal critiques.

The major group exhibition Believe not every spirit, but try the spirits takes as its departure point the art of forgotten Victorian - era Spiritualist Georgiana Houghton (1814 - 1884), and features contemporary and historical painting, sculpture, video and photography that both explore and adopt Spiritualist practices and methodologies.

Taking selected works from the Collection as its point of departure, including seminal pieces by some of the most prominent artists from Central, Eastern and South - East Europe since the 1960s, including historical works by Mladen Stilinović, Július Koller, Valie Export, Geta Brătescu, Edward Krasiński and Sanja Iveković, the exhibition stages an interplay between these and other historical, contemporary and newly produced works that interpret and critically examine the collection by artists such as Nika Dubrovsky, Tim Etchells, Marcus Geiger, Ashley Hans Scheirl, Vlatka Horvat, David Maljković, Oscar Murillo, Manuel Pelmus and Stephen Willats.

These new works take historical paintings and internet culture as their point of departure and utilize paint and digitally manipulated printed images to create... Read More

Her wall installations, comics, photography, and mixed media works on paper often take historical and mythic texts as inspiration and points of departure.

At times, her vessels allude to the historical depiction of severed heads, using the myth of Medusa as a point of departure to address the terror of female sexuality as it is represented throughout art history.

Like Life thus provides a point of departure for examining historical and contemporary preconceptions of what constitutes a work of art, as well as emotional, physical, and aesthetic responses to the human body across time.»

By pairing three historical paintings of women by men with contemporary portraits of women predominantly by women, the exhibit takes as its point of departure the notion that both reading and authoring representational images is a form of feminist resistance.

Using as a point of departure a small but charged set of historical and popular archival images, film clips, writings, and music, they will share their insights on the ideas and themes embedded in these objects and ephemera.

Out of Line featured nearly thirty historical works taking Colombian artist Feliza Bursztyn's raucous, stainless steel sculpture Sin título (de la serie Histéricas)(1967) as the point of departure.

Her wall installations, comics, charcoal drawings, and mixed media works on paper often take historical and mythic texts as inspiration and points of departure to complicate received ideas of iconic female forms.

For her solo show she has created large format paintings and sculptures using the foundation's main gallery as her studio this summer: these new works take historical paintings and internet culture as their point of departure and utilize paint and digitally manipulated printed images to create hybridized portraits suffused with cultural and societal critiques.

Interviews, documents, or historical events are points of departure for experimental narratives and documentaries that play with fraught truth, as she investigates the space between presence and absence, memory and erasure in personal knowledge of historical narrative.

Salcedo often takes specific historical events as her point of departure, conveying burdens and conflicts with precise and economical means.

The rereading takes as its point of departure the socio — political upheavals of the 1960s and considers the Bauhaus, its historical contexts and the history (ies) of its reception from today's perspective.

Utilizing her Euro - Canadian and Mohawk ancestries as a point of departure, Hannah Claus creates ephemeral installations that are intended to subtly provoke a re-thinking of boundaries and borders of cultural, personal and historical associations.